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From ‘Psycho’ To A New Crop Of Horror Movies in 2023

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(LOS ANGELES) –Horror If you’re stuck for ideas on how to spend Mother’s Day, consider enjoying a good scare. Since the beginning of the genre, horror films have delved into the psychological anguish and terror that can only come from a mother, and several contemporary films are carrying on that time-honored legacy.

Consider Brandon Cronenberg’s “Infinity Pool,” one of the most talked-about pictures to emerge from this year’s Sundance Film Festival.

It’s not surprising that there were frightening moments. After all, the director has undoubtedly learned a thing or two from his filmmaker father and genre titan, David Cronenberg.

Gabi (Mia Goth) exposes her bare chest to James (Alexander Skarsgrd) in an invitation to breastfeed in one memorable scene, indicating a delicate tension between his original mother and his understanding of Gabi as his new one.

While the genre has been derided as low-brow, Adam Lowenstein, a cinema and media studies professor at the University of Pittsburgh specializing in horror, believes it is well-suited for dealing with such deep-seated psychological difficulties.

“Horror is, at its core, a very primal genre,” he explained. “It makes perfect sense that family, sex, and death are all things that the horror film is constantly mining because those are primal fascinations and experiences.”

Alfred Hitchcock’s “Psycho” (1960) is perhaps the definitive example of mommy concerns in a horror film.

In it, Norman Bates of the Bates Motel develops a dual personality after murdering his tyrannical mother and her lover out of jealousy. His anguish and shame force him to hide her body and adopt her personality when he conducts violence against women he is drawn to.

How horror films investigate motherhood difficulties and psychological trauma

According to Lowenstein, one of the reasons the maternal bond is particularly fertile for investigating psychological trauma is that it is so ubiquitous and loaded.

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Since the beginning of the genre, horror films have delved into the psychological anguish and terror that can only come from a mother.

“We all have real mothers, just as we all subscribe to real constructs about motherhood.” And these things are quite difficult to separate,” he explained. The gap between expectation and reality is fertile ground for a good scare.

“Barbarian” (2022) by Zach Cregger similarly makes breastfeeding a spectacle, but this time from a hideous parental creature rather than an inviting yet twisted sexual partner, as in “Infinity Pool.”

Other films let the mother-child interaction carry the drama. The terrifying extreme of a mother being possessed by a demon is explored in ” Evil Dead Rise,” which is now available to rent on streaming sites.

“I think it’s very terrifying to imagine somebody so familiar to you in your world becoming a subversion of that, and becoming something really dangerous and evil,” filmmaker Lee Cronin said. “It just lent itself to this exploration of maternal fears and what it might mean if your mother was to turn on you.”

The major premise of Ari Aster’s latest film, “Beau is Afraid,” is the anxiety and pain that can result from the mother-child bond. The film, about a guy seeking to reach his mother’s house, is both a surrealist epic and a horror film.

While Aster’s third picture is admittedly less frightening than his previous two, “Midsommar” and “Hereditary,” all of which exploit the terrors of family relations and mother-induced trauma, it is reasonable to infer by the conclusion that Beau’s fear of his guilt-inducing mother was justified.

“When I left ‘Beau Is Afraid,’ I heard a teenage woman leaving out of the theatre ahead of me saying to her friends, ‘That just made me want to call my mum and say I’m sorry for everything,” Lowenstein recalled. “We think horror, fear, dread, and haunting, but not necessarily guilt, shame, or humiliation.” And Ari Aster clearly sees the link between these things.”

It’s no coincidence that almost all of these frightening films about protagonists’ relationships with their moms are directed by men.

But, according to Lowenstein, the genre’s mommy issues began with a woman and long before the film: Mary Shelley’s classic 1818 horror novel, “Frankenstein,” is widely regarded as the origin of contemporary horror.

“Her story is about a man who wants to be God but also a mother.” “He truly wishes to create life without the intervention of women,” he stated. “What Mary Shelley shows us is how bad this idea is, and how male hubris really does monstrous things with motherhood.”

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SOURCE – (AP)

Kiara Grace is a staff writer at VORNews, a reputable online publication. Her writing focuses on technology trends, particularly in the realm of consumer electronics and software. With a keen eye for detail and a knack for breaking down complex topics, Kiara delivers insightful analyses that resonate with tech enthusiasts and casual readers alike. Her articles strike a balance between in-depth coverage and accessibility, making them a go-to resource for anyone seeking to stay informed about the latest innovations shaping our digital world.

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We Expect ‘Deadpool & Wolverine’ to Have the Highest Opening Among all R-Rated Films.

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Deadpool & Wolverine
Disney

(VOR News) – The “Merc with a Mouth” will return to the big screen in Deadpool & Wolverine this weekend, and his contribution to Disney’s Marvel Cinematic Universe extends beyond his R rating.

“Deadpool & Wolverine,” the third standalone feature film featuring Ryan Reynolds as the regenerative reprobate, is expected to gross between $160 million and $180 million in its opening weekend at the domestic box office.

The movie has already surpassed the greatest number of ticket pre-sales in 2024, according to data provided by Fandango. It is anticipated that it will break numerous records during its opening weekend.

Most noteworthy among these accomplishments is the most successful premiere for an R-rated film in history, as well as the largest domestic opening of 2024.

Disney and Pixar’s “Inside Out 2” has achieved the highest opening of the year with a total of $154.2 million, as per the data provided by Comscore.

Additionally, the first “Deadpool” film has achieved the highest début for any R-rated feature film with a total of $132.4 million.

Mike Bowers, the president and CEO of Harkins Theatres, a theatre corporation located in Arizona, stated, “I am confident that this will be the largest R-rated film to ever be released if it is released.” Furthermore, it is already one of the most successful presale films in the annals of our company.

“Deadpool & Wolverine” was initially rated R because of its trailer.

It is also the 34th Deadpool & Wolverine film to be released under the Marvel Cinematic Universe banner. The two Deadpool films that preceded it, both of which were rated R, were produced and distributed by 20th Century Fox.

The reintroduction of the X-Men and Fantastic Four into the broader Marvel catalogue was the consequence of Disney’s acquisition of the corporation in 2019.

Similar to other Marvel Cinematic Universe films, “Deadpool & Wolverine” is benefiting from the enthusiasm of its audience.

Audiences are anxious to view the film during its opening weekend in order to prevent spoilers. Disney has maintained the confidentiality of the majority of the film’s content, and only a limited number of press screenings have been conducted prior to the film’s release.

Bowers anticipates that individuals will continue to return for additional viewings in the weeks following the film’s premiere.

He made the observation that “this is a film that there is so much happening, so many jokes and funny sequences that no one is going to be able to eat just one, you know, they’re going to be back.”

Ellis Jacob, the president and chief executive officer of Cineplex, the largest cinema theatre operator in Canada, echoed Bower’s viewpoint. Jacob asserted that “Deadpool & Wolverine” is replete with Easter eggs and that viewers will revisit the film to attempt to locate them all.

Furthermore, he stated that a substantial number of moviegoers are purchasing tickets for premium screenings, such as IMAX, Dolby, and ScreenX, which are more expensive.

Additionally, Marvel has collaborated with movie theatres to grant licenses for items such as collector popcorn tubs and drink containers, which the theatre operators anticipate will be in high demand.

Historically, concessions have been the most profitable revenue source for movie theatres, and the presence of limited-edition products can result in even greater sales of food and beverages.

” Deadpool & Wolverine” is an essential Marvel release.

Shawn Robbins, Deadpool & Wolverine the inventor and owner of Box Office Theory, announced that Disney had “slowed down the pace” and had scheduled fewer films in the series that has dominated the global box office for over a decade. Box Office Theory is also associated with Robbins.

He stated that Disney is making an effort to correct the course after a series of theatrical errors and poor box office performance, as well as a flood of streaming content that overwhelmed even the most devoted fans of the Marvel Cinematic Universe.

Robbins pointed out that “in the end, despite the fact that this is a Marvel movie, it may be viewed equally as a midsummer action comedy that stars personalities and brands that are loved by both die-hard fans and casual viewers.”

The fact that Reynolds and Jackman have both made a name for themselves in Deadpool & Wolverine popular culture and have maintained a cordial relationship through interviews and social media makes them an ideal pairing.

Likewise, there is genuine curiosity regarding the first R-rated film in the Marvel Cinematic Universe and whether it will retain the qualities that made the first two Deadpool films and [Jackman’s 2017 Wolverine film] Logan so successful.

SOURCE: CNBC

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Warner Bros. Discovery Informs NBA It Will Match Amazon Prime Video’s Offer To Carry Games

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NBA | AP News image

Turner Sports hopes to continue its long-standing relationship with the NBA.

On Monday, Warner Bros. Discovery informed the league that it will match Amazon Prime Video’s $1.8 billion annual bid. Turner has had an NBA package since 1984, and games have been broadcast on TNT since the network started in 1988.

“We studied the offers and accepted one of them. This will allow fans to continue to experience our unequaled coverage, including the greatest live game productions in the business and our legendary studio shows and talent, as we build on our proven 40-year commitment for many more years,” WBD stated. “We submitted our matching paperwork to the league today.” We are looking forward to the NBA completing our new contract.”

Warner Bros. Discovery Informs NBA It Will Match Amazon Prime Video’s Offer To Carry Games

The NBA Board of Governors approved the league’s 11-year media rights deals with Disney, NBC, and Amazon Prime Video on Tuesday at its meeting in Las Vegas. WBD received all three contracts on Wednesday, beginning the five-day clock for deciding whether to match.

The new deals, for $76 billion, will begin with the 2025-26 season and entail a game being shown or streamed nationally every night during the second half of the season.

The Prime Video package would have offered games on Thursday night after it finished carrying NFL games. The other nights were Friday and Saturday.

TNT would air games on Thursday, with the other nights being streamed on Max.

Warner Bros. Discovery CEO David Zaslav warned at an RBC Investor Conference in November 2022 that Turner and WBD “don’t have to have the NBA.”

Warner Bros. Discovery and the league could not negotiate an agreement during their exclusive bargaining period, which ended in April. Zaslav and TNT Sports Chairman/CEO Luis Silberwasser have recently announced that they intend to match one of the agreements.

“During our four-decade collaboration with the NBA, we have consistently provided exceptional coverage for basketball fans. WBD stated that they behaved in good faith to offer strong proposals that were fair to both parties throughout exclusive and non-exclusive negotiations to maintain their long-standing collaboration. “Regrettably, the league notified us of its intention to accept other offers for the games in our current rights package, leaving us to proceed under the matching rights provision, which is an integral part of our current agreement and the rights we have paid for under it.”

NBC and WBD would alternate broadcasting one of the conference finals series. ESPN and ABC will continue to broadcast the league’s top package and will host conference finals and the NBA Finals each year.

According to people familiar with the negotiations, Amazon’s offer contained a mechanism for paying many years in advance into an escrow account, which many thought would be difficult to match. However, WBD has informed the league that it has the financial resources to do so.

“The Ringer’s” Bill Simmons originally mentioned the Amazon provision on “The Town” podcast.

People talked to the AP anonymously because they were not at liberty to discuss such serious topics.

Warner Bros. Discovery Informs NBA It Will Match Amazon Prime Video’s Offer To Carry Games

WBD pays $1.4 billion per season under the existing nine-year contract, which expires after next season.

WBD is making a large financial investment, but it is necessary. Without the NBA, it would have struggled to charge its present subscriber fees to cable and satellite companies.

Retaining the NBA would also ensure that the popular “Inside the NBA” show will continue. Charles Barkley was dismissive of WBD’s negotiation position and did not believe it would match. Barkley revealed at the end of this season that he planned to retire following the next season.

SOURCE – (AP)

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American Who Made Social Media Threats Against Taylor Swift Detained Ahead Of German Concert

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Taylor Swift

BERLIN — An American man who made threats against Taylor Swift on social media was seized before her first concert in Gelsenkirchen, Germany, and will be held in custody until her gigs there end, authorities said Thursday.

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swift | AP news Image

American Who Made Social Media Threats Against Taylor Swift Detained Ahead Of German Concert

According to police, the accused stalker, a 34-year-old whose name has not been disclosed, had a ticket to Taylor’s concert at Gelsenkirchen’s Veltins-Arena on Wednesday. They stated that he was detained at event admission checks because an early assessment could not completely rule out a risk.

According to police, the man threatened Taylor and her partner on social media. They say he was detained after receiving tips from the event’s organizers.

The American superstar will perform in Gelsenkirchen on Wednesday, Thursday, and Friday as part of her Eras tour. According to authorities, a local court has ordered that the suspected stalker be detained until Saturday.

They went on to say that Swift and the audience were always safe. The event drew approximately 60,000 people on Wednesday evening and went off without incident.

American Who Made Social Media Threats Against Taylor Swift Detained Ahead Of German Concert

Before the concerts, Gelsenkirchen temporarily renamed the town “Swiftkirchen” and honored the singer on a “Walk of Fame” dedicated to local luminaries.

Taylor has plans to perform in two more German cities after Gelsenkirchen: Hamburg and Munich.

SOURCE | AP

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