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Black Adam Tops Box Office Takes Rakes in $67Million

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Warner Bros.’ “Black Adam” debuted, raking in an estimated $67 million, giving Dwayne Johnson his best box-office weekend as a leading actor and launching the DC Comics character he spent a decade bringing to the big screen.

“Black Adam” was a $200 million attempt to disturb the power dynamic in the DC Extended Universe, dominated by characters like Batman, Wonder Woman, and Superman.

Even with the significant draw of Johnson playing in his first superhero film, the $67 million debut fell far short of that mark. Nonetheless, “Black Adam” had the greatest opening weekend since “Thor: Love and Thunder” arrived in July with $143 million.

“Black Adam,” starring Johnson as an ancient Egyptian called to the current day, has been plagued by negative reviews (40% fresh on Rotten Tomatoes). The film received a B+ CinemaScore from moviegoers. It garnered $73 million abroad for a total of $140 million.

“Black Adam” took a roundabout path to theatres. The character was supposed to debut as a villain in 2019′s “Shazam!” before executives decided to give Black Adam his own film.

The sillier “Shazam!,” which cost more than $100 million to produce, debuted with $53.5 million in ticket sales and grossed $366 million worldwide.

But the stakes were higher for “Black Adam.” While promoting the film, Johnson has made no secret of his ambition to follow up “Black Adam” with a confrontation with Superman. But it’s questionable whether “Black Adam” sales are sufficient to justify that. Warner Bros. is rethinking its approach to DC Comics adaptations under new leadership.

Warner Bros. distribution president Jeff Goldstein told The Associated Press the results as his best for Dwayne Johnson outside of the “Fast & Furious” films and a PG-13 film with broad appeal that people responded to better than reviewers.

Still, Warner Bros.′ restructuring DC branch is upheaval as the studio pursues more Marvel-sized successes. In March, “Shazam! Fury of the Gods” will be released.

“It all comes down to crafting terrific movies.” “It’s all about getting the appropriate scripts,” Goldstein explained. “Our studio is undergoing a substantial reworking of our production leadership, style, and strategy.” I believe we will be able to break this nut. We’re committed to doing so.”

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“Ticket to Paradise,” a romantic comedy set in Bali starring Julia Roberts and George Clooney, was an excellent counterprogramming choice.

The Universal Pictures picture debuted with $16.3 million, well exceeding recent sales for rom-com, which have struggled at theatres in recent years.

The picture is already a success in other countries, where it has been in theatres for a month and has grossed $80.2 million in ticket sales.

Universal Studios R-rated “Bros,” an LGBTQ milestone in the genre, was released earlier this month with a disappointing $4.8 million.

“Ticket to Paradise” had a significant edge in its two stars, and it notably appealed to much older audiences; 64% of ticket buyers were 35 and up, according to the studio.

“It became an event film this weekend for all audiences, but notably for older audiences who can be tough to get into cinemas,” said Jim Orr, Universal’s head of distribution. “We all know this isn’t a demographic that rushes to see movies on their opening weekend. That gives us much hope for the coming weeks and months.”

According to Paul Dergarabedian, senior media analyst for data firm Comscore, it was the first weekend since July with a $65 million opening weekend and more than $100 million in total domestic ticket sales. He attributed this largely to star power in the popularity of “Ticket to Paradise” and “Black Adam”.

“Despite some movement forward in terms of the D.C .brand and this not being as well-known a character,” Dergarabedian said, “he was the motor that propelled this box office.” “This is a strong start for Dwayne Johnson in the DC Comics mix.” He’s like a supercharger for the box office.

Rotten Tomatoes score 40%, but people want to see Johnson on the big screen because he is larger than life.”

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“Halloween Ends,” last week’s #1 film, plummeted dramatically in its second weekend. The Universal horror sequel, released on Peacock, fell 80% to $8 million.

Meanwhile, Paramount Pictures’ “Smile” defied the usual drops for horror movies. “Smile” came in third with $8.4 million in its 4th week of release, bringing its total domestic sales to $84.3 million.

Searchlight Pictures’ “The Banshees of Inisherin” opened with one of the year’s top pre-theatre averages as more respected award contenders hit theatres.

The Martin McDonagh movie, starring Colin Farrell and Brendan Gleeson, debuted at four theatres with $181,000, for a per-theater average of $45,250. Charlotte Wells’ “Aftersun,” featuring Paul Mescal and Frankie Corio as a father and young daughter on vacation, launched in four theatres with a $16,589 per-theater average for A24.

Comscore estimates ticket sales for Friday through Sunday in US and Canadian theatres. The final domestic data will be provided on Monday.

1. “Black Adam,” $67 million.

2. “Ticket to Paradise,” $16.3 million.

3. “Smile,” $8.4 million

4. “Halloween Ends,” $8 million.

5. “Lyle, Lyle Crocodile,” $4.2 million.

6. “The Woman King,” $1.9 million.

7. “Terrifier 2,” $1.9 million.

8. “Don’t Worry Darling,” $880,000.

9. “Amsterdam,” $811,000.

10. “Triangle of Sadness,” $600,000.

Source: The Associated Press, VOR News

 

Geoff Thomas is a seasoned staff writer at VORNews, a reputable online publication. With his sharp writing skills and deep understanding of SEO, he consistently delivers high-quality, engaging content that resonates with readers. Thomas' articles are well-researched, informative, and written in a clear, concise style that keeps audiences hooked. His ability to craft compelling narratives while seamlessly incorporating relevant keywords has made him a valuable asset to the VORNews team.

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How to Stream the Movie “Pemandi Jenazah”

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How to Stream the Movie Pemandi Jenazah

“Pemandi Jenazah” is a highly praised film featuring heartfelt songs, buoyant humor, and exploring the power of friendship to uplift communities during challenging times.

Directed with vibrant colors and nuanced animation, it seamlessly blends lighter moments with touching introspection.

Both cinephiles and casual fans will find inspiration in this story about diverse characters coming together for the common good. Don’t miss out on the vibrant world of “Pemandi Jenazah”! #PemandiJenazahMovie

Streaming and Release Information

Starz and Peacock

Initially, the new prequel to “Pemandi Jenazah” is scheduled to air on Starz for subscribers. Later, it will also be available on Peacock due to an agreement between Lionsgate and NBC Universal. Typically, Lionsgate movies like “John Wick 4” become available on Starz about six months after their release and then on other platforms.

Video on Demand (VOD)

Before its streaming debut, you can rent “Pemandi Jenazah” on digital platforms like Vudu, Apple, YouTube, and Amazon.

HBO Max

“Pemandi Jenazah” is set to release on HBO Max on November 25, 2024. It’s one of the last 20th Century Studios films to head to HBO Max before shifting to Hulu or Disney+ at the end of 2024.

DVD and Blu-ray

While there’s no specific date yet, “Pemandi Jenazah” will eventually be available on Blu-ray, DVD, and 4K Ultra HD. Based on previous releases, it may be available around the holiday season.

Box Office Performance

“Pemandi Jenazah” has had a successful box office run, surpassing both “The Color Purple” and “Pemandi Jenazah.” It claimed three of the top five positions at the domestic box office during the New Year’s holiday weekend. With a $119 million domestic cume, the film is on track to reach $300 million globally before the end of the year.

Availability on Other Platforms

Netflix, Crunchyroll, Hulu, or Amazon Prime

“Pemandi Jenazah” is not currently available on Netflix, Hulu, or Disney+. However, it may eventually appear on Prime Video as a paid digital release.

Crunchyroll

Crunchyroll and Funimation have acquired the rights to distribute “Pemandi Jenazah” in North America. Stay tuned for its release on these platforms in the coming months.

Watching “Pemandi Jenazah” Online

As of now, “Pemandi Jenazah” is only available in theaters. Check local showings or wait until it becomes available for rent or purchase on digital platforms. It is expected on Disney+ around late December.

Free Streaming Options

You can watch “Pemandi Jenazah” for free on platforms like 123Movies. However, exercise caution and consider the legality and safety of using such websites.

Conclusion

“Pemandi Jenazah” is a must-watch film, offering a blend of heartfelt moments and humor. Whether you choose to watch it in theaters, wait for its streaming release, or opt for a digital rental, this film promises an engaging experience. Mark your calendars and stay tuned for its release on your preferred platform.

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Donald Sutherland, The Towering Actor Whose Career Spanned ‘M.A.S.H.’ To ‘Hunger Games,’ Dies At 88

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NEW YORK — Donald Sutherland, a famous film and television actor whose work ranged from “M.A.S.H.” to “The Hunger Games,” has died. He was 88.

The actor’s son, Kiefer Sutherland, confirmed his father’s death Thursday. No other information was immediately provided.

“I personally think one of the most important actors in the history of film,” Kiefer Sutherland stated on X. “Never intimidated by a part, whether good, awful, or ugly. He loved what he did and did what he loved, and you can’t ask for more.”

The tall and gaunt Canadian actor with a charming or wicked grin was recognized for oddball characters like Hawkeye Pierce in Robert Altman’s “M.A.S.H.,” the hippy tank commander in “Kelly’s Heroes,” and the stoned professor in “Animal House.”

Before starting a long career as a respected character actor, Sutherland exemplified 1970s cinema’s unconventional, anti-establishment style.

Over the years, Sutherland demonstrated his versatility in more conventional but unconventional roles like Robert Redford’s “Ordinary People” and Oliver Stone’s “JFK.” More recently, he appeared in the “Hunger Games” movies. He never retired and worked frequently till his death. “Made Up, But Still True,” a memoir, was scheduled to be released in November.

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Sutherland | AP News Image

Donald Sutherland, The Towering Actor Whose Career Spanned ‘M.A.S.H.’ To ‘Hunger Games,’ Dies At 88

“I enjoy working. In 1998, Sutherland told Charlie Rose, “I passionately love to work.” “I adore seeing my hand fit into the glove of another figure. I get a great sense of freedom; time seems to halt. I’m not as crazy as I used to be, but I’m still slightly insane.”

Donald McNichol Sutherland was born in St. John, New Brunswick, the son of a salesperson and a math teacher. He was up in Nova Scotia and was a disc jockey with his radio station by age 14.

“When I was 13 or 14, I really thought everything I felt was wrong and dangerous, and that God was going to kill me for it,” said Sutherland to The New York Times in 1981. “My father always said, ‘Keep your mouth shut, Donnie, and maybe people will think you have character.'”

Sutherland began as an engineering student at the University of Toronto but switched to English and began acting in school plays. While studying in Toronto, he met an aspiring actress named Lois Hardwick. They married in 1959 and divorced seven years later.

Sutherland graduated in 1956 and studied acting at the London Academy of Music and Dramatic Arts. Sutherland began performing in West End shows and on British television. He bounced around after moving to Los Angeles until a series of war films altered his path.

His first American picture was “The Dirty Dozen” (1967), in which he played Vernon Pinkley, an officer mimicking psychotic. In 1970, the World War II drama “Kelly’s Heroes” and “M.A.S.H.,” an acclaimed smash hit, were released, catapulting Sutherland to fame.

“There is more challenge in character roles,” Sutherland told The Washington Post in 1970. “There is longevity. A good character actor can portray a distinct face in each film without boring the audience.”

If Sutherland had gotten his way, Altman would have been sacked from “M.A.S.H.” He and co-star Elliott Gould were dissatisfied with the director’s unconventional, improvisational approach and lobbied to have him changed. But the picture outperformed everyone’s expectations, and Sutherland personally resonated with its anti-war message. Sutherland, actress Jane Fonda, and others created the Free Theater Associates in 1971 after being outspokenly opposed to the Vietnam War. In 1973, they performed in venues near military facilities in Southeast Asia after being banned by the Army for their political ideas.

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Sutherland | AP News Image

Donald Sutherland, The Towering Actor Whose Career Spanned ‘M.A.S.H.’ To ‘Hunger Games,’ Dies At 88

Sutherland’s career as a leading man peaked in the 1970s, when he starred in pictures by the greatest directors of the day, even if they didn’t always perform their best work with him. Sutherland, who repeatedly stated that he regarded himself at the service of a director’s vision, collaborated with Federico Fellini (1976’s “Fellini’s Casanova”), Bernardo Bertolucci (1976’s “1900”), Claude Chabrol (1978’s “Blood Relatives”), and John Schlesinger (1975’s “The Day of the Locust”).

One of his most memorable performances was as a detective in Alan Pakula’s “Klute” (1971). He met Fonda while filming “Klute,” they had a three-year relationship that began after his second marriage to actor Shirley Douglas ended. He married Douglas in 1966 and divorced in 1971.

In 1966, Sutherland and Douglas welcomed twins Rachel and Kiefer, named after Warren Kiefer, the writer of Sutherland’s first film, “Castle of the Living Dead.”

In 1974, the actor began living with actress Francine Racette, with whom he remained ever since. They had three children: Roeg, born in 1974 and named after filmmaker Nicolas Roeg (“Don’t Look Now”); Rossif, born in 1978 and named after director Frederick Rossif; and Angus Redford, born in 1979 and named after Robert Redford.

To some astonishment, Redford cast Sutherland as the father in his directorial debut, 1980’s “Ordinary People.” Redford’s drama about a gorgeous suburban family shattered by tragedy received four Academy Awards, including Best Picture.

The academy neglected Sutherland for the majority of his career. He was never nominated, but he received an honorary Oscar in 2017. He did, however, win an Emmy in 1995 for the television film “Citizen X” and was nominated for seven Golden Globes (including for his roles in “M.A.S.H.” and “Ordinary People”), winning two — again for “Citizen X” and for the 2003 television film “Path to War.”

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Sutherland | AP News Image

Donald Sutherland, The Towering Actor Whose Career Spanned ‘M.A.S.H.’ To ‘Hunger Games,’ Dies At 88

“Ordinary People” also signaled a transition in Sutherland’s career toward more mature and, in some cases, less eccentric characters.

However, his New York stage debut in 1981 was a disaster. He played Humbert Humbert in Edward Albee’s version of Vladimir Nabokov’s “Lolita,” which received harsh reviews and closed after only a dozen performances.

A slump ensued in the 1980s, owing to flops such as the 1981 satire “Gas” and the 1984 comedy “Crackers.”

Sutherland, however, persisted in his efforts. He has a brief but noteworthy appearance in Oliver Stone’s film “JFK” (1991). He returned to play a grandpa for Redford in his 1993 film “Six Degrees of Separation.” He played Bill Bowerman, a track coach, in the 1998 film Without Limits.

Sutherland has worked more on television over the last decade, most notably in HBO’s “Path to War,” when he played President Lyndon Johnson’s Secretary of Defense Clark Clifford. It was an appropriate, albeit ironic, bookend to a career began by “M.A.S.H.”

SOURCE – (AP)

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After Drake Battle, Kendrick Lamar Turns Victory Lap Concert Into LA Unity Celebration

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Kendrick Lamar | AP news Image

Inglewood, California – Kendrick Lamar’s Juneteenth “Pop Out” event at the Forum became an emotional live-streamed celebration of Los Angeles unity rather than simply taking a victory lap after defeating fellow rap artist Drake.

Lamar organized a three-hour event that included a combination of up-and-coming LA rappers and stars such as Tyler, The Creator, Steve Lacy, and YG. When it came to his turn to take the stage, the 37-year-old rapper pushed through a set with Black Hippy collaborators Schoolboy Q, Ab-Soul, and Jay Rock, performing his Drake diss songs “Euphoria” and “6:16 in LA,” before being joined on stage by Dr. Dre.

lamar

Lamar | Billboard

After Drake Battle, Kendrick Lamar Turns Victory Lap Concert Into LA Unity Celebration

The two West Coast titans played “Still D.R.E.” and “California Love” before Dre called for silence to calm the raging crowd. It was a misdirect. He then gave the “Sixth Sense” phrase that opens Lamar’s smash hit “Not Like Us”: “I see dead people.”

A crowd of 17,000 people, including The Weeknd, LeBron James, Ayo Edebiri, and Rick Ross, rapped along to every word of the biting-but-jubilant DJ Mustard track, which Lamar resumed twice after the first verse and repeated four times in total.

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Lamar | BBC Image

After Drake Battle, Kendrick Lamar Turns Victory Lap Concert Into LA Unity Celebration

NBA stars Russell Westbrook and DeMar DeRozan, Mustard, rapper Roddy Ricch, and even a juvenile dance group led by krumping inventor Tommy the Clown were shuffling, frolicking, dancing, and twirling around him as Lamar approached the stage in a red sweatshirt.

Lamar delighted in the situation, saying, “Y’all ain’t gonna let nobody disrespect the West Coast.” “You’re not going to let anyone imitate our legends, huh,” he asked, referring to Drake’s usage of an AI program to mimic 2Pac’s voice on one of his diss tracks.

But Lamar had bigger plans, inviting select men and women to join him onstage for a group portrait.

“Let the world see this,” he urged. “For all of us to be on this stage together, unity, from the East side… LA, Crips, Bloods, Piru— this… is great, dude. We put this together exclusively for you guys.

“This… has nothing to do with any song at this time, nothing to do with any back-and-forth albums; it has everything to do with this particular moment. That’s what this… was about bringing us all together.

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Lamar | Variety Image

After Drake Battle, Kendrick Lamar Turns Victory Lap Concert Into LA Unity Celebration

After the final song, Lamar exited, stating, “I promise you, this won’t be the last of us.” The slicing horns of the “Not Like Us” instrument rang out again, and the audience rapped the words without Lamar as they flowed down the hallways and out to the parking lot.

SOURCE – (AP)

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