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AC/DC Front Man Brian Johnson Releases Book“Hells Bells”



AC/DC Front Man Brian Johnson Releases Memoir “Hells Bells”

Brian Johnson was a roof fitter in northeast England before tearing the roofs off arenas as the lead singer of the hard rock phenomenon AC/DC. The “Hells Bells” singer recalls his journey to becoming one of the world’s most acclaimed rock stars in his new memoir.

It’s the classic Cinderella story. Only Johnson, now 75, has been a Cinderella at least three times, never abandoning his goal of singing in a rock ‘n’ roll band.

“I don’t know what it is, but I just never, ever sort of gave in,” he said recently over the phone from his Florida home. “I was always willing to take a chance on something when more pessimistic folks wouldn’t.” “I’ve always seen the glass as half-full.”

“The Lives of Brian Johnson,” published by Dey Street Books, chronicles his ups and downs growing up near Newcastle, culminating with his joining AC/DC and releasing the famous “Back in Black” album.

“The book wasn’t so much to validate my life,” he remarked. “It was to validate the lives of all the beautiful people I met who helped form my life – school friends, factory friends, music friends.”

AC/DC Front Man Brian Johnson Releases Memoir “Hells Bells”

Music was his North Star, and he recalls being 11 years old and freaking out when he first heard Little Richard sing “Awop bop/a-loo bop/awop bam boom.” “Many have described that song, ‘Tutti Frutti,’ as the sound of rock ‘n’ roll being born — which is appropriate because my goal of being a vocalist was also formed at that moment,” he writes.

Johnson was a young father and husband as well as an apprentice engineer. He joined a British Army airborne infantry regiment to acquire enough money for a PA system.

He saw Jimi Hendriks perform when he was 15, and Sting perform when he was 15 and became friends with musicians of Slade and Thin Lizzy. He’d meet Chuck Berry, but things didn’t go well. He writes, “Never meet your heroes.”

Johnson, who would later create the immortal words “Forget the hearse/’cause I’ll never die,” made his stage debut in the delectably named The Toasty Folk Trio, survived a tragic car accident, and eventually found fame with the band Geordie.

The band made it to “Top of the Pops,” which was a huge accomplishment for any new band. He gave up a nice career at his engineering firm, but Geordie only had one Top 10 hit and quickly faded away.

AC/DC Front Man Brian Johnson Releases Memoir “Hells Bells”

“I’d lost everything at the age of 28.” “Marriage, profession, and home,” he writes. He moved home with his parents and remembered seeing AC/DC on BBC. “I enjoyed every minute of it.” But it was also a reminder that I’d had my chance and wasted it.”

Johnson rebuilt his life, first as a windscreen fitter and then as a vehicle roof repairer, and formed Georgie II. He was overjoyed. He had a small business and a small band. “I believed it was my second Cinderella story,” he adds, “but there was more to come.”

The book explains where his signature headgear came from: He once rushed to a show without changing, sweating glue and glass shards into his eyes. His brother, Maurice, loaned him his cloth driving cap for protection, which the spectators appreciated.

Even still, a part of Johnson remained unfulfilled. A chance meeting with vocalist Roger Daltrey proved decisive. The Who’s leader welcomed Johnson, living with his band in a flat with only four beds on the floor, to his manor house for lunch.

On that day, Johnson recalls Daltrey approaching him bare-chested and barefoot, gripping onto the mane of his galloping white horse (“If this isn’t a rock star, I don’t know what is,” he writes.)

“‘I’m going to give you one bit of advice, Brian,’ he said. Never, ever quit. Do you get what I’m saying? Never, ever, ever lose up.’ “And I took that to heart,” Johnson said. “He probably forgot he said that, but I don’t.”

AC/DC Front Man Brian Johnson Releases Memoir “Hells Bells”

Bon Scott, AC/original DC’s lead singer, died in 1980, and Johnson was given an audition to replace him based on recommendations, including one from Scott himself, who had heard him perform one night. Johnson didn’t realize they’d met until years later.

Malcolm Young, co-founder and rhythm guitarist, offered Johnson a Newcastle Brown Ale during the audition, a charming tribute to Johnson’s ancestry. Johnson’s first song with the band at the audition was Tina Turner’s “Nutbush City Limits.” (“It was the most electrifying experience of my life,” he writes.) They then performed some AC/DC songs. Of course, he got the job.

Rowland White, the author of “Into the Black,” Johnson’s editor, said the shape of Johnson’s story is “exceptional because it doesn’t normally happen like that.”

“He was content that he’d given it a shot and made peace with it.” And it makes the shot at AC/DC feel more pleasant since it’s no longer something he’s strained for.”

AC/DC Front Man Brian Johnson Releases Memoir “Hells Bells”

The book concludes just as Johnson fulfills his lifelong dream. If fans want to know more about AC/beginnings, DC, he says, that’s not his narrative to tell – that’s for surviving members guitarist Angus Young, bassist Cliff Williams, and drummer Phil Rudd.

“That book belongs to the people who were there from the beginning,” he continued, “because that’s what I want to hear.”

Johnson is a natural storyteller, and his manager was the one who recommended a memoir. Johnson fought back. “Every week, some aging actor or musician publishes a book.” ‘No, not another one,’ I’ve always said.

Johnson, though, was urged to write a few chapters and sat down with a yellow legal pad. He wrote a book a few years later, which he dedicated to his great-great-great grandkids.

Why? On the way to his grandfather’s funeral, he asked his father about him. His father described him as “just a dude.” Then he inquired about his father’s grandfather, whose response was, “How the hell would I know?”

“I thought to myself, ‘What a shame, what a pity,'” Johnson added. “A few generations later, no one knows anyone.” As a result, I composed it for my grandchildren. I hope this book’s writings will help you get to know me a little better. And I hope you have a little piece of me in you and that you have a long and happy life.”

Source: AP, VOR News

Geoff Thomas is a seasoned staff writer at VORNews, a reputable online publication. With his sharp writing skills and deep understanding of SEO, he consistently delivers high-quality, engaging content that resonates with readers. Thomas' articles are well-researched, informative, and written in a clear, concise style that keeps audiences hooked. His ability to craft compelling narratives while seamlessly incorporating relevant keywords has made him a valuable asset to the VORNews team.

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How to Stream the Movie “Pemandi Jenazah”



How to Stream the Movie Pemandi Jenazah

“Pemandi Jenazah” is a highly praised film featuring heartfelt songs, buoyant humor, and exploring the power of friendship to uplift communities during challenging times.

Directed with vibrant colors and nuanced animation, it seamlessly blends lighter moments with touching introspection.

Both cinephiles and casual fans will find inspiration in this story about diverse characters coming together for the common good. Don’t miss out on the vibrant world of “Pemandi Jenazah”! #PemandiJenazahMovie

Streaming and Release Information

Starz and Peacock

Initially, the new prequel to “Pemandi Jenazah” is scheduled to air on Starz for subscribers. Later, it will also be available on Peacock due to an agreement between Lionsgate and NBC Universal. Typically, Lionsgate movies like “John Wick 4” become available on Starz about six months after their release and then on other platforms.

Video on Demand (VOD)

Before its streaming debut, you can rent “Pemandi Jenazah” on digital platforms like Vudu, Apple, YouTube, and Amazon.


“Pemandi Jenazah” is set to release on HBO Max on November 25, 2024. It’s one of the last 20th Century Studios films to head to HBO Max before shifting to Hulu or Disney+ at the end of 2024.

DVD and Blu-ray

While there’s no specific date yet, “Pemandi Jenazah” will eventually be available on Blu-ray, DVD, and 4K Ultra HD. Based on previous releases, it may be available around the holiday season.

Box Office Performance

“Pemandi Jenazah” has had a successful box office run, surpassing both “The Color Purple” and “Pemandi Jenazah.” It claimed three of the top five positions at the domestic box office during the New Year’s holiday weekend. With a $119 million domestic cume, the film is on track to reach $300 million globally before the end of the year.

Availability on Other Platforms

Netflix, Crunchyroll, Hulu, or Amazon Prime

“Pemandi Jenazah” is not currently available on Netflix, Hulu, or Disney+. However, it may eventually appear on Prime Video as a paid digital release.


Crunchyroll and Funimation have acquired the rights to distribute “Pemandi Jenazah” in North America. Stay tuned for its release on these platforms in the coming months.

Watching “Pemandi Jenazah” Online

As of now, “Pemandi Jenazah” is only available in theaters. Check local showings or wait until it becomes available for rent or purchase on digital platforms. It is expected on Disney+ around late December.

Free Streaming Options

You can watch “Pemandi Jenazah” for free on platforms like 123Movies. However, exercise caution and consider the legality and safety of using such websites.


“Pemandi Jenazah” is a must-watch film, offering a blend of heartfelt moments and humor. Whether you choose to watch it in theaters, wait for its streaming release, or opt for a digital rental, this film promises an engaging experience. Mark your calendars and stay tuned for its release on your preferred platform.

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Donald Sutherland, The Towering Actor Whose Career Spanned ‘M.A.S.H.’ To ‘Hunger Games,’ Dies At 88




NEW YORK — Donald Sutherland, a famous film and television actor whose work ranged from “M.A.S.H.” to “The Hunger Games,” has died. He was 88.

The actor’s son, Kiefer Sutherland, confirmed his father’s death Thursday. No other information was immediately provided.

“I personally think one of the most important actors in the history of film,” Kiefer Sutherland stated on X. “Never intimidated by a part, whether good, awful, or ugly. He loved what he did and did what he loved, and you can’t ask for more.”

The tall and gaunt Canadian actor with a charming or wicked grin was recognized for oddball characters like Hawkeye Pierce in Robert Altman’s “M.A.S.H.,” the hippy tank commander in “Kelly’s Heroes,” and the stoned professor in “Animal House.”

Before starting a long career as a respected character actor, Sutherland exemplified 1970s cinema’s unconventional, anti-establishment style.

Over the years, Sutherland demonstrated his versatility in more conventional but unconventional roles like Robert Redford’s “Ordinary People” and Oliver Stone’s “JFK.” More recently, he appeared in the “Hunger Games” movies. He never retired and worked frequently till his death. “Made Up, But Still True,” a memoir, was scheduled to be released in November.


Sutherland | AP News Image

Donald Sutherland, The Towering Actor Whose Career Spanned ‘M.A.S.H.’ To ‘Hunger Games,’ Dies At 88

“I enjoy working. In 1998, Sutherland told Charlie Rose, “I passionately love to work.” “I adore seeing my hand fit into the glove of another figure. I get a great sense of freedom; time seems to halt. I’m not as crazy as I used to be, but I’m still slightly insane.”

Donald McNichol Sutherland was born in St. John, New Brunswick, the son of a salesperson and a math teacher. He was up in Nova Scotia and was a disc jockey with his radio station by age 14.

“When I was 13 or 14, I really thought everything I felt was wrong and dangerous, and that God was going to kill me for it,” said Sutherland to The New York Times in 1981. “My father always said, ‘Keep your mouth shut, Donnie, and maybe people will think you have character.'”

Sutherland began as an engineering student at the University of Toronto but switched to English and began acting in school plays. While studying in Toronto, he met an aspiring actress named Lois Hardwick. They married in 1959 and divorced seven years later.

Sutherland graduated in 1956 and studied acting at the London Academy of Music and Dramatic Arts. Sutherland began performing in West End shows and on British television. He bounced around after moving to Los Angeles until a series of war films altered his path.

His first American picture was “The Dirty Dozen” (1967), in which he played Vernon Pinkley, an officer mimicking psychotic. In 1970, the World War II drama “Kelly’s Heroes” and “M.A.S.H.,” an acclaimed smash hit, were released, catapulting Sutherland to fame.

“There is more challenge in character roles,” Sutherland told The Washington Post in 1970. “There is longevity. A good character actor can portray a distinct face in each film without boring the audience.”

If Sutherland had gotten his way, Altman would have been sacked from “M.A.S.H.” He and co-star Elliott Gould were dissatisfied with the director’s unconventional, improvisational approach and lobbied to have him changed. But the picture outperformed everyone’s expectations, and Sutherland personally resonated with its anti-war message. Sutherland, actress Jane Fonda, and others created the Free Theater Associates in 1971 after being outspokenly opposed to the Vietnam War. In 1973, they performed in venues near military facilities in Southeast Asia after being banned by the Army for their political ideas.


Sutherland | AP News Image

Donald Sutherland, The Towering Actor Whose Career Spanned ‘M.A.S.H.’ To ‘Hunger Games,’ Dies At 88

Sutherland’s career as a leading man peaked in the 1970s, when he starred in pictures by the greatest directors of the day, even if they didn’t always perform their best work with him. Sutherland, who repeatedly stated that he regarded himself at the service of a director’s vision, collaborated with Federico Fellini (1976’s “Fellini’s Casanova”), Bernardo Bertolucci (1976’s “1900”), Claude Chabrol (1978’s “Blood Relatives”), and John Schlesinger (1975’s “The Day of the Locust”).

One of his most memorable performances was as a detective in Alan Pakula’s “Klute” (1971). He met Fonda while filming “Klute,” they had a three-year relationship that began after his second marriage to actor Shirley Douglas ended. He married Douglas in 1966 and divorced in 1971.

In 1966, Sutherland and Douglas welcomed twins Rachel and Kiefer, named after Warren Kiefer, the writer of Sutherland’s first film, “Castle of the Living Dead.”

In 1974, the actor began living with actress Francine Racette, with whom he remained ever since. They had three children: Roeg, born in 1974 and named after filmmaker Nicolas Roeg (“Don’t Look Now”); Rossif, born in 1978 and named after director Frederick Rossif; and Angus Redford, born in 1979 and named after Robert Redford.

To some astonishment, Redford cast Sutherland as the father in his directorial debut, 1980’s “Ordinary People.” Redford’s drama about a gorgeous suburban family shattered by tragedy received four Academy Awards, including Best Picture.

The academy neglected Sutherland for the majority of his career. He was never nominated, but he received an honorary Oscar in 2017. He did, however, win an Emmy in 1995 for the television film “Citizen X” and was nominated for seven Golden Globes (including for his roles in “M.A.S.H.” and “Ordinary People”), winning two — again for “Citizen X” and for the 2003 television film “Path to War.”


Sutherland | AP News Image

Donald Sutherland, The Towering Actor Whose Career Spanned ‘M.A.S.H.’ To ‘Hunger Games,’ Dies At 88

“Ordinary People” also signaled a transition in Sutherland’s career toward more mature and, in some cases, less eccentric characters.

However, his New York stage debut in 1981 was a disaster. He played Humbert Humbert in Edward Albee’s version of Vladimir Nabokov’s “Lolita,” which received harsh reviews and closed after only a dozen performances.

A slump ensued in the 1980s, owing to flops such as the 1981 satire “Gas” and the 1984 comedy “Crackers.”

Sutherland, however, persisted in his efforts. He has a brief but noteworthy appearance in Oliver Stone’s film “JFK” (1991). He returned to play a grandpa for Redford in his 1993 film “Six Degrees of Separation.” He played Bill Bowerman, a track coach, in the 1998 film Without Limits.

Sutherland has worked more on television over the last decade, most notably in HBO’s “Path to War,” when he played President Lyndon Johnson’s Secretary of Defense Clark Clifford. It was an appropriate, albeit ironic, bookend to a career began by “M.A.S.H.”


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After Drake Battle, Kendrick Lamar Turns Victory Lap Concert Into LA Unity Celebration



Kendrick Lamar | AP news Image

Inglewood, California – Kendrick Lamar’s Juneteenth “Pop Out” event at the Forum became an emotional live-streamed celebration of Los Angeles unity rather than simply taking a victory lap after defeating fellow rap artist Drake.

Lamar organized a three-hour event that included a combination of up-and-coming LA rappers and stars such as Tyler, The Creator, Steve Lacy, and YG. When it came to his turn to take the stage, the 37-year-old rapper pushed through a set with Black Hippy collaborators Schoolboy Q, Ab-Soul, and Jay Rock, performing his Drake diss songs “Euphoria” and “6:16 in LA,” before being joined on stage by Dr. Dre.


Lamar | Billboard

After Drake Battle, Kendrick Lamar Turns Victory Lap Concert Into LA Unity Celebration

The two West Coast titans played “Still D.R.E.” and “California Love” before Dre called for silence to calm the raging crowd. It was a misdirect. He then gave the “Sixth Sense” phrase that opens Lamar’s smash hit “Not Like Us”: “I see dead people.”

A crowd of 17,000 people, including The Weeknd, LeBron James, Ayo Edebiri, and Rick Ross, rapped along to every word of the biting-but-jubilant DJ Mustard track, which Lamar resumed twice after the first verse and repeated four times in total.


Lamar | BBC Image

After Drake Battle, Kendrick Lamar Turns Victory Lap Concert Into LA Unity Celebration

NBA stars Russell Westbrook and DeMar DeRozan, Mustard, rapper Roddy Ricch, and even a juvenile dance group led by krumping inventor Tommy the Clown were shuffling, frolicking, dancing, and twirling around him as Lamar approached the stage in a red sweatshirt.

Lamar delighted in the situation, saying, “Y’all ain’t gonna let nobody disrespect the West Coast.” “You’re not going to let anyone imitate our legends, huh,” he asked, referring to Drake’s usage of an AI program to mimic 2Pac’s voice on one of his diss tracks.

But Lamar had bigger plans, inviting select men and women to join him onstage for a group portrait.

“Let the world see this,” he urged. “For all of us to be on this stage together, unity, from the East side… LA, Crips, Bloods, Piru— this… is great, dude. We put this together exclusively for you guys.

“This… has nothing to do with any song at this time, nothing to do with any back-and-forth albums; it has everything to do with this particular moment. That’s what this… was about bringing us all together.


Lamar | Variety Image

After Drake Battle, Kendrick Lamar Turns Victory Lap Concert Into LA Unity Celebration

After the final song, Lamar exited, stating, “I promise you, this won’t be the last of us.” The slicing horns of the “Not Like Us” instrument rang out again, and the audience rapped the words without Lamar as they flowed down the hallways and out to the parking lot.


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