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‘Star Trek’ Actor George Takei Is Determined To Keep Telling His Japanese American Story

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TOKYO — The internment of 120,000 Japanese Americans, including children, as adversaries during World War II is a historical event that has shocked and galvanized the Japanese American community over the years.

George Takei, who portrayed Hikaru Sulu aboard the USS Enterprise in the Star Trek franchise, is committed to recounting the story at every opportunity.

“I consider it my life’s mission to educate Americans about this chapter of American history,” he said in a recent interview with The Associated Press.

He thinks that the lesson about the failure of American democracy has not been fully learned, especially among Japanese Americans.

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George Takei | AP News Image

‘Star Trek’ Actor George Takei Is Determined To Keep Telling His Japanese American Story

“The government bears the shame of detention. They are the ones who committed an act of injustice, cruelty, and inhumanity. But so often, the victims of government activities bear the shame themselves,” he remarked.

Takei, 87, has released a new picture book titled “My Lost Freedom” for youngsters aged 6 to 9 and their parents. Michelle Lee illustrated it with gentle watercolors.

Takei was four years old when President Franklin D. Roosevelt issued Executive Order 9066 on February 19, 1942, two months after Japan bombed Pearl Harbor, proclaiming anyone of Japanese heritage an enemy of the United States and forcefully removing them from their West Coast homes.

Takei spent the next three years behind barbed wire, surrounded by troops with weapons, in three camps: the Santa Anita racetrack, which smelled of dung; Camp Rohwer in a marshland; and, beginning in 1943, Tule Lake, a high-security segregation center for the “disloyal.”

“We were perceived as distinct from other Americans. This was unfair. We were Americans and had nothing to do with Pearl Harbor. Yet we were imprisoned behind barbed wires,” Takei says in his book.

Throughout it all, his parents are presented as bearing the burdens with quiet dignity. His mother sews clothes for the children. They fashioned seats from scrap lumber. They played baseball. They danced to Benny Goodman. For Christmas, they received a Santa who appeared to be Japanese.

Takei’s is a great story of persistence and justice that is common to the Japanese American experience.

It’s a story that has been told and retold in books such as Jeanne Wakatsuki Houston’s 1973 “Farewell to Manzanar,” Lawson Fusao Inada’s “Only What We Could Carry,” and Frank Abe and Floyd Cheung’s “The Literature of Japanese American Incarceration,” which was recently published.

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George Takei | AP News image

‘Star Trek’ Actor George Takei Is Determined To Keep Telling His Japanese American Story

David Inoue, executive director of the Japanese American Citizens League, headquartered in Washington, D.C., believes Takei’s book’s message is still relevant.

He said that discrimination continues to this day, as seen by the anti-Asian attacks that erupted during the COVID-19 outbreak. Inoue claimed that his son had been taunted at school like he was when he was younger.

“Having novels like this helps to humanize us. It shares anecdotes about us that demonstrate how similar we are to other families. We like to play baseball. “We have pets,” Inoue explained.

Takei and his family were exiled to Tule Lake in northern California after his parents responded “No” to key items on a so-called loyalty questionnaire.

Question 27 asked if they were willing to serve in the United States Armed Forces, and Question No. 28 asked if they swore allegiance to the United States and would forego allegiance to the Japanese monarch. Both were contentious issues for people who had been robbed of their fundamental civil rights and labeled enemies.

“Daddy and Mama both thought that the two questions were stupid,” Takei writes in “My Lost Freedom.”

“The only honest answers were No and No.”

Takei stated that the questions failed to describe what would happen to families with young children. He claimed that the second question was equally a no-win because his parents believed there was no need to oppose Japan.

Tule Lake, the largest of the ten camps, housed 18,000 people.

Young men who replied “Yes” joined the all-Japanese American 442nd Regimental Combat Team, which fought in Europe while their families were imprisoned. The 442, with its famed “Go for Broke” motto, is the most decorated unit of its size and duration in US military history.

“They were determined to prove themselves and get their families out of barbed wires,” Takei stated. “They’re our heroes. I know I owe a lot to them.”

After Japan surrendered, Takei and his family, like all other Japanese Americans released from the camps, were granted $25 and a one-way ticket to anywhere in the United States. The Takei family decided to start fresh in Los Angeles.

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George Takei | Pixa Bay Image

‘Star Trek’ Actor George Takei Is Determined To Keep Telling His Japanese American Story

After years of effort and testimony by Japanese Americans, including Takei, the Civil Liberties Act was passed in 1988, awarding $20,000 in restitution and a formal presidential apology to every surviving U.S. citizen or permanent resident immigrant of Japanese descent detained during WWII.

Takei’s voice cracked as he remembered how his father did not survive to witness it.

He was proud of the variety shown in “Star Trek,” a television series that premiered in the mid-1960s and quickly gained a devoted fan base. The crew that flew through the galaxies had a variety of backgrounds.

Gene Roddenberry, the writer, inventor, and producer of “Star Trek,” intended to reflect the difficult times and the civil rights movement on television but had to do so symbolically to make it acceptable, according to Takei.

“various people have various views, tastes, and foods. He intended to make that comment. “Each character was supposed to represent a portion of this planet,” Takei explained.

Takei recounted how his father taught him that the government “of the people, by the people, and for the people,” as Abraham Lincoln phrased it in his Gettysburg Address, could also be a weakness.

“All humans are imperfect, including great presidents like Roosevelt. The hysteria and prejudice of the day stampeded him. “And he signed Executive Order 9066,” Takei stated.

SOURCE – (AP)

Kiara Grace is a staff writer at VORNews, a reputable online publication. Her writing focuses on technology trends, particularly in the realm of consumer electronics and software. With a keen eye for detail and a knack for breaking down complex topics, Kiara delivers insightful analyses that resonate with tech enthusiasts and casual readers alike. Her articles strike a balance between in-depth coverage and accessibility, making them a go-to resource for anyone seeking to stay informed about the latest innovations shaping our digital world.

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Shannen Doherty, ‘Beverly Hills, 90210’ Star, Dies At 53

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Shannen Doherty | AP News Image

Los Angeles — Shannen Doherty, the “Beverly Hills, 90210” star whose life and career were roiled by sickness and tabloid rumors, died at 53.

Leslie Sloane, Doherty’s spokesperson, confirmed that she died Saturday. She had breast cancer for several years.

“The beloved daughter, sister, aunt, and friend was surrounded by her loved ones, including her dog, Bowie. “The family requests privacy at this time so they can grieve in peace,” Sloane said. The news was initially published by People magazine.

Her sickness was made public in a lawsuit filed in 2015 against her former business managers, in which she claimed they mismanaged her money and let her health insurance lapse. She later disclosed detailed information about her treatment after a single mastectomy. In December 2016, she shared a snapshot of her first day of radiation, describing the therapy as “frightening” for her.

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Shannen Doherty | AP news Image

Shannen Doherty, ‘Beverly Hills, 90210’ Star, Dies At 53

Doherty disclosed in February 2020 that her cancer had returned, and she was in stage four. She stated that she came out so that her medical conditions may be revealed in court. In 2018, the star filed a lawsuit against insurance company State Farm after her California home was damaged in a fire.

Doherty was born in Memphis, Tennessee, and relocated to Los Angeles with her family when she was seven. Within a few years, she became an actor.

“It was completely my decision,” she told The Associated Press in a 1994 interview. “My parents never forced me into anything. They support me. It wouldn’t matter if I were a professional soccer player; they’d be just as supportive and loving.”

She worked continuously as a child star on TV shows such as “Little House on the Prairie,” where she played Jenny Wilder. As a teenager, she detoured to the big screen with “Girls Just Want to Have Fun” (1985) and “Heathers.”

In 1990, the doe-eyed, dark-haired actress scored her breakout role as Brenda Walsh in producer Aaron Spelling’s blockbuster teenage melodrama set in wealthy Beverly Hills. She and Brenda’s twin brother, Jason Priestley’s Brandon, were out of their element in the Midwest.

However, Doherty’s celebrity came with media scrutiny and allegations of outbursts, drunkenness, and impulsiveness, the last most notably following a brief marriage to George Hamilton’s son.

She quit “90210” at the end of its fourth season in 1994 (the show ran until 2000), allegedly due to problems with her costars and frequent tardiness.

However, in a 1994 Associated Press interview, Doherty portrayed her life as calm.

“It must be, if you pick up the Enquirer and find the only thing they can write about me is that I installed a pay phone next to my house and was seen at Stroud’s (a discount bed-and-bath chain) buying $1,400 worth of bed linens and wouldn’t go to an expensive store,” according to her. “It must be calm if they’re pulling that stuff out of their heads.”

Three years later, in 1997, a Beverly Hills Municipal Court judge sentenced Doherty to anger-management training after she allegedly smashed a beer bottle against a man’s window during a fight. In another legal fight, she pled no contest to a 2001 drunken driving charge and was sentenced to five days in a work-release program.

Doherty reconnected with Spelling in 1998 when he cast her as Prue Halliwell in “Charmed.” In an AP interview that year, the actress professed regret for her past.

“I did bring a lot of it on myself,” Doherty admitted. “I don’t believe I can point fingers and say, ‘Oh, you’re to blame.'” I don’t do this with myself, either. “Because I was still growing up.”

Doherty also stated that the media had “grotesquely misconstrued” her personality.

Spelling stated that their relationship was never as bad as others made it appear.

“We had a few bumps along the road, but golly, who doesn’t?” recalled Spelling, who died in 2006. “Everything Shannen did was blown out of proportion by the rag sheets.”

From 1998 until 2001, Doherty starred in “Charmed” alongside Holly Marie Combs and Alyssa Milano, after which Rose McGowan replaced her character. Seven years later, she starred in the “90210” sequel series alongside original series star Jennie Garth and competed in “Dancing with the Stars” in 2010. She also worked on the third “Beverly Hills, 90210” revival, “BH90210,” a meta take on the program that ran for one season in 2019.

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Shannen Doherty | AP News Image

Shannen Doherty, ‘Beverly Hills, 90210’ Star, Dies At 53

Doherty struggled to regain her “Beverly Hills, 90210” star status, although she did work in big-screen pictures like “Mallrats” and “Jay and Silent Bob Strike Back,” as well as TV movies like “A Burning Passion: The Margaret Mitchell Story,” in which she played the author of “Gone with the Wind.” The nadir was “Blindfold: Acts of Obsession,” an erotic thriller starring Judd Nelson.

Doherty’s case against her former business managers was settled in 2016. She was honest about the toll cancer was taking on her. In an August 2016 interview with “Entertainment Tonight,” she discussed her anxieties and provided photographs of her baldness after treatment.

“The unknown is always the scariest part,” she told me. “Will the chemo work? “Is the radiation going to work?” she asked. “Pain is manageable, you know, living without a breast is manageable; it’s the worry of your future and how your future is going to affect the people that you love.”

Doherty married Rick Salomon in 2002 after the latter was involved in a sex tape issue with Paris Hilton. The marriage was annulled within a year. In 2011, Doherty married photographer Kurt Iswarienko. She filed for divorce in April 2023.

SOURCE | AP

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Griff Has Opened For Some Of Pop’s Biggest Stars. Now She Has A Debut Album Of Her Own To Tour

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Griff, a British singer-songwriter, has had an undeniably successful career. Less than two years after releasing her first track and clearing her A-level examinations, she received the Brit Award for Rising Star. Then she opened for Dua Lipa. Then, Ed Sheeran. Then Coldplay. Then, Taylor Swift.

Between gigs, solo shows, and music releases, she worked on the tracks for her debut album, “Vertigo,” which is out today.

“The usual steps that you take as a new artist have been a bit, like, upside-down,” the 23-year-old, who goes by Sarah Faith Griffiths, told The Associated Press in an interview. “An album is such a step hitting the ground, and it’s such a milestone I’ve always wanted to get to.”

Griff Has Opened For Some Of Pop’s Biggest Stars. Now She Has A Debut Album Of Her Own To Tour

According to her, this moment feels like the start of her career. The immersive pop album explores the emotions accompanying such a whirlwind and those arising from other destabilizing occurrences, such as growing up and experiencing heartache.

Griff said the inspiration for the project came, “funnily enough,” while navigating a spiral staircase in one of the residences she wrote the record in — in this case, a cottage owned by singer and songwriter Imogen Heap. She claimed the physical truth of the encounter immediately translated into an emotional counterpart, which has stayed with her ever since.

“That was just a very real, tangible feeling that I have had, and still have, at this stage in my life,” she told me.

“Tears For Fun” and “Miss Me Too” explore that dizzying sensation through multilayer productions inspired by the large-scale locations she has previously played in. “Astronaut” incorporates piano by Coldplay’s Chris Martin, who inspired Griff to alter an early form of the song into a ballad. “You said you needed space, go on then, astronaut,” she admits in her characteristic belt, her grounded demeanor lending weight to her charges.

“It’s almost like I’m a little greedy with emotions when it comes to songs,” she added, explaining her desire to combine heartbreaking words with catchy, optimistic arrangements. “For me, music is all about moving people and triggering emotion.”

According to her, the catharsis is shared by both the artist and the listeners, which Martin has encouraged.

“He really believes that as creatives and writers, we’re just kind of vessels, and creativity will flow through us and ideas will find their way to the right people,” according to her. “And I think that kind of philosophy is really reassuring.”

Griff succeeds in her aim not only through her sound but also through the graphics she and her crew create. Ever since the album’s first track was released, she has worn a spiral in her hair. Song visualizers envision her dancing in billowing textiles on the same spiral created in sand. Like her pop forefathers, she understands that an album “era” is a multimedia undertaking.

However, the more casual glances of Griff, the creative, may disclose far more about her inner life. In preparation for her gig opening for a night of Swift’s Eras Tour in London, she chronicled the process of making a garment out of blue and white cloth inspired by a line from Swift’s song “But Daddy I Love Him.”

“I was always draping bedsheets around myself,” she recalled from her upbringing. “I was the only female – I have two elder brothers and a lot of foster siblings — so I entertained myself by dressing up. “I think I just enjoy making things.”

Griff Has Opened For Some Of Pop’s Biggest Stars. Now She Has A Debut Album Of Her Own To Tour

Swift stated on stage: “This girl, she is so creative on every single level.”

Griff, true to her enthusiasm, says she is eager to continue producing.

“To be totally honest, I feel excited to get back in the studio,” she told me. “I feel like I’ve got a lot more to give.”

SOURCE | AP

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Eminem Tops Spotify Charts with “The Death of Slim Shady” Album

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Eminem Tops Spotify Charts with The Death of Slim Shady Album

Eminem’s latest album, “The Death of Slim Shady (Coup De Grâce),” has achieved a monumental career milestone, pushing him to the top of Spotify’s Daily Top Artists chart. Due to his lyrical prowess and impactful storytelling, the rapper surged from No. 10 to No. 1 in just one day.

Eminem has experienced unprecedented listenership with the album launch, driving the streaming platform to peak popularity. According to insights from Eminem Pro, the track “Houdini” off the album garnered substantial acclaim, ranking third on Spotify’s Top Songs Global chart in its first day.

The song amassed an impressive 7.85 million streams within 24 hours of its release, emphasizing Eminem’s enduring influence in the music industry.

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In conjunction with the album’s success, Eminem has achieved a remarkable milestone in monthly listeners, surpassing 78.7 million and gaining more than 850,000 new listeners daily.

In addition to reinforcing his position as one of Spotify’s top artists, this surge highlights his ability to consistently grow his fan base and engage with it.

This latest triumph underscores Eminem’s ability to connect with audiences worldwide, reaffirming his status as a trailblazer in hip-hop and a perennial force in contemporary music. His influence on the cultural landscape remains as strong as ever, as his latest album continues to captivate audiences worldwide.

While Eminem has mentioned his children in prior songs like “Mockingbird,” “When I’m Gone,” and “Hailie’s Song,” these new ones provide a more intimate and sensitive look at his relationship with them. This emotional openness was also obvious in the new “Houdini” music video, which included all three youngsters in a playful setting.

“The Death of Slim Shady” represents a dramatic transition in Eminem’s career, with a departure from his alter ego and a stronger emphasis on personal events. The album’s introspective nature, particularly regarding his children, connects with listeners on an emotional level and provides a glimpse into the rapper’s softer side.

Source: eminem.news

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