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Disney Plus Releases the Long Awaited Season 3 of The Mandalorian

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1 year ago

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Season 3 of The Mandalorian

In the first chapter of season 3 of The Mandalorian, the titular bounty hunter adopts the young Grogu and shields him from Moff Gideon’s evil plot (Giancarlo Esposito). To finish his training, Grogu was sent to Jedi Master Luke Skywalker (Mark Hamill) by Djarin after leading a group to victory over Gideon.

Jumping straight from the second season-ending to the third season start could leave an audience member perplexed by what they see. Djarin continues to explore the universe. After removing Grogu from the Jedi training school run by Luke Skywalker in between seasons, he still cares for the child.

The Book of Boba Fett’s penultimate episode, “From the Desert Comes a Stranger,” featured this occurrence, but it’s intriguing to consider what viewers who didn’t watch that other show thought of it.

Showrunner Jon Favreau has bragged that he has already finished writing The Mandalorian’s fourth season and thinks the series may go on indefinitely. Disney, the parent business, would undoubtedly be extremely pleased with this.

Disney+’s signature program, The Mandalorian, debuted with the streaming service in December 2019. Nielsen said it was also the most-watched streaming original outside of Netflix in 2020. As a result, it is simple to comprehend why Disney wants to see more of this.

So it seems like The Mandalorian has set off on a rough path toward its third season. The first and second seasons debuted one year apart, but the third season took more than two years to the air. There are several explanations as to why this might have happened.

The crew and equipment used to film Obi-Wan Kenobi were largely the same, and that show’s shooting was notably delayed as scripts were revised.

Pascal himself is a problem as well. While recurrent director Bryce Dallas Howard describes the role as “a real partnership” between Pascal’s voiceover and numerous in-suit performers, including Pascal himself, there is substantial controversy about how much Pascal is truly in The Mandalorian.

Pascal, an actor who stars in The Last of Us on HBO and has other commitments, has praised how the production team for The Mandalorian “improvised” around his schedule.

Season 3 of The Mandalorian is ambiguous, giving the impression that this program has interrupted time. This is represented in a discussion about how much time had elapsed in-universe since Djarin and Grogu first met, which surfaced just before the third season debut.

According to Favreau, the show’s first two seasons spanned “many years,” Grogu was with Skywalker for two years before Djarin picked him up.

Time is relative, of course, and in a science fiction universe with numerous planets with various gravity levels and faster-than-light travel, it is especially elastic.

Even then, the statistics don’t truly correspond to what viewers experienced when watching the events broadcast on television over two years. The exact reason why such statistics don’t “feel” correct is difficult to explain. There is a strange force at work in all of this.

The Mandalorian’s third season premiere, “The Apostate,” continues its uncouthness. It is trapped between three conflicting narrative goals as a television episode.

Assuring the audience that The Mandalorian is back and that it is essentially the same show is the easiest and most immediate. This episode reminds viewers what pleasure it was to watch these two characters engage in silly, pulpy Star Wars adventures.

In season 3, The Mandalorian makes a somewhat awkward return, almost like a reboot, with Din Djarin still in the same spot in his Star Wars adventure.

As a result, “The Apostate” has a thin plot but is packed with generic Star Wars material. By showing the forging of a Mandalorian helmet, the season’s opening sequence welcomes viewers into the mystique of the Mandalorians.

A seven-minute sequence follows, featuring a giant monster attack using lasers and jetpacks. In a later show scene, Djarin engages in combat with space pirates, and a dogfight occurs on an asteroid field. With Djarin and Grogu, it’s all wonderful Star Wars stuff.

The second major goal of the premiere is to update the returning Mandalorian audience on what they missed if they didn’t watch The Book of Boba Fett.

With both the Marvel Cinematic Universe and the Star Wars brand, it seems Disney is beginning to understand the boundaries of these intricately woven shared universes of intersecting shows and that excessive amounts of content are just as likely to alienate mainstream audiences as they are to radicalize them.

Because Marvel couldn’t assume viewers had seen Loki, the character of Kang the Conqueror (Jonathan Majors) had to be introduced twice. The first time, he delivered a lengthy motivational speech after Loki’s first season, and the second time, he did the same after Ant-Man and the Wasp: Quantumania. On the other hand, Josh Brolin’s character, Thanos, only truly had to defend himself once in Avengers: Infinity War.

Djarin’s expulsion from his fellow Mandalorians must be explained by “The Apostate”. There is a lot of duplication.

The Armorer (Emily Swallow) informs Djarin that he is “a Mandalorian no more” because he removed his helmet and that the only place for him to atone for his mistakes is in “the living waters beneath the Mines of Mandalore” in the “previously on” portion of The Book of Boba Fett. In the episode’s opening dialogue with Djarin, she reiterates these identical concerns.

In season 3, The Mandalorian makes a somewhat awkward return, almost like a reboot, with Din Djarin still in the same spot in his Star Wars adventure.

“You’ve taken off your helmet,” she says to Djarin. “You are not a Mandalorian anymore.” It is awkward and unattractive. The intricate and rich mythology of Star Wars has always relied on a lot of “… as you already know… ” exchanges between characters, but in “The Apostate,” characters repeat information that was covered in the episode’s “previously on” just ten minutes earlier. This is prevalent in “The Apostate,” highlighting the foolishness of handing over story pieces to The Book of Boba Fett.

The third competing goal for “The Apostate” is acting as a second pilot for the series, reminding viewers of what they enjoyed about The Mandalorian and catching them up on what they missed in The Book of Boba Fett.

This episode sets out Djarin’s new goals, introduces new rules and stakes, and lays out the general framework for the upcoming season or seasons.

Unfortunately, this entails ending a significant amount of the preceding two seasons’ legend, resulting in exposition regarding what comes before and what lies ahead. There is a quick round of wrapping up the first two seasons when Djarin sees his old friend Karga (Carl Weathers), such as writing out Cara Dune (Gina Carano). Why not mention Marshal Dune? Asks Karga Djarin. Then he asks, “What happened to Gideon?” There is a feeling of having to move swiftly.

The same thing transpires when Djarin visits his former ally Bo-Katan later in the episode (Katee Sackhoff). It resembles a job interview, more than two longtime friends catching up. He asks her about her intentions to recapture Mandalore. Where is the stolen fleet? Does he then ask?

The third season of The Mandalorian doesn’t feel like a direct continuation of the past two. Therefore, much information must be delivered quickly, with little room for poetry or nuance.

Given the conflicting masters that “The Apostate” must serve, it is to Favreau’s credit that it functions at all.

The episode has an almost melancholy undercurrent as Djarin journeys across the galaxy in his antique Naboo starfighter with the student he dragged out of a class, only to find that his old friends had moved on with their lives without him.

The “High Magistrate” Karga is the one who has made Navarro “the diamond of the Outer Rim.” While Katan is alone, at least he is seated on a throne.

Karga seems to be arguing that The Mandalorian’s narrative is finished. He acknowledges, “I’m confused. You finished your task, but you’re still frolicking around with the same critter.

Karga is relishing his retirement and respectability to the extent that Vane (Marti Matulis), an old pirate acquaintance, is taken aback when he learns that Karga turned their former tavern into a school. Karga has grown up since he was younger. He has created a life and a neighborhood.

Karga does extend a comparable invitation to Djarin, implying that the bounty hunter has earned his rest. “You and the little one, you can calm down. You can hang up your blaster,” he advises.

Live off the land’s fat. It’s not a horrible deal, especially considering that The Mandalorian did a lot to restore some credibility to the Star Wars name following the two dud films Solo: A Star Wars Story and Star Wars: The Rise of Skywalker. Is it feasible for Djarin to let go of his responsibilities and proceed?

Djarin appears to still be chasing the past, according to “The Apostate”. IG-11 (Taika Waititi), the assassin droid from the program’s first season, has a broken memory chip, but Djarin still tries to revive it. He tells the Anzellans, “I need this one.

“This is a friend of mine.” For the engineers, Karga translates, “He suggested you should buy a new one.” Djarin is maybe too tied to the past, piloting a Naboo starfighter, striving to maintain the Mandalorian customs, and trying to revive a melted droid.

But, The Mandalorian’s third season, which premieres more than two years after the second one ended, faces this difficulty. Can The Mandalorian be restarted without losing its appeal to fans?

Can it construct a new story and maintain the allure of those first seasons? Is the Way going in one direction, the other, or in circles?

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Geoff Thomas is a seasoned staff writer at VORNews, a reputable online publication. With his sharp writing skills and deep understanding of SEO, he consistently delivers high-quality, engaging content that resonates with readers. Thomas' articles are well-researched, informative, and written in a clear, concise style that keeps audiences hooked. His ability to craft compelling narratives while seamlessly incorporating relevant keywords has made him a valuable asset to the VORNews team.

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Ex-Nickelodeon Producer Schneider Sues ‘Quiet On Set’ Makers For Defamation And Sex Abuse Implications

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5 hours ago

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2024-05-03

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schneider

Los Angeles — Dan Schneider, a former Nickelodeon producer and writer, sued the makers of “Quiet on Set: The Dark Side of Kids TV” on Wednesday, claiming the documentary series falsely claimed that he sexually abused the child actors with whom he worked.

Schneider filed a defamation lawsuit in Los Angeles Superior Court against Warner Bros. Discovery and the other corporations involved in the series.

Schneider, a former teen actress, was a key figure in Nickelodeon’s dominance of youth culture in the 1990s and 2000s. She worked on sketch series “All That,” “The Amanda Show,” and “Kenan & Kel,” as well as as an executive producer on shows such as “Zoey 101,” “iCarly,” and “Victorious.”

schneider

The Sun – VOR News Image

Ex-Nickelodeon Producer Schneider Sues ‘Quiet On Set’ Makers For Defamation And Sex Abuse Implications

He is also a prominent figure in “Quiet on Set,” which premiered on true crime cable channel ID in March. It has since been streamed on Max, creating a big splash among Nickelodeon’s former stars and fans. It includes cast and crew interviews to expose the show’s sexualization of young teens, as well as a poisonous and abusive work climate that many blamed Schneider for. It also contains accounts of sexual assault of young performers, including “The Amanda Show” and “Drake & Josh” star Drake Bell, by crew members who were eventually convicted.

Schneider, who left Nickelodeon in 2018, claimed in the lawsuit that the “Quiet on Set” trailer and episodes of the show purposefully mixed and juxtaposed images and mentions of him with criminal sexual abusers to imply he was complicit.

“The portrayal of Schneider in ‘Quiet on Set’ is a hit job,” according to the lawsuit. “While it is indisputable that two bona fide child sexual abusers worked on Nickelodeon shows, it is likewise indisputable that Schneider had no knowledge of their abuse, was not complicit in the abuse, condemned the abuse once it was discovered and, critically, was not a child sexual abuser himself.”

The lawsuit names Warner Bros. Discovery, the parent company of ID and Max, as defendants as well as the show’s producing firms, Sony Pictures Television and Maxine Productions.

Emails requesting comments from representatives of the three companies were not immediately replied.

The four-part series implies that Schneider’s shows had a tendency to place young women in funny situations with sexual connotations, and it portrays him as an angry and emotionally abusive boss.

schneider

Hollywood Reporter – VOR News Image

Ex-Nickelodeon Producer Schneider Sues ‘Quiet On Set’ Makers For Defamation And Sex Abuse Implications

It includes direct charges of sexual harassment and gender discrimination from women who worked as writers for him on “All That.” They claimed he exhibited pornography on his computer in their presence in the writers’ room and asked for massages, joking that they would lead to the women’s sketches appearing on the show, which Schneider denies.

It also includes an interview with Bell, who claims “extensive” and “brutal” sexual assault at the hands of a dialogue coach when he was 15, as well as an interview with the mother of another girl who was sexually abused by one of the crew members.

The Associated Press normally does not identify persons who claim to have been sexually abused unless they come forward publicly, as Bell has.

Following the show’s release, Schneider apologized in a YouTube video for “past behaviors, some of which are embarrassing and that I regret.”

However, the lawsuit claims that the show, particularly the trailer, unjustly implicates him in child sexual abuse by presenting photographs of him — including some with his arm around young actors — during discussions about an unsafe atmosphere for children.

The lawsuit seeks damages to be assessed at trial for “the destruction of Schneider’s reputation and legacy” caused by “false statements and implications.”

schneider

People – VOR News Image

Ex-Nickelodeon Producer Schneider Sues ‘Quiet On Set’ Makers For Defamation And Sex Abuse Implications

Nickelodeon, which is not involved in the lawsuit, stated in a statement about the series that it cannot “corroborate or negate” allegations made decades ago, but it investigates all formal complaints and has strict processes for working with minors.

“Our highest priorities are the well-being and best interests not just of our employees, casts and crew but of all children,” a spokesperson for the network said in a statement. We have adopted numerous safeguards over the years to help ensure we are living up to our own high standards and the expectations of our audience.”

SOURCE – (AP)

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Ambulance Called for Britney Spears at LA Chateau Marmont

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1 day ago

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2024-05-02

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Ambulance Called for Britney Spears

Britney Spears and her on-again, off-again boyfriend reportedly got into a “major fight” at Chateau Marmont in Los Angeles early Thursday morning, prompting the dispatch of an ambulance.

The singer is claimed to be healthy and was not brought to the hospital, but the incident has raised concerns about her health.

Multiple media agencies published photos of Spears on Thursday, showing her barefoot and clutching a pillow next to Paul Richard Soliz, with whom she has been linked since late summer, while emergency responders appear to transport her possessions on a stretcher.

It’s unclear what transpired in the hours preceding the Los Angeles Fire Department call. Spears addressed “fake” news in a social media post shortly after the photos were released, claiming she “twisted” her ankle.

An LAFD representative confirmed that an ambulance was dispatched to an address that corresponds to the renowned Los Angeles hotel.

“The LAFD received a 911 call at around 12:42 a.m. this morning [Thursday] requesting aid for an injured adult female at [Chateau Marmont], but the caller did not offer any specifics regarding the injury,” Brian Humphrey said in a statement to Yahoo News.

“One LAFD paramedic ambulance responded to the scene. At this point, it is unclear whether the paramedics encountered the injured person or provided any medical aid. The paramedic ambulance left the scene at 1:17 a.m. without taking anyone to the hospital.”

Ambulance Called for Britney Spears

Ambulance Called for Britney Spears: Yahoo Image

Reps for Britney Spears did not respond to Yahoo News request for comment.

An eyewitness told Entertainment Tonight, “Britney went out with Paul Richard Soliz and others. Someone handed her a blanket to throw over, and a cushion covered her front.

She moved a few feet, turned around, and returned without getting into the stretcher they had brought out.” According to the site, a member of Spears’ entourage spoke with paramedics.

Police responded earlier this evening to a probable assault with a deadly weapon.

The Los Angeles Police Department said that officers arrived at Chateau Marmont “around 10:30 [p.m. on Wednesday] for a possible ADW suspect.”

“It was secondhand information from the caller stating the suspect was threatening people at the location,” according to a press release. “When officers arrived, all parties had left, including the caller. Officers were unable to identify whether a crime had happened.

Brittney Spears is home safely.

As previously stated, the superstar did not travel by ambulance. CNN quotes a source close to the singer as saying she is “home and safe” after a “major fight” with Soliz.

Who is aul Richard Soliz?

Spears has been seeing her former housekeeper since the breakdown of her marriage to Sam Asghari in August 2023. According to reports from September, Spears and Soliz broke their relationship weeks after it began, due in part to his criminal history. They eventually reconciled, though.

“She’s a phenomenal woman,” he told US Weekly in September. “She’s a very good, positive person… “She is a good person.”

Spears claimed on social media that she “twisted my ankle last night” and called out paramedics who “showed up at my door illegally.”

“Just to let people know… the news is fake!!!” the caption said. “I would like respect at this time so that people understand I am growing stronger every day!!! Truth stinks, so can someone teach me how to lie?

Goddesses out there, I’m reaching my higher power, and I hope you are too!!! … I also twisted my ankle last night, and paramedics arrived at my door illegally. They never came into my room, but I felt completely harassed.

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Trump Awarded 36 Million More Trump Media Shares Worth $1.8 Billion After Hitting Price Benchmarks

Published

2 days ago

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2024-05-01

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trump
AP - VOR News Image

Washington — Former President Donald Trump has purchased an extra $1.8 billion in shares of Trump Media, according to a regulatory filing this week.

Trump was granted an additional 36 million shares in the firm that controls his social media network, Truth Social, in exchange for the company’s stock meeting specific price targets. Based on Wednesday morning’s market price, this takes his overall holding to more than 114 million shares, valued at $5.7 billion.

trump

CNN – VOR News Image

Trump Awarded 36 Million More Trump Media Shares Worth $1.8 Billion After Hitting Price Benchmarks

Trump, the probable Republican presidential nominee, now owns almost two-thirds of the company’s outstanding shares.

Trump Media & Technology Group shares have risen sharply recently, closing Tuesday at $49.93. To get the new shares, Trump merely needs the stock to trade over $17.50 for 20 consecutive trading days.

Trump Media joined the Nasdaq after merging with Digital World Acquisition Corp., a special purpose acquisition company (SPAC). These mergers provide emerging companies with a faster and easier path to publicly listing their shares.

trump

AP – VOR News Image

Trump Awarded 36 Million More Trump Media Shares Worth $1.8 Billion After Hitting Price Benchmarks

On March 26, the first day of trading following Trump Media’s merger with Digital World Acquisition, shares of the newly combined business reached nearly $80 apiece in intraday trading before closing at $57.99.

Less than a week after its glitzy stock market debut, Trump Media revealed that it lost roughly $58.2 million last year, sending its stock down more than 21%. The $50.5 million profit the company reported in 2022 was significantly lower than the 2023 losses, according to a regulatory filing.

trump

Mashable – VOR News Image

Trump Awarded 36 Million More Trump Media Shares Worth $1.8 Billion After Hitting Price Benchmarks

The company’s shares fell to roughly $22 in the following weeks before recovering in mid-April.Truth Social was created in February 2022, one year after Trump was barred from major social media platforms such as Facebook and X, previously Twitter, following the January 6 revolt at the US Capitol. He has been reinstated to both but has remained with Truth Social.

Trump Media’s stock sank 8.6% to $45.64 in morning trading on Wednesday.

SOURCE – (AP)

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