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Court Rules Beauty Pageant Can to Bar Transgenders



Court Rules Beauty Pageant Can to Bar Transgenders

A federal appellate court has ruled that a national beauty pageant has a First Amendment right to prohibit a transgender woman from competing because incorporating her would interfere with the message the pageant wants to communicate about “what it means to be a woman.”

The ninth U.S. The verdict came in response to a lawsuit filed by Anita Green, who claimed that the Miss USA pageant violated an Oregon state anti-discrimination legislation by barring her from competing in 2019.

Green has competed in several pageants, including Miss Montana USA, Miss Earth, and Ms. World Universal. She was living in Clackamas, Oregon, and was planning to compete in the Miss United States of America’s Miss Oregon pageant when she claimed the organization turned down her application because she was not a “natural born girl.”

Green filed a lawsuit, claiming that the organization was breaking a state statute that makes it illegal to refuse people public accommodations based on their gender or gender identity.

However, attorneys representing the Miss United States of America Pageants stated that the pageant program was created to commemorate and promote “natural born women” by transmitting a message of “female biological empowerment.”

Court Rules Beauty Pageant Can to Bar TransgendersBeauty Pageant Ruling

The nine-judge panel of the Ninth Circuit ruled 2-1 in favour of the Beauty Pageant organization, stating that forcing the contest to include a transgender woman would fundamentally alter the message the Beauty Pageant was attempting to communicate.

“Beauty pageants, like theatre, cinema, or the Super Bowl halftime show, mix speech with live performances such as music and dancing to deliver a message,” wrote Judge Lawrence VanDyke for the majority. “And, while the content of that message differs every pageant, it is widely assumed that beauty pageants are generally aimed to convey the ‘ideal picture of American womanhood.'”

The appellate court agreed with a lower court’s conclusion that anyone seeing the contest’s choice to exclude transgender women would most likely conclude that the pageant organizers did not feel transgender individuals qualified as female.

“The Beauty Pageant has the ability to communicate this message and enforce its “natural born female” rule under the First Amendment,” the appeal court concluded.


Forcing the pageant to admit transgender contestants would amount to “compelled expression,” a violation of the First Amendment, the panel determined, and the fact that the pageant was a corporation engaged in commerce was insufficient to overcome that free speech privilege.


In a dissenting opinion, Judge Susan P. Graber stated that the majority omitted critical stages when determining whether the First Amendment applied.

According to Graber, the court should have considered whether Oregon state law applied to the case, which may have settled the claim before the judges even reviewed the First Amendment question.

Tanice Smith, the pageant organization’s owner, and her attorney, John Kaempf, said the 9th Circuit’s dismissal was a matter of “basic justice.”

“The Ninth Circuit’s reasoning says it all: “Green requests that the state utilize its power to compel the Miss United States of America to express a message opposed to what she wishes to express.” “The First Amendment says no,” said Kaempf.

Green’s attorney, Shenoa Payne, did not immediately respond to an Associated Press request for comment.

Green expressed disappointment after a lower court verdict sided with the pageant last year but said the case raised awareness about transgender discrimination within the pageant circuit.

“I feel the United States of America Miss is on the wrong side of history by deliberately discriminating against transgender people, but the road to significant change has always been long and rocky,” Green said at the time.

“Transgender women are simply women.” My message has always been consistent, and it is this: “Everyone has beauty.”

Source: AP, VOR News

Geoff Thomas is a seasoned staff writer at VORNews, a reputable online publication. With his sharp writing skills and deep understanding of SEO, he consistently delivers high-quality, engaging content that resonates with readers. Thomas' articles are well-researched, informative, and written in a clear, concise style that keeps audiences hooked. His ability to craft compelling narratives while seamlessly incorporating relevant keywords has made him a valuable asset to the VORNews team.

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Luxury Jewelry Maker Cartier Doesn’t Give Stuff Away, But They Pretty Much Did For One Man In Mexico



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MEXICO CITY — Cartier, the luxury jewelry brand, is not known for giving out gifts, but in the case of one Mexican guy, they pretty much did.

Rogelio Villarreal was browsing Cartier’s website when he stumbled upon an offer that appeared too good to be true. “I broke out in a cold sweat,” he posted on his X account, previously known as Twitter.


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Luxury Jewelry Maker Cartier Doesn’t Give Stuff Away, But They Pretty Much Did For One Man In Mexico

Cartier made a mistake and advertised gold-and-diamond earrings for 237 pesos ($14) rather than the exact price of 237,000 pesos ($14,000). Villarreal ordered two sets.

What ensued was months of back-and-forth, during which he claimed Cartier offered him a consolation gift instead of the jewelry, and Mexican officials supported his argument that the corporation should uphold the listed price.

Villarreal eventually received the earrings last week at his price, and he posted a video online of himself unwrapping them. But he quickly grew tired of the public attention, realizing that not all that glitters is gold, and posted on Monday, “Alright already, talk about something else, I’m tired of the earrings being the only thing anyone knows about my personality.”

Villarreal’s case had become a lightning rod online during a particularly polarizing period in Mexico, ahead of the June 2 presidential elections.

Some onlookers chastised Villarreal for taking advantage of what they perceived as a genuine error by the high-end jewelry manufacturer. Some claimed he should return the earrings or pay taxes on them. Some called him a thief.


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Luxury Jewelry Maker Cartier Doesn’t Give Stuff Away, But They Pretty Much Did For One Man In Mexico

Villarreal, a doctor doing his medical residency, claimed he had to fight for months to get the company to deliver and that it offered to give him a bottle of champagne instead.

The corporation did not reply to inquiries for comment.

“I have the worst luck in the world, and I’ve never made any money, and what I do have is because I bought it,” Villarreal posted on social media. However, he could now purchase two $14,000 sets of earrings for only around $28.

He says he gave one of them to his mom.

“It feels great and it’s cool not to be the underdog for once in my life,” Villarreal said.

Profeco’s representative, Jesús Montaño, validated Villarreal’s account of his struggle.


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Luxury Jewelry Maker Cartier Doesn’t Give Stuff Away, But They Pretty Much Did For One Man In Mexico

“He filed a complaint in December,” Montaño explained. “There is a conciliation hearing scheduled for May 3, but the consumer already received his purchase.”

When asked about ethics, Montaño stated that corporations “have to respect the published price.” If an error occurs, “it’s not the consumer’s fault.”


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Heidi Klum Transforms Into a Multi-Person Peacock for Halloween 2023: See Her Show-Stopping Look



Heidi Klum

The Halloween queen has returned.

Heidi Klum, 50, arrived at her annual Halloween event on Tuesday with a full team for her costume. She dressed up like a peacock for this year’s festival, relying on the support of others for the peacock’s tail feathers.

While arriving at Marquee New York, she (and her colorful entourage) stacked on each other, much like a Cirque du Soleil show, to change into a giant, gorgeous bird.

Heidi Klum, dressed in a cobalt blue bodysuit, was in the center. The America’s Got Talent judge donned an ornate headdress with a finely detailed beak.

On the red carpet, Klum chatted exclusively to PEOPLE about her inspiration for this year’s costume.

“I wanted to do a costume with a large number of people.” I wanted a large group of people who would merge into one entity. “And in my mind, that one thing was the peacock,” she explains.

The entrepreneur went on to say that she flew to Montreal to figure out how to stack everyone.

“My feet are a different pattern, so my feet melt into his legs,” she explains to PEOPLE, revealing how the placement of her feet was vital for the colors of her costume.

heidi klum

Heidi Klum’s husband, Tom Kaulitz, walked the red carpet as an egg.

Rachel Zegler, Ice-T and Coco, Taylor Lautner Tay Dome, and others were among the celebrities in attendance.

According to the model and Project Runway host, this outfit has been in the works for a year. Every year, she throws a star-studded Halloween event and is already planning her next costume the next morning.

Heidi Klum is notorious for going to extraordinary measures for the holiday, such as learning to walk on stilts and putting on hours of prosthetics. Klum used to do her hair and cosmetics, but now she has a staff to assist her.

Heidi Klum has dressed up as a corpse, an old lady, and Princess Fiona from Shrek in the past, among many other famous outfits.

“I always try to find things that people wouldn’t naturally do,” Klum told PEOPLE earlier this year.

Heidi Klum

Heidi Klum Transforms Into a Multi-Person Peacock for Halloween

Klum’s Halloween costume history includes her Jessica Rabbit look from 2015, which included considerable prosthetics. Klum shared an Instagram video of the procedure, demonstrating how they reproduced the character’s looks.

Klum’s triumphant comeback last year (she had paused the parties due to the COVID outbreak) produced one of her most renowned costumes yet – a worm costume. Klum was rendered unrecognizable by the intense stare, which revealed only her eyes and mouth.

Klum has also made Halloween an interactive event. In 2019, she showcased her getting-ready procedure by transforming herself into a window in New York City. Klum demonstrated her love for Halloween by producing a horror flick to commemorate the eerie season in 2020.

SOURCE – (People)

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Piper Laurie, 3-Time Oscar Nominee With Film Credits Such As ‘The Hustler’ And ‘Carrie,’ Dies At 91




Early Saturday morning at her residence in Los Angeles, Piper Laurie, the determined Oscar-nominated actor who once renounced acting entirely in pursuit of a “more meaningful” existence, passed away. Laurie had appeared in several critically acclaimed roles. At the time, she was 91.

Marion Rosenberg, Laurie’s manager, emailed The Associated Press that she passed away of old age. Rosenberg described Laurie as “a marvelous human being and a phenomenal artist.”

Laurie, who was initially identified as Rosetta Jacobs upon her 1949 arrival in Hollywood, was immediately offered a contract with Universal-International, a studio she hated, which earned her a series of starring roles alongside, among others, Ronald Reagan, Rock Hudson and Tony Curtis.

Subsequently, in 1986, she was nominated for an Academy Award for the romantic drama “Children of a Lesser God,” the film adaptation of Stephen King’s horror classic “Carrie,” and the 1961 poolroom drama “The Hustler.” She also appeared in several critically acclaimed roles on television and the stage, including the antagonistic Catherine Martell in David Lynch’s “Twin Peaks” in the 1990s.

At seventeen, Laurie debuted in the film “Louisa” as Reagan’s daughter before appearing in “Francis Goes to the Races” opposite Francis the talking mule. She previously dated Curtis, with whom she collaborated on several films, including “Johnny Dark,” “The Prince Who Was a Thief,” “No Room for the Groom,” and “Son of Ali Baba.”

In 1955, she quit her $ 2,000-per-week job and vowed not to work again unless offered a respectable role.


She relocated to New York, where she secured the theatrical and live television drama roles she desired.

Emmy nominations for her performances in “Days of Wine and Roses,” “The Deaf Heart,” and “The Road That Led After” facilitated her return to the film industry, where she starred in “The Hustler,” an acclaimed production, as Paul Newman’s troubled fiancée.

After that, Laurie turned her back on acting for many years. She wed film critic Joseph Morgenstern, had a daughter named Ann Grace, and relocated to a Woodstock, New York estate. She later explained that the Civil Rights Movement and the Vietnam War influenced her adjustment.

“I was disillusioned and searching for a more meaningful existence,” she recalled, adding that she has never regretted the decision.

She declared, “My life was full,” in 1990. “I have always enjoyed working with my hands, and I have always been an artist.”


Laurie gained recognition for her baking abilities when The New York Times published her recipes.

She participated in a tour of college campuses with a dozen musicians and actors in 1972 to support Sen. George McGovern’s presidential campaign. This was her only performance during that period.

Laurie was finally prepared to resume her acting career when director Brian De Palma contacted her regarding the role of Sissy Spacek’s deranged mother in “Carrie.”

Initially perceiving the script as unsatisfactory, she ultimately resolved to perform the role for amusement purposes. De Palma’s reprimand for imbuing a scene with humor made her realize he intended the film to be a suspense thriller.

“Carrie” was an Academy Award winner that sparked a trend toward films about adolescents in peril, and both Spacek and Laurie received Academy Award nominations.

Reinvigorated by her ambition to perform, Laurie resumed an extensive career spanning decades. She appeared in television series including “Murder, She Wrote,” “Matlock,” and “Frasier,” and on “ER” as the mother of George Clooney.


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