Celebrity
Norman Lear, Producer Of TV’s ‘All In The Family’ And Influential Liberal Advocate, Has Died At 101
(LOS ANGELES) – Norman Lear, the writer, director, and producer who brought political and social unrest into the once-isolated world of TV sitcoms with “All in the Family,” “The Jeffersons,” and “Maude,” has died. He was 101.
Lear died in his sleep Tuesday night at his Los Angeles home, surrounded by family, according to Lara Bergthold, a spokesman for his family.
Lear, a liberal activist with a penchant for mass entertainment, created bold and controversial comedies accepted by audiences who relied on the evening news to keep up with what was happening in the world. His shows helped define prime-time humor in the 1970s, established the careers of Rob Reiner and Valerie Bertinelli, and turned Carroll O’Connor, Bea Arthur, and Redd Foxx into middle-aged stars.
The late Paddy Chayefsky, a leading writer of television’s early “golden age,” once said that Lear “took television away from dopey wives and dumb fathers, from the pimps, hookers, hustlers, private eyes, junkies, cowboys, and rustlers that constituted television chaos, and put the American people in their place.”
Norman Lear, Producer Of TV’s ‘All In The Family’ And Influential Liberal Advocate, Has Died At 101
Following his passing, tributes poured in: “I loved Norman Lear with all my heart. He was my paternal grandfather. “My heartfelt condolences to Lyn and the entire Lear family,” Reiner posted on X, formerly Twitter. “More than anyone else before him, Norman used situation comedy to bring prejudice, intolerance, and inequality to light.” “He made families that looked like ours,” Jimmy Kimmel stated.
Lear’s boyhood memories of his volatile father served as inspiration for “All in the Family,” which also drew on current events. Racism, feminism, and the Vietnam War were all hot topics as O’Connor’s blue-collar conservative Archie Bunker clashed with Reiner’s liberal son-in-law, Mike Stivic. Sally Struthers played the Bunkers’ daughter, Gloria, who defended her husband in conflicts with Archie, and Jean Stapleton co-starred as Archie’s bewildered but good-hearted wife, Edith.
Lear’s work altered television at a period when traditional shows like “Here’s Lucy,” “Ironside,” and “Gunsmoke” still reigned supreme. CBS, Lear’s principal network, will soon implement its “rural purge,” canceling popular shows like “The Beverly Hillbillies” and “Green Acres.” The breakthrough sitcom “The Mary Tyler Moore Show,” about a single career woman in Minneapolis, premiered on CBS in September 1970, just months before “All in the Family” began.
Norman Lear, Producer Of TV’s ‘All In The Family’ And Influential Liberal Advocate, Has Died At 101
However, ABC passed on “All in the Family” twice, and when it ultimately aired, CBS broadcast a disclaimer: “The program you are about to see is ‘All in the Family.'” It aims to shine a funny light on our flaws, prejudices, and concerns. By making them a source of humor, we seek to demonstrate, maturely, how silly they are.”
By the end of 1971, “All in the Family” had reached the top of the ratings, and Archie Bunker had become a pop cultural icon, with President Richard Nixon among his supporters. Some of his snide remarks become catchphrases. He referred to his son-in-law as “Meathead” and his wife as “Dingbat,” he would snap at anyone who sat in his faded orange-yellow wing chair. It was the focal point of the Bunkers’ Queens rowhouse and was later displayed at the Smithsonian’s National Museum of American History.
Even the show’s opening sequence was novel: Archie and Edith are seated at the piano in their living room, belting out a nostalgic classic, “Those Were the Days,” with Edith shrieking off-key and Archie crooning such lines as “Didn’t need no welfare state” and “Girls were girls and men were men.”
Norman Lear, Producer Of TV’s ‘All In The Family’ And Influential Liberal Advocate, Has Died At 101
“All in the Family,” based on the British sitcom “Til Death Us Do Part,” was the highest-rated series for an unprecedented five years in a row and won four Emmys for outstanding comedy series before being surpassed by five-time winner “Frasier” in 1998.
Hits kept coming for Lear and then-partner Bud Yorkin, including “Maude” and “The Jeffersons,” both spin-offs from “All in the Family,” which featured the same winning blend of one-liners and social tension. The eponymous character (played by Arthur) became the first on television to undergo an abortion in a 1972 two-part episode of “Maude,” sparking a wave of complaints as well as good ratings. When one of Archie’s close friends turned out to be gay, Nixon privately complained to White House staff that the program “glorified” same-sex partnerships.
“Controversy implies that people are debating something.” But there has to be laughter first and foremost, or it’s a dog,” Lear told The Associated Press in 1994.
“Good Times,” about a working-class Black family in Chicago, was also created by Lear and Yorkin, as was “Sanford & Son,” starring Foxx as junkyard dealer Fred Sanford, and “One Day at a Time,” featuring Bonnie Franklin as a single mother and Bertinelli and Mackenzie Phillips as her daughters. Lear and Yorkin created five top-ten shows in the 1974-1975 season.
Because of his business success, Lear could communicate his strong political ideas beyond the tiny screen. In 2000, he and a partner paid $8.14 million for a copy of the Declaration of Independence and sent it on a cross-country tour.
He was an ardent fundraiser to Democratic candidates and, he said, created the nonprofit leftist advocacy group People for the American Way in 1980 because preachers Jerry Falwell and Pat Robertson were “abusing religion.”
“I began to say, ‘This is not my America.'” “You don’t mix politics and religion like this,” Lear told Commonweal magazine in 1992.
Norman Lear, Producer Of TV’s ‘All In The Family’ And Influential Liberal Advocate, Has Died At 101
Svante Myrick, president of the organization, stated that “we are heartbroken” by Lear’s passing. “We extend our deepest sympathies to Norman’s wife Lyn and their entire family, and to the many people who, like us, loved Norman.”
The young Lear created television far into his 90s, recreating “One Day at a Time” for Netflix in 2017 and investigating wealth inequality for the documentary series “America Divided” in 2016. Documentaries such as “Norman Lear: Just Another Version of You” in 2016 and “If You’re Not in the Obit, Eat Breakfast” 2017 focused on active nonagenarians such as Lear and Rob Reiner’s father, Carl Reiner.
He was hailed as the “innovative writer who brought realism to television” when he was admitted into the National Academy of Television Arts and Sciences Hall of Fame in 1984. He was eventually awarded the National Medal of Arts and honored at the Kennedy Center. He won an Emmy in 2020 for his work as executive producer for “Live In Front of a Studio Audience: ‘All In the Family’ and ‘Good Times.'”
In the early 1950s, Lear began writing for shows such as “The Colgate Comedy Hour” and for performers such as Martha Raye and George Gobel. Tandem Productions, which he co-founded with Yorkin in 1959, produced pictures such as “Come Blow Your Horn,” “Start the Revolution Without Me,” and “Divorce American Style.” Lear also directed the parody “Cold Turkey,” starring Dick Van Dyke, about a tiny community that accepts a tobacco company’s offer of $25 million in exchange for quitting smoking for 30 days.
In his later years, Lear collaborated with Warren Buffett and James E. Burke to establish The Business Enterprise Trust, which honors corporations that consider their long-term impact on the country. He also established the Norman Lear Center at the University of Southern California’s Annenberg School for Communication, which investigated entertainment, economics, and society, and spent time at his Vermont home. In 2014, he released his autobiography, “Even This I Get to Experience.”
SOURCE – (AP)
Celebrity
Bernice Johnson Reagon, Whose Powerful Voice Helped Propel The Civil Rights Movement, Has Died
Nashville, Tennessee – Bernice Johnson Reagon, a musician and scholar who utilised her rich, powerful contralto voice to support the American Civil Rights Movement and global human rights campaigns, died on July 16, according to her daughter’s social media post. She was 81.
Reagon was best known as the founder of Sweet Honey in the Rock, an internationally recognized African American female cappella group that she managed from 1973 until her retirement in 2004. The Grammy-nominated group’s purpose has been to educate, empower, and entertain. They sing songs from various genres, including spirituals, children’s music, blues, and jazz. Some of their original compositions pay tribute to American civil rights leaders and foreign liberation movements, such as the struggle against apartheid in South Africa.
Bernice Johnson Reagon, Whose Powerful Voice Helped Propel The Civil Rights Movement, Has Died
“She was incredible,” said Tammy Kernodle, a prominent professor of music at Miami University with a focus on African American music. She referred to Reagon as someone “whose divine energy, intellect, and talent all intersect in such a way to initiate change in the atmosphere.”
According to an obituary posted on social media by her daughter, musician Toshi Reagon, Reagon’s musical activism began in the early 1960s when she worked as a field secretary for the Student Nonviolent Coordinating Committee and became an initial member of the Freedom Singers. In 2010, the trio reassembled and was joined by Toshi Reagon to play for then-President Barack Obama in a White House performance series televised nationally on public television.
Reagon was born in 1942 in Dougherty County, Georgia, outside of Albany. In the early 1960s, he attended music workshops at Tennessee’s Highlander Folk School, an activist training ground. At an anniversary celebration in 2007, Reagon explained how the institution helped her recognize her musical history as unique.
“From the time I was born, we were always singing,” Reagon told me. “When you’re in a culture and, quote, ‘doing what comes naturally to you,’ you don’t notice it. I believe my work as a cultural scholar, singer, and composer would have been very different if someone had not drawn my attention to the people who need songs to stay alive, to keep themselves together, or to boost the energy in a movement.”
Reagon was arrested and dismissed from Albany State College after participating in a civil rights march. She eventually graduated from Spellman College. While a graduate student of history at Howard University and the vocal director of the D.C. Black Repertory Company, she founded Sweet Honey in the Rock.
In 1965, Reagon recorded her debut solo album, “Folk Songs: The South,” for Folkways Records. She joined Atlanta’s Harambee Singers as a founding member in 1966.
According to the Smithsonian, Reagon began working with the institution in 1969 when she was asked to organize and manage a 1970 festival program called Black Music Through the Languages of the New World. She went on to curate the African Diaspora Program and establish and lead the Program in Black American Culture at the National Museum of American History, where she ultimately became curator emeritus. She produced and played on many Smithsonian Folkways recordings.
Reagon was a distinguished professor of history at American University in Washington for a decade, commencing in 1993 and ending as a professor emerita.
According to Kernodle, we think that music has always been a component of civil rights activity, but it was people like Reagon who made music “part of the strategy of nonviolent resistance.” They brought those songs and practices from within the church to the streets and jail cells. And they popularised such songs.”
Bernice Johnson Reagon, Whose Powerful Voice Helped Propel The Civil Rights Movement, Has Died
“What she also did that was very important was that she historicised how that music functioned in the civil rights movement,” according to Kernodle. “Her dissertation was one of the first real studies of civil rights music.”
Reagon won two George F. Peabody Awards, including one for her role as lead scholar, conceptual producer, and host of the Smithsonian Institution and National Public Radio series “Wade in the Water: African American Sacred Music Traditions.”
She has received the Charles E. Frankel Prize and Presidential Medal for distinguished contributions to public awareness of the humanities, a MacArthur Fellows Program award, and the Martin Luther King Jr. Centre for Nonviolent Social Change’s Trumpet of Conscience Award.
SOURCE | AP
NEW YORK — Abdul “Duke” Fakir, the last surviving original member of the famed Motown quartet the Four Tops, which was known for singles like “Reach Out, I’ll Be There” and “Standing in the Shadows of Love,” died at the age of 88.
Fakir died of heart failure on Monday at home in Detroit, according to a family representative, surrounded by his wife and other loved ones.
The Four Tops were one of Motown’s most successful and enduring ensembles, peaking in the 1960s. From 1964 to 1967, they had 11 top 20 successes, including two No. 1s: “I Can’t Help Myself (Sugar Pie Honey Bunch)” and the operatic classic “Reach Out, I’ll Be There.” Other songs, frequently about love, agony and grief, were “Baby I Need Your Loving,” “Standing in the Shadows of Love,” “Bernadette,” and “Just Ask the Lonely.”
Many of Motown’s greatest artists, like the Supremes and Stevie Wonder, grew up at Berry Gordy’s Detroit-based corporation, which he created in the late 1950s. However, Fakir, lead singer Levi Stubbs, Renaldo “Obie” Benson, and Lawrence Payton had been together for a decade when Gordy signed them up in 1963 (after the group had turned him down a few years earlier), and they already had a polished stage act and versatile vocal style that allowed them to perform anything from country songs to pop standards like “Paper Doll.”
When they started, they called themselves the Four Aims but soon changed their name to the Four Tops to prevent confusion with the white harmonizing quartet, the Ames Brothers.
The Tops had recorded for several companies, including Chicago’s renowned Chess Records, but needed more commercial success. However, Gordy and A&R man Mickey Stevenson partnered them with the songwriting-production combination of Eddie Holland, Lamont Dozier, and Brian Holland, and they soon caught on, combining tight, haunting harmonies (with Fakir as lead tenor) underneath Stubbs’ eager, often frantic baritone.
Abdul ‘Duke’ Fakir, Last Of The Original Four Tops, Is Dead At 88
After Holland-Dozier-Holland departed Motown in 1967, the Tops had more occasional success, with hits including “Still Water (Love),” and a pair of top ten songs for ABC/Dunhill Records in the early 1970s, “Keeper of the Castle” and “Ain’t No Woman (Like the One I’ve Got).” They last entered the top 20 in the early 1980s with the romantic song “When She Was My Girl.”
They remained a prolific concert act, occasionally touring alongside current members of the Temptations, a friendly competition that began when the groups played together at the all-star 1983 television concert commemorating Motown’s 25th anniversary. While the Temptations and other colleagues struggled with drug addiction, internal conflict, and personnel changes, the Four Tops stayed unified and whole until Payton died in 1997. (Benson died in 2005, Stubbs in 2008).
“The things I love most about them — they are very professional, they have fun with what they do, they are very loving, and they have always been gentlemen,” Wonder said of them when he helped induct them into the Rock and Roll Hall of Fame in 1990.
Fakir later performed as the Four Tops alongside lead vocalists Alexander Morris, Ronnie McNeir, and Lawrence ‘Roquel’ Payton Jr., Lawrence Payton’s son.
“As each one of them (the original members) passed, a little bit of me left with them,” Fakir told UK Music Reviews in 2021. “When Levi left us, I found myself in a quandary as to what I was going to do from that moment on but after a while I realized that the name together with the legacy that they had left us simply had to carry on, and judging by the audience reaction it soon became pretty evident that I did the right thing and I really do feel good about that.”
In addition to the Rock Hall of Fame, they were inducted into the Grammy Hall of Fame in 1998 and received a Grammy Lifetime Achievement Award in 2009. More recently, Fakir was working on a Broadway musical based on their lives and finished his memoir, “I’ll Be There,” which will be published in 2022.
Fakir has been married twice, the last time to Piper Gibson, and has seven children. (Six people survive him). In the mid-1960s, he was briefly engaged to Mary Wilson of the Supremes.
Abdul ‘Duke’ Fakir, Last Of The Original Four Tops, Is Dead At 88
Fakir, a lifelong Detroit native who remained there even after Gordy relocated the label to Los Angeles in the early 1970s, was of Ethiopian and Bangladeshi heritage and grew up in a violent neighborhood where competing Black and white gangs sometimes clashed. He aspired to be a professional athlete from a young age, but he was also a great vocalist whose tenor caught the attention of his church choir. He was in his teens when he met Stubbs, and the two first performed with Benson and Payton at a birthday celebration hosted by a local “girl” group that Fakir described as “high-class, very fine young ladies.”
“Singing was the by-product of us going to the party looking for the girls!” Fakir stated during a 2016 interview.
“We advised Levi to simply choose a song and sing the lead. We’d back him up. When he started, we all fell in like we had been practicing the song for months! Our combination was fantastic. We were looking at each other as we sang, and then we remarked, “Man, this is a group!” “This is a group!”
SOURCE | AP
Celebrity
American Who Made Social Media Threats Against Taylor Swift Detained Ahead Of German Concert
BERLIN — An American man who made threats against Taylor Swift on social media was seized before her first concert in Gelsenkirchen, Germany, and will be held in custody until her gigs there end, authorities said Thursday.
swift | AP news Image
American Who Made Social Media Threats Against Taylor Swift Detained Ahead Of German Concert
According to police, the accused stalker, a 34-year-old whose name has not been disclosed, had a ticket to Taylor’s concert at Gelsenkirchen’s Veltins-Arena on Wednesday. They stated that he was detained at event admission checks because an early assessment could not completely rule out a risk.
According to police, the man threatened Taylor and her partner on social media. They say he was detained after receiving tips from the event’s organizers.
The American superstar will perform in Gelsenkirchen on Wednesday, Thursday, and Friday as part of her Eras tour. According to authorities, a local court has ordered that the suspected stalker be detained until Saturday.
They went on to say that Swift and the audience were always safe. The event drew approximately 60,000 people on Wednesday evening and went off without incident.
American Who Made Social Media Threats Against Taylor Swift Detained Ahead Of German Concert
Before the concerts, Gelsenkirchen temporarily renamed the town “Swiftkirchen” and honored the singer on a “Walk of Fame” dedicated to local luminaries.
Taylor has plans to perform in two more German cities after Gelsenkirchen: Hamburg and Munich.
SOURCE | AP
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