Entertainment
Renata Scotto, Soprano Of Uncommon Intensity, Dies At 89
Renata Scotto, an extraordinary soprano who became a famous director following her singing career, died Wednesday in her hometown of Savona, Italy. She was 89 years old.
Robert Lombardo, Scotto’s manager in New York, claimed he was called by her family and notified of her death. “I spoke with her several weeks ago and got no indication that anything was going on,” he explained.
Scotto has houses in both Italy and Armonk, New York.
“Renata Scotto is a true artist and profound connoisseur of voice and repertoire, gifted with technique, musicality, a personality of rare power, always at the service of the composer, and able to emotionally stir the public in every phase of her long career,” said soprano Cecilia Gasdia, superintendent of the Fondazione Arena in Verona.
From her debut in Puccini’s “Madama Butterfly” on October 13, 1965, through her final performance, again as Cio-Cio-San, on January 18, 1987, Scotto made 314 appearances at the Metropolitan Opera. During her final run, she also directed, which became her new profession.
“I like to live in the present,” she told The Associated Press in 2007. “Of course, I watch films on DVD.” I loved every minute of my job. I’m now living with the young vocalists. I adore them so much.′′
Renata Scotto, an extraordinary soprano who became a famous director following her singing career, died Wednesday.
Scotto, born on February 24, 1934, in Sovona, debuted there in 1952 as Violetta in Verdi’s “La Traviata” and reprised the part the next day at Milan’s Teatro Nuovo.
On December 7, 1957, the opening night of the season, she made her debut at Milan’s Teatro alla Scala in the title role of Catalani’s “La Wally” alongside Mario Del Monaco, with Carlo Maria Giulini conducting.
The New York Times dubbed Scotto a “new star” when she made her Met debut.
Raymond Ericson described her as “short, plump, and with a round face that is remarkably expressive.” “She is a lyric coloratura with a small voice that carries in a large auditorium due to its concentrated tone.” And she is a complete actress, both vocally and physically.”
When Scotto performed the title role in Bellini’s “Norma” on the first night of the Met’s 1981-82 season, she was booed by Maria Callas fans as opposed to anyone else performing the role.
In 1977, she co-starred with Luciano Pavarotti in the first “Live from the Met” webcast of Puccini’s La “Bohème.” As her singing career came to an end, she turned to directing.
Renata Scotto, an extraordinary soprano who became a famous director following her singing career, died Wednesday.
“I adore it. “Of course, it’s completely different,” she told the Associated Press. “There’s more responsibility — you’re in charge of everything — the stage, the scenery.” It’s a different point of view. You have a different perspective on the show.′′
Scotto directed Deborah Voigt in Puccini’s “Tosca” role for the first time at the Florida Grand Opera in 2001.
′′What was impressive was that she didn’t try to put her imprint on it,′′ Voigt said. ′′She guided me through it and assisted me in finding my way through the role and my Tosca, distinct from Renata Scotto’s.”
Scotto’s daughter Laura Anselmi Miller, son Filippo Anselmi, and two grandkids survive him. Funeral arrangements, according to Lombardo, had not yet been finalized. Lorenzo, her spouse, died in 2021.
SOURCE – (AP)
(VOR News) – The “Merc with a Mouth” will return to the big screen in Deadpool & Wolverine this weekend, and his contribution to Disney’s Marvel Cinematic Universe extends beyond his R rating.
“Deadpool & Wolverine,” the third standalone feature film featuring Ryan Reynolds as the regenerative reprobate, is expected to gross between $160 million and $180 million in its opening weekend at the domestic box office.
The movie has already surpassed the greatest number of ticket pre-sales in 2024, according to data provided by Fandango. It is anticipated that it will break numerous records during its opening weekend.
Most noteworthy among these accomplishments is the most successful premiere for an R-rated film in history, as well as the largest domestic opening of 2024.
Disney and Pixar’s “Inside Out 2” has achieved the highest opening of the year with a total of $154.2 million, as per the data provided by Comscore.
Additionally, the first “Deadpool” film has achieved the highest début for any R-rated feature film with a total of $132.4 million.
Mike Bowers, the president and CEO of Harkins Theatres, a theatre corporation located in Arizona, stated, “I am confident that this will be the largest R-rated film to ever be released if it is released.” Furthermore, it is already one of the most successful presale films in the annals of our company.
“Deadpool & Wolverine” was initially rated R because of its trailer.
It is also the 34th Deadpool & Wolverine film to be released under the Marvel Cinematic Universe banner. The two Deadpool films that preceded it, both of which were rated R, were produced and distributed by 20th Century Fox.
The reintroduction of the X-Men and Fantastic Four into the broader Marvel catalogue was the consequence of Disney’s acquisition of the corporation in 2019.
Similar to other Marvel Cinematic Universe films, “Deadpool & Wolverine” is benefiting from the enthusiasm of its audience.
Audiences are anxious to view the film during its opening weekend in order to prevent spoilers. Disney has maintained the confidentiality of the majority of the film’s content, and only a limited number of press screenings have been conducted prior to the film’s release.
Bowers anticipates that individuals will continue to return for additional viewings in the weeks following the film’s premiere.
He made the observation that “this is a film that there is so much happening, so many jokes and funny sequences that no one is going to be able to eat just one, you know, they’re going to be back.”
Ellis Jacob, the president and chief executive officer of Cineplex, the largest cinema theatre operator in Canada, echoed Bower’s viewpoint. Jacob asserted that “Deadpool & Wolverine” is replete with Easter eggs and that viewers will revisit the film to attempt to locate them all.
Furthermore, he stated that a substantial number of moviegoers are purchasing tickets for premium screenings, such as IMAX, Dolby, and ScreenX, which are more expensive.
Additionally, Marvel has collaborated with movie theatres to grant licenses for items such as collector popcorn tubs and drink containers, which the theatre operators anticipate will be in high demand.
Historically, concessions have been the most profitable revenue source for movie theatres, and the presence of limited-edition products can result in even greater sales of food and beverages.
” Deadpool & Wolverine” is an essential Marvel release.
Shawn Robbins, Deadpool & Wolverine the inventor and owner of Box Office Theory, announced that Disney had “slowed down the pace” and had scheduled fewer films in the series that has dominated the global box office for over a decade. Box Office Theory is also associated with Robbins.
He stated that Disney is making an effort to correct the course after a series of theatrical errors and poor box office performance, as well as a flood of streaming content that overwhelmed even the most devoted fans of the Marvel Cinematic Universe.
Robbins pointed out that “in the end, despite the fact that this is a Marvel movie, it may be viewed equally as a midsummer action comedy that stars personalities and brands that are loved by both die-hard fans and casual viewers.”
The fact that Reynolds and Jackman have both made a name for themselves in Deadpool & Wolverine popular culture and have maintained a cordial relationship through interviews and social media makes them an ideal pairing.
Likewise, there is genuine curiosity regarding the first R-rated film in the Marvel Cinematic Universe and whether it will retain the qualities that made the first two Deadpool films and [Jackman’s 2017 Wolverine film] Logan so successful.
SOURCE: CNBC
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Turner Sports hopes to continue its long-standing relationship with the NBA.
On Monday, Warner Bros. Discovery informed the league that it will match Amazon Prime Video’s $1.8 billion annual bid. Turner has had an NBA package since 1984, and games have been broadcast on TNT since the network started in 1988.
“We studied the offers and accepted one of them. This will allow fans to continue to experience our unequaled coverage, including the greatest live game productions in the business and our legendary studio shows and talent, as we build on our proven 40-year commitment for many more years,” WBD stated. “We submitted our matching paperwork to the league today.” We are looking forward to the NBA completing our new contract.”
Warner Bros. Discovery Informs NBA It Will Match Amazon Prime Video’s Offer To Carry Games
The NBA Board of Governors approved the league’s 11-year media rights deals with Disney, NBC, and Amazon Prime Video on Tuesday at its meeting in Las Vegas. WBD received all three contracts on Wednesday, beginning the five-day clock for deciding whether to match.
The new deals, for $76 billion, will begin with the 2025-26 season and entail a game being shown or streamed nationally every night during the second half of the season.
The Prime Video package would have offered games on Thursday night after it finished carrying NFL games. The other nights were Friday and Saturday.
TNT would air games on Thursday, with the other nights being streamed on Max.
Warner Bros. Discovery CEO David Zaslav warned at an RBC Investor Conference in November 2022 that Turner and WBD “don’t have to have the NBA.”
Warner Bros. Discovery and the league could not negotiate an agreement during their exclusive bargaining period, which ended in April. Zaslav and TNT Sports Chairman/CEO Luis Silberwasser have recently announced that they intend to match one of the agreements.
“During our four-decade collaboration with the NBA, we have consistently provided exceptional coverage for basketball fans. WBD stated that they behaved in good faith to offer strong proposals that were fair to both parties throughout exclusive and non-exclusive negotiations to maintain their long-standing collaboration. “Regrettably, the league notified us of its intention to accept other offers for the games in our current rights package, leaving us to proceed under the matching rights provision, which is an integral part of our current agreement and the rights we have paid for under it.”
NBC and WBD would alternate broadcasting one of the conference finals series. ESPN and ABC will continue to broadcast the league’s top package and will host conference finals and the NBA Finals each year.
According to people familiar with the negotiations, Amazon’s offer contained a mechanism for paying many years in advance into an escrow account, which many thought would be difficult to match. However, WBD has informed the league that it has the financial resources to do so.
“The Ringer’s” Bill Simmons originally mentioned the Amazon provision on “The Town” podcast.
People talked to the AP anonymously because they were not at liberty to discuss such serious topics.
Warner Bros. Discovery Informs NBA It Will Match Amazon Prime Video’s Offer To Carry Games
WBD pays $1.4 billion per season under the existing nine-year contract, which expires after next season.
WBD is making a large financial investment, but it is necessary. Without the NBA, it would have struggled to charge its present subscriber fees to cable and satellite companies.
Retaining the NBA would also ensure that the popular “Inside the NBA” show will continue. Charles Barkley was dismissive of WBD’s negotiation position and did not believe it would match. Barkley revealed at the end of this season that he planned to retire following the next season.
SOURCE – (AP)
Celebrity
American Who Made Social Media Threats Against Taylor Swift Detained Ahead Of German Concert
BERLIN — An American man who made threats against Taylor Swift on social media was seized before her first concert in Gelsenkirchen, Germany, and will be held in custody until her gigs there end, authorities said Thursday.
swift | AP news Image
American Who Made Social Media Threats Against Taylor Swift Detained Ahead Of German Concert
According to police, the accused stalker, a 34-year-old whose name has not been disclosed, had a ticket to Taylor’s concert at Gelsenkirchen’s Veltins-Arena on Wednesday. They stated that he was detained at event admission checks because an early assessment could not completely rule out a risk.
According to police, the man threatened Taylor and her partner on social media. They say he was detained after receiving tips from the event’s organizers.
The American superstar will perform in Gelsenkirchen on Wednesday, Thursday, and Friday as part of her Eras tour. According to authorities, a local court has ordered that the suspected stalker be detained until Saturday.
They went on to say that Swift and the audience were always safe. The event drew approximately 60,000 people on Wednesday evening and went off without incident.
American Who Made Social Media Threats Against Taylor Swift Detained Ahead Of German Concert
Before the concerts, Gelsenkirchen temporarily renamed the town “Swiftkirchen” and honored the singer on a “Walk of Fame” dedicated to local luminaries.
Taylor has plans to perform in two more German cities after Gelsenkirchen: Hamburg and Munich.
SOURCE | AP
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