Celebrity
Norman Lear, Producer Of TV’s ‘All In The Family’ And Influential Liberal Advocate, Has Died At 101
(LOS ANGELES) – Norman Lear, the writer, director, and producer who brought political and social unrest into the once-isolated world of TV sitcoms with “All in the Family,” “The Jeffersons,” and “Maude,” has died. He was 101.
Lear died in his sleep Tuesday night at his Los Angeles home, surrounded by family, according to Lara Bergthold, a spokesman for his family.
Lear, a liberal activist with a penchant for mass entertainment, created bold and controversial comedies accepted by audiences who relied on the evening news to keep up with what was happening in the world. His shows helped define prime-time humor in the 1970s, established the careers of Rob Reiner and Valerie Bertinelli, and turned Carroll O’Connor, Bea Arthur, and Redd Foxx into middle-aged stars.
The late Paddy Chayefsky, a leading writer of television’s early “golden age,” once said that Lear “took television away from dopey wives and dumb fathers, from the pimps, hookers, hustlers, private eyes, junkies, cowboys, and rustlers that constituted television chaos, and put the American people in their place.”
Norman Lear, Producer Of TV’s ‘All In The Family’ And Influential Liberal Advocate, Has Died At 101
Following his passing, tributes poured in: “I loved Norman Lear with all my heart. He was my paternal grandfather. “My heartfelt condolences to Lyn and the entire Lear family,” Reiner posted on X, formerly Twitter. “More than anyone else before him, Norman used situation comedy to bring prejudice, intolerance, and inequality to light.” “He made families that looked like ours,” Jimmy Kimmel stated.
Lear’s boyhood memories of his volatile father served as inspiration for “All in the Family,” which also drew on current events. Racism, feminism, and the Vietnam War were all hot topics as O’Connor’s blue-collar conservative Archie Bunker clashed with Reiner’s liberal son-in-law, Mike Stivic. Sally Struthers played the Bunkers’ daughter, Gloria, who defended her husband in conflicts with Archie, and Jean Stapleton co-starred as Archie’s bewildered but good-hearted wife, Edith.
Lear’s work altered television at a period when traditional shows like “Here’s Lucy,” “Ironside,” and “Gunsmoke” still reigned supreme. CBS, Lear’s principal network, will soon implement its “rural purge,” canceling popular shows like “The Beverly Hillbillies” and “Green Acres.” The breakthrough sitcom “The Mary Tyler Moore Show,” about a single career woman in Minneapolis, premiered on CBS in September 1970, just months before “All in the Family” began.
Norman Lear, Producer Of TV’s ‘All In The Family’ And Influential Liberal Advocate, Has Died At 101
However, ABC passed on “All in the Family” twice, and when it ultimately aired, CBS broadcast a disclaimer: “The program you are about to see is ‘All in the Family.'” It aims to shine a funny light on our flaws, prejudices, and concerns. By making them a source of humor, we seek to demonstrate, maturely, how silly they are.”
By the end of 1971, “All in the Family” had reached the top of the ratings, and Archie Bunker had become a pop cultural icon, with President Richard Nixon among his supporters. Some of his snide remarks become catchphrases. He referred to his son-in-law as “Meathead” and his wife as “Dingbat,” he would snap at anyone who sat in his faded orange-yellow wing chair. It was the focal point of the Bunkers’ Queens rowhouse and was later displayed at the Smithsonian’s National Museum of American History.
Even the show’s opening sequence was novel: Archie and Edith are seated at the piano in their living room, belting out a nostalgic classic, “Those Were the Days,” with Edith shrieking off-key and Archie crooning such lines as “Didn’t need no welfare state” and “Girls were girls and men were men.”
Norman Lear, Producer Of TV’s ‘All In The Family’ And Influential Liberal Advocate, Has Died At 101
“All in the Family,” based on the British sitcom “Til Death Us Do Part,” was the highest-rated series for an unprecedented five years in a row and won four Emmys for outstanding comedy series before being surpassed by five-time winner “Frasier” in 1998.
Hits kept coming for Lear and then-partner Bud Yorkin, including “Maude” and “The Jeffersons,” both spin-offs from “All in the Family,” which featured the same winning blend of one-liners and social tension. The eponymous character (played by Arthur) became the first on television to undergo an abortion in a 1972 two-part episode of “Maude,” sparking a wave of complaints as well as good ratings. When one of Archie’s close friends turned out to be gay, Nixon privately complained to White House staff that the program “glorified” same-sex partnerships.
“Controversy implies that people are debating something.” But there has to be laughter first and foremost, or it’s a dog,” Lear told The Associated Press in 1994.
“Good Times,” about a working-class Black family in Chicago, was also created by Lear and Yorkin, as was “Sanford & Son,” starring Foxx as junkyard dealer Fred Sanford, and “One Day at a Time,” featuring Bonnie Franklin as a single mother and Bertinelli and Mackenzie Phillips as her daughters. Lear and Yorkin created five top-ten shows in the 1974-1975 season.
Because of his business success, Lear could communicate his strong political ideas beyond the tiny screen. In 2000, he and a partner paid $8.14 million for a copy of the Declaration of Independence and sent it on a cross-country tour.
He was an ardent fundraiser to Democratic candidates and, he said, created the nonprofit leftist advocacy group People for the American Way in 1980 because preachers Jerry Falwell and Pat Robertson were “abusing religion.”
“I began to say, ‘This is not my America.'” “You don’t mix politics and religion like this,” Lear told Commonweal magazine in 1992.
Norman Lear, Producer Of TV’s ‘All In The Family’ And Influential Liberal Advocate, Has Died At 101
Svante Myrick, president of the organization, stated that “we are heartbroken” by Lear’s passing. “We extend our deepest sympathies to Norman’s wife Lyn and their entire family, and to the many people who, like us, loved Norman.”
The young Lear created television far into his 90s, recreating “One Day at a Time” for Netflix in 2017 and investigating wealth inequality for the documentary series “America Divided” in 2016. Documentaries such as “Norman Lear: Just Another Version of You” in 2016 and “If You’re Not in the Obit, Eat Breakfast” 2017 focused on active nonagenarians such as Lear and Rob Reiner’s father, Carl Reiner.
He was hailed as the “innovative writer who brought realism to television” when he was admitted into the National Academy of Television Arts and Sciences Hall of Fame in 1984. He was eventually awarded the National Medal of Arts and honored at the Kennedy Center. He won an Emmy in 2020 for his work as executive producer for “Live In Front of a Studio Audience: ‘All In the Family’ and ‘Good Times.'”
In the early 1950s, Lear began writing for shows such as “The Colgate Comedy Hour” and for performers such as Martha Raye and George Gobel. Tandem Productions, which he co-founded with Yorkin in 1959, produced pictures such as “Come Blow Your Horn,” “Start the Revolution Without Me,” and “Divorce American Style.” Lear also directed the parody “Cold Turkey,” starring Dick Van Dyke, about a tiny community that accepts a tobacco company’s offer of $25 million in exchange for quitting smoking for 30 days.
In his later years, Lear collaborated with Warren Buffett and James E. Burke to establish The Business Enterprise Trust, which honors corporations that consider their long-term impact on the country. He also established the Norman Lear Center at the University of Southern California’s Annenberg School for Communication, which investigated entertainment, economics, and society, and spent time at his Vermont home. In 2014, he released his autobiography, “Even This I Get to Experience.”
SOURCE – (AP)
Celebrity
Fans Are Following Taylor Swift To Europe After Finding Eras Tour Tickets Less Costly There
LONDON — Thousands of die-hard Taylor Swift fans who missed her U.S. concert tour last year or didn’t want to pay high prices to see her again discovered an unusual solution: fly to Europe.
The pop artist is ready to begin the 18-city European leg of her record-breaking Eras Tour in Paris on Thursday, and planeloads of Swifties will follow Miss Americana across the water in the coming weeks. The arena where Swift performs reported that Americans purchased 20% of the tickets for her four sold-out gigs. The next leg of the tour, Stockholm, is expected to draw approximately 10,000 concertgoers from the United States.
A concert may seem like a weird reason to visit a distant nation, especially because fans can watch the Eras Tour documentary from home on Disney+. However, Expedia, an online travel website, claims that Swift’s fans’ continent-hopping is part of a bigger trend known as “tour tourism,” after noticing a tendency during Beyoncé’s Renaissance world tour.
Some North American fans who intend to fly overseas for Swift’s Eras Tour said they justified the cost by noting that tighter limitations on ticket costs and resales in Europe made Swift perform abroad no more expensive—aand possibly cheaper — than seeing her closer to home.
AP – VOR News Image
Fans Are Following Taylor Swift To Europe After Finding Eras Tour Tickets Less Costly There
“They said, ‘Wait a minute, I can either spend $1,500 to go see my favorite artist in Miami, or I can take that $1,500 and buy a concert ticket, a round-trip plane ticket, and three nights in a hotel room,” Melanie Fish, an Expedia representative and travel specialist, said.
Jennifer Warren, 43, of St. Catharines, a community in Ontario’s Niagara region, has had this experience. She and her 11-year-old son adore Swift but needed help finding reasonably priced tickets in the United States. Undeterred, Warren and her husband decided to arrange a European holiday based on where she could obtain tickets. The location turned out to be Hamburg, Germany.
“You get out, you get to see the world, and you get to see your favorite artist or performer all at once, so there are a lot of benefits,” said Warren, director of research and innovation at a mutual insurance firm.
The three VIP tickets she got near the stage eras tour— “I would call it brute-force dumb luck” — were 600 euros ($646) each. Swift then announced six November tour dates in Toronto, within driving distance of Warren’s house. “Absolute nose-bleed seats” are already selling for 3,000 Canadian dollars ($2,194) on secondary resale sites such as Viagogo, Warren added.
AP – VOR News Image
Fans Are Following Taylor Swift To Europe After Finding Eras Tour Tickets Less Costly There
Hardcore fans following their favorite musician or band on tour is not a recent phenomenon. “Groupie” first appeared in the late 1960s as a somewhat pejorative term for devoted rock band fans. Deadheads hit the road in the 1970s to follow the Grateful Dead from city to city.
More recently, according to Fish, music festivals such as Coachella in California and Glastonbury in England, as well as musical residencies in Las Vegas by Elton John, Lady Gaga, and Adele, have drawn visitors to places they might not have visited otherwise.
Since the coronavirus outbreak, travel and entertainment specialists have reported a pent-up consumer demand for “experiences” rather than tangible items. Some believe that music fans’ readiness to widen their fandom horizons is part of a larger societal adjustment.
“It does seem like it’s more than a structural shift, maybe a personality transformation we all went through,” said Natalia Lechmanova, the Mastercard Economics Institute’s top Europe economist.
As Swift travels around Europe, Lechmanova anticipates restaurants and hotels to experience the same increase that Mastercard saw within a 2.5-mile (4-kilometer) radius of performance venues in the cities she visited in 2023. According to the economist, the strong strength of the US dollar against the euro may also boost retail spending on apparel, collectibles, beauty items, and materials for the friendship bracelets fans exchange during the Eras Tour.
Former college roommates Lizzy Hale, 34, of Los Angeles, and Mitch Goulding, 33, of Austin, Texas, already had tickets to see the Eras Tour in L.A. last summer when they decided to try to obtain them for Paris, London, and Edinburgh, Scotland. They saw a concert trip to Europe as a replacement for a trip they planned to celebrate Goulding’s birthday in May 2020 but had to cancel due to the pandemic.
Goulding got VIP seats to one of Swift’s three Stockholm gigs. He, Hale, and two other pals planned a ten-day tour that included stops in Amsterdam and Copenhagen.
“As someone who enjoys both traveling and music, finding a way to combine the two is really special,” said Hale, expecting her first child.
The local economic impact of what the zeitgeist has dubbed “Swiftonomics” and the “Swift lift” can be significant. It’s no surprise that Singapore’s government signed an exclusive deal with Swift to make the city-state her lone tour stop in Southeast Asia earlier this year, sparking regional envy.
European governments have yet to acknowledge that their countries were not among the 12 chosen for the Eras Tour’s Europe leg, while some fans are surprised that Gelsenkirchen, a city with a population of around 264,000, is one of three German places that made the list
Airbnb announced Tuesday that searches on its site for the U.K. cities where Swift will perform in June and August — Edinburgh, Liverpool, Cardiff, and London — jumped by an average of 337% since tickets went on sale last summer.
Not to be outdone in identifying trends, the property rentals firm identified the demand as an example of “passion tourism,” or travel “driven by concerts, sports, and other cultural events.”
According to Stockholm Chamber of Commerce Chief Economist Carl Bergqvist, 120,000 visitors from 130 countries, including 10,000 from the United States, are scheduled to visit Sweden’s capital this month. Stockholm is the only Scandinavian destination on Swift’s tour, and airlines have increased flights from nearby Denmark, Finland, and Norway to bring fans to the May 17-19 gigs, he said.
Even though rates for the tour dates have soared, the city’s 40,000 hotel rooms are all booked, according to Bergqvist. He said that concertgoers are likely to spend roughly 500 million Swedish kroner, or more than $46 million, on the local economy during their stay, excluding the cost of Swift tickets and travel to Sweden.
“So this is going to be huge for the tourism sector in Sweden and Stockholm in particular,” said Bergqvist.
Nightclubs, restaurants, and bars are taking advantage of the opportunity to pander to fans by hosting Taylor Swift-themed activities such as karaoke, quizzes, and after-concert dance parties.
Caroline Matlock, 29, of Houston, saw Swift more than a year ago on the Eras Tour in Texas. She’s now making additional friendship bracelets and trying to learn a few Swedish words in preparation for the three-and-a-half-hour presentation in Stockholm. Swift’s friend proposed seeing her in Europe, and Matlock initially needed convincing.
“I said, ‘I only want to travel if it’s a nation I’ve never been to. “I’ve seen Taylor Swift,” she explained.
Their itinerary includes visits to Scandinavian destinations such as Oslo and Gothenburg. The event is the trip’s final night, and Matlock looks forward to meeting Swifties from other countries. “Americans tend to have a very obsessive culture, especially Taylor Swift-related, so I’m curious if the crowd will be more toned-down.”
It remains to be seen whether the music tourism trend will last as long and as strong as Swift’s and Beyoncé’s and whether it will spread to Billie Eilish, Usher, and other artists who have world tours planned for next year. Expedia’s Fish believes that other well-known singers performing in Europe this summer will demonstrate that planning a foreign trip around a concert is becoming popular.
AP – VOR News Image
Fans Are Following Taylor Swift To Europe After Finding Eras Tour Tickets Less Costly There
Kat Morga, a travel consultant in Nashville, is still determining. Morga watched Swift perform in Nashville last year and assisted two clients with school-aged children in booking European family holidays this summer, which included seeing Swift in concert. However, she believes that the complexity of navigating ticket purchases through language hurdles, currency conversions, international banking restrictions, and the danger of cancellations will limit the popularity of regular gig vacations.
“I think this is an anomaly,” Morga stated. “People aren’t going to spend $20,000 on a lavish family trip just because Taylor Swift is there. She’s a unique individual. “She’s unique.”
Glenn Fogel, CEO of Booking Holdings, owns Booking.com, Priceline.com, agoda.com, Kayak, and OpenTable, is even less excited about concert tours as a tourist promoter. The Swift Effect creates a “little blip” when the superstar visits smaller destinations, but for the global travel sector, “one star touring around does not make a difference,” he explained.
“It may only shift it somewhat. A person planned a week-long vacation in the Caribbean. Instead, that individual says, ‘Let’s go to the Taylor Swift thing,'” Fogel explained. “It does not increase it. “It just moves it from here to there.”
SOURCE – (AP)
Celebrity
9 Of 10 Wrongful Death Suits Over Astroworld Concert Crowd Surge Have Been Settled, Lawyer Says
Houston — Nine of the ten wrongful death claims brought following a deadly crowd surge at the 2021 Astroworld music festival have been resolved, including one that was scheduled to go to trial this week, an attorney said Wednesday.
The family of Madison Dubiski, a 23-year-old Houston resident who was one of ten people killed during a crowd crush at rapper Travis Scott’s concert on November 5, 2021, had scheduled the jury selection to start on Tuesday.
However, Neal Manne, an attorney representing Live Nation, the festival’s promoter and one of those being sued alongside Scott, stated at a court hearing Wednesday that just one wrongful death claim remained active, while the other nine had been resolved, including the one brought by Dubiski’s family.
AP – VOR News Image
9 Of 10 Wrongful Death Suits Over Astroworld Concert Crowd Surge Have Been Settled, Lawyer Says
During the court session, Noah Wexler, an attorney for Dubiski’s family, acknowledged that their case “is resolved in its entirety.”
The terms of the settlements were kept hidden, and attorneys declined to speak during the court session due to a gag order.
The family of 9-year-old Ezra Blount, the youngest child murdered at the concert, has filed the only wrongful death case that is still outstanding. Attorneys in the action were scheduled to meet next week to consider when Blount’s family’s lawsuit could go to trial.
“This case is ready for trial,” Scott West, an attorney for Blount’s family, stated in court.However, Manne stated that he and the lawyers representing the other defendants being sued were unprepared.
State District Judge Kristen Hawkins said she wanted to consider the Blount case at next week’s session, as well as prospective trials linked to the injury cases filed following the fatal concert.
Hawkins stated that if the Blount family’s lawsuit is unresolved, she intends to schedule it as the next trial rather than an injury case.
More than 4,000 litigants filed hundreds of lawsuits following the concert. Manne stated that over 2,400 injury cases remain pending.
GQ – VOR News Image
9 Of 10 Wrongful Death Suits Over Astroworld Concert Crowd Surge Have Been Settled, Lawyer Says
The notification that nearly all of the wrongful death lawsuits had been settled came after Dubiski’s trial was postponed last week. Apple Inc., which live-streamed Scott’s concert and was one of more than 20 defendants sued by Dubiski’s family, filed an appeal after a court denied its plea to be excluded from the case. The appeals court granted Apple a stay in the case.
In the days following the trial stay, Dubiski’s family’s attorneys reached an agreement with all of the defendants in the case, including Apple, Scott, and Live Nation, the world’s largest live entertainment organization.
At least four wrongful death claims had already been resolved and announced in court documents. However, Wednesday marked the first time lawyers in the dispute provided an update, stating that nine of the ten wrongful death lawsuits had been resolved.
In court filings, the attorneys for Dubiski’s family and the numerous other plaintiffs have argued that inadequate planning and a disregard for the venue’s capacity and safety were to blame for the concert’s fatalities and hundreds of injuries.
Texas – VOR News Image
9 Of 10 Wrongful Death Suits Over Astroworld Concert Crowd Surge Have Been Settled, Lawyer Says
The victims, aged 9 to 27, died from compression asphyxia, which an expert compared to being crushed by a car.
Scott, Live Nation, and the others who have been sued have refuted these allegations, stating that safety is their priority. They claimed what happened could not have been predicted.
Following a police inquiry, a grand jury declined to charge Scott and five others with the festival last year.
SOURCE – (AP)
Jim Parsons and Mayim Bialik will reprise their roles as Dr. Sheldon Cooper and Dr.Amy Farrah Fowler in the Young Sheldon series finale, airing Thursday, May 16 (CBS, 8/7c) — which will be exactly five years since The Big Bang Theory signed off in 2019.
Parsons, an executive producer on Young Sheldon, has narrated all seven seasons, while Bialik has reprised Amy and co-narrated two episodes. But this is the first time that anyone from Big Bang will appear in person on-screen on the wildly successful spinoff.
So, what might these photos tell us? For one, we pick up with Sheldon and Amy years after the events of Big Bang — but that doesn’t come as much of a surprise: Young Sheldon, which stars Iain Armitage as the future theoretical physicist, is told from the perspective of a more mature Sheldon, who is older than the version that Parsons last played in 2019.
Through his narration, we’ve learned that Sheldon and Amy go on to have multiple children — including a son named after Sheldon’s best friend, Leonard Hofstadter.
In Big Bang’s last episode, Sheldon and Amy won the Nobel Prize in physics for discovering super asymmetry. Sheldon’s prize is framed and hung up on his office wall, while a photo snapped shortly after Sheldon and Amy accepted their Nobel prize sits on the shelf below, along with a family photo featuring Young Sheldon’s George Sr., Mary, Georgie, Missy and Meemaw.
In another photo, Amy is holding a Flash coffee mug. Behind her, we spot the atomic model that once stood in Apt. 4A — the same atomic model that Leonard and Sheldon spent nearly 140 hours rebuilding before they left for Stockholm. There’s also a Rubik’s Cube-inspired coaster on Sheldon’s desk, not unlike the tissue box that sat on the end table in Leonard and Sheldon’s place.
A third photo shows a smiling Sheldon looking closer at his laptop screen. Is it possible he’s writing his life’s story, which we’ve been told over seven seasons of Young Sheldon? That’s our Big Bang theory!
Young Sheldon will be followed by a second Big Bang offshoot, Georgie & Mandy’s First Marriage, centered on Sheldon’s older brother Georgie (played by Montana Jordan) and his new wife Mandy (Emily Osment), which is slated to air on CBS, Thursdays at 8/7c, this fall.
Series co-creator Chuck Lorre is also working on a third Big Bang Theory series — a top-secret project “derived from” the CBS mega-hit that is earmarked for streaming service Max.
Source: Yahoo News
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