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Brooke Shields Takes Charge Of Her Story In ‘Pretty Baby’

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NEW YORK — Brooke Shields has been dubbed “beautiful, smart, and famous” since she was a baby, but a new documentary explains why it took her decades to believe in her abilities.

“Pretty Baby: Brooke Shields” is a firsthand examination of her success as a model, actor, author, and now lifestyle entrepreneur, despite being sexualized and objectified at a young age and managing her alcoholic mother — the original “momager,” Teri Shields — with a dazzling array of archival photos and footage, and in-depth interviews with Shields.

“Pretty Baby,” like other recent documentaries on Britney Spears and Pamela Anderson, contains a cringeworthy barrage of media clips in which mostly older men reduce her to a pretty face and are uninterested in her responses to their queries. The film, which will be released in two parts on Hulu on Monday, examines how women were treated in the 1980s and 1990s, with Shields disclosing she was the victim of a sexual assault by a Hollywood executive after graduating from college.

Shields recently spoke with The Associated Press about what she learned from the project, how she gained confidence after being shamed for her personal choices, and how she views her future.

The responses have been modified for length and clarity.

brooke shields

AP: In the series, you state, “I’m fully owning my identity.” What do you mean?

Shields: For so long, I made myself small, either to be relatable or to avoid being menacing or humbled, you know? Don’t be a jerk. Don’t be conceited. Have individuals who admire you. Everyone should be treated with respect. This was how I grew up, and I was awarded for it. It’s fine to give myself a gentle slap on the back. It’s fine to state I have talent because I wouldn’t be here if I didn’t. It’s not just because I’m clever or have a certain appearance. I’ve kept working and challenging myself, and I never felt confident enough to say it aloud. I’d always desired other people’s approval for my talent, never imagining I could give it to myself.

AP: The documentary outlines the press’s years of scrutiny of you; how have you felt promoting the series?

Shields: I noticed no one desired my answers when I was a little girl. They wished to base their story on the soundbite I gave them. And, as is my wont, I refused to give it to them in my manner. I no longer feel on the defensive because I’ve realized that I’m not at the mercy of others. Looking back, I can see that’s what I was doing, and I don’t have to do it anymore, which is very liberating, but it took 40-something years. (laughs).

AP: What was the most difficult aspect of the program to reveal?

SHIELDS: I was concerned about the #MeToo movement simply because I didn’t want it reduced to a story. But I knew that if I didn’t, I’d feel like a phony or inauthentic. I hadn’t been able to speak about it until now, and it felt like you owed it to yourself. And I just prayed that out of two hours and however many minutes, the one brief story — I mean, I knew it would be clickbait — I wouldn’t be let down by the press again.

AP: Does it sound like compartmentalizing was a survival strategy for you?

SHIELDS: I believe that occurs with an alcoholic’s child. You do learn to categorize, you know. You care about someone broken and suffering from a disease they can’t seem to manage. But you can’t afford for their affection to be fake. So, when things felt…out of control, I would become very orderly, which became my center, my meditation, redoing my Filofax or refolding my socks.

AP: Brooke, You recently founded a business dedicated to celebrating women’s lives after age 40. What makes that so essential to you?

SHIELDS: I decided at a young age that if I were going to speak about anything, it would be about issues that could benefit others. How can I not feel alone? I’ve wondered over the years. I can tell my story, and I’m confident it will resonate with someone else. Before COVID, I was healthy, worked out frequently, and felt good. I was so relaxed about everything. My children are fine. I enjoy my existence. I’m pleased with it.

The irony was that nothing was addressing me when I glanced outside myself. You know how your agents tell you, ‘Well, you’re of a certain age…’ I’m not deceased, and I’m not buried, come on! I was taken aback. It would help to recognize how difficult it is to reach this age with your wits about you, decent people in your life, and how much more there is.

AP: What are your current ambitions?

SHIELDS: To appear on another TV program. I’m desperate to find the correct (one) because “Suddenly Susan” was such a revelation to me, and it was the happiest time of my life. And I want to relive the experience because it was a very healthy, pure location for me. And I adored it.

SOURCE – (AP)

Kiara Grace is a staff writer at VORNews, a reputable online publication. Her writing focuses on technology trends, particularly in the realm of consumer electronics and software. With a keen eye for detail and a knack for breaking down complex topics, Kiara delivers insightful analyses that resonate with tech enthusiasts and casual readers alike. Her articles strike a balance between in-depth coverage and accessibility, making them a go-to resource for anyone seeking to stay informed about the latest innovations shaping our digital world.

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Sean ‘Diddy’ Combs Files Motion To Dismiss Some Claims In A Sexual Assault Lawsuit

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Los Angeles  – In response to a complaint from a woman accusing Sean “Diddy” Combs of sexual assault, his attorneys have responded. They have submitted a petition to dismiss some claims that were not legally applicable at the time of the claimed incident.

The application submitted in a New York court asserts that Diddy is immune from being sued due to the absence of specific legislation when Joi Dickerson-Deal brought the accusations against him in 1991.

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Hollywood Reporter – VOR News Image

Sean ‘Diddy’ Combs Files Motion To Dismiss Some Claims In A Sexual Assault Lawsuit

The attorneys representing the music entrepreneur are seeking the dismissal of specific allegations made by Dickerson-Deal, including revenge porn and human trafficking, with prejudice.

In a previous legal submission, she alleged that Diddy deliberately administered drugs to her, subsequently took her to her residence, and engaged in sexual assault during a date in Harlem during her time as a 19-year-old university student.

The lawsuit claims that Combs surreptitiously recorded the attack and subsequently distributed it to multiple acquaintances inside the music industry, all without the victim’s awareness. He refuted the accusations, asserting that she was attempting to take advantage of the New York law that temporarily prolonged the period in which legal action could be taken.

Dickerson-Deal’s assertion was made almost thirty years after the supposed wrongdoing, and the New York State Revenge Porn Law was not officially established until 2019, according to Combs’ legal team.

In addition, his legal representatives highlighted several additional laws, such as the New York Services for Victims of Human Trafficking Law, enacted in 2007.

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Page Six – VOR News Image

Sean ‘Diddy’ Combs Files Motion To Dismiss Some Claims In A Sexual Assault Lawsuit

The standard practice of the Associated Press is to refrain from disclosing the identities of those who claim to have experienced sexual abuse unless they choose to make their allegations public, as Dickerson has done.

Recently, federal police conducted raids on Combs’ houses in Los Angeles and Miami as part of a sex trafficking investigation. The criminal probe represents a significant increase in the examination of Combs, who has faced multiple recent lawsuits regarding sexual assault.

Combs resolved a case the day after it was filed in November, in which his former protege and girlfriend, the R&B singer Cassie, accused him of sexual abuse, including rape, over several years. The lawsuit alleges that he coerced her into engaging in sexual acts with male escorts as he recorded the encounters.

In February, a music producer initiated legal proceedings claiming that Combs exerted undue influence on him to engage in the act of soliciting prostitutes and coerced him into engaging in sexual activities with them.

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Sean ‘Diddy’ Combs Files Motion To Dismiss Some Claims In A Sexual Assault Lawsuit

One of the individuals who accused Combs was a lady who alleged that he sexually assaulted her twenty years ago when she was seventeen.

Combs and his legal representatives have refuted all the accusations made in the cases.

SOURCE – (AP)

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Rapper in Iran Sentenced to Death For Criticizing Regime

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Rapper in Iran Sentenced to Death For Criticizing Regime

A rapper in Iran who rose to prominence for his rhymes about Mahsa Amini’s death in 2022 and criticism of the Islamic Republic has been sentenced to death, his lawyer and rights campaigners said Thursday.

The death sentence handed down to 33-year-old metal shop worker Toomaj Salehi remains unclear, as even Iran’s state-run IRNA news agency and judiciary have yet to formally announce it.

However, the announcement attracted immediate worldwide criticism from US and UN experts, who saw it as a symptom of Tehran’s ongoing assault on all dissent following years of large rallies in the country.

“Art must be allowed to criticize, provoke, and push the boundaries in any society,” a panel of United Nations independent experts on Iran said in a statement Thursday.

The news broke on Wednesday, following a report by Iran’s reformist The Shargh newspaper reported that Salehi had been sentenced to death by a Revolutionary Court in Isfahan, a key Iranian city recently attacked by an apparent Israeli attack. Closed-door sessions, secret evidence, and scant rights for people on trial are common in Iran’s revolutionary courts.

Rapper to Appeal Sentence

Amir Raisian, Salehi’s lawyer, told The Associated Press on Thursday that he had received notice of the death sentence against his client. Raisian said he intended to seek an appeal.

Salehi’s case arises from Amini’s death in 2022, following her arrest by police for not wearing a hijab to their liking. According to United Nations investigators, Iran was responsible for Amini’s death and forcefully suppressed mostly peaceful rallies during a months-long security crackdown that killed more than 500 people and jailed over 22,000 others.

Salehi rapped about Amini in one YouTube video, saying, “Someone’s crime was dancing with her hair in the wind.”

In another lyric, he prophesies the end of Iran’s theocracy. “Your entire past is dark, the government that sucked the light out of your eyes. We begin at the base of the pyramid and work our way up. This is the year of failure after forty-four years in power.”

His other songs were obscene, criticizing the all-volunteer Basij component of Iran’s paramilitary Revolutionary Guard and mentioning Supreme Leader Ayatollah Ali Khamenei.

Salehi was first sentenced to six years in prison, but he was released after Iran’s Supreme Court returned the case to the lower court due to irregularities in his original sentence.

Released on Bond

Salehi was released on bond, but was arrested again in November after claiming in a video message that he had been tortured following his detention in October 2022. At the time, state media aired a video of him blindfolded and apologizing for his statements, which were most likely uttered under duress.

Iran’s judiciary refused to acknowledge the death sentence, despite IRNA referring to “reports” that he had received it.

A death sentence based on the reversal of a lesser sentence is exceedingly unprecedented in Iran, presumably indicating how seriously Iran’s theocracy took Salehi’s statements. It also comes after other journalists, activists, and singers have been targeted after the “Women, Life, and Freedom” protests against Amini.

An Iranian artist, who received a Grammy presented by US first lady Jill Biden, was condemned to more than three years in prison for his hymn supporting the 2022 protests Activists quickly denounced the rappers sentence.

“This grotesque manipulation of the judicial process aims to silence dissent,” Hadi Ghaemi of the New York-based Center for Human Rights in Iran stated. “Toomaj’s detention arises from his public opposition to state tyranny. It is critical that supporters of free speech and dissent come together to demand his immediate release.”

Washington criticized the sentencing as well.

“This is just another example of the Iranian regime’s horrific and pervasive human rights abuses,” said State Department spokesperson Vedant Patel on Wednesday. “We once again condemn the Iranian regime’s … use of the death sentence as a tool to suppress people’s human rights and fundamental freedoms.”

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Police Say There Was No Foul Play in Mandisa’s Death

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No Foul Play in Mandisa's Death

The Franklin police department in Tennessee has provided an update on the death of Christian singer and former “American Idol” contestant Mandisa, who died last week.

Mandisa, whose full name is Mandisa Hundley, was discovered dead in her Nashville home on April 18, according to a statement on the artist’s official Facebook page. She was 47.

According to a post on X, the program formerly known as Twitter, the Franklin police department stated that there is currently no evidence that Mandisa’s death was the result of suspicious or criminal conduct.

“The Franklin Police Department sends its condolences to Hundley’s family, friends, and fans,” the department said on X.

Mandisa rose to notoriety

K-Love, a Christian music station, was the first to announce the artist’s death. Mandisa rose to notoriety after standing firm in the face of criticism from “American Idol” judge Simon Cowell during season five, according to K-Love.

After finishing in the Top 10 on “American Idol,” she released her debut album, “True Beauty,” in 2007.

She began her singing career with the Fisk Jubilee Singers, an African American vocal group, while attending Fisk University in Nashville, Tennessee, according to K-Love. After her stint on “American Idol,” she collaborated with various musicians, including TobyMac, Matthew West, Michael W. Smith, and Kirk Franklin.

According to her website, She had published five full-length albums throughout the course of her two-decade career, including one Christmas album. Her hit album “Overcomer” won her a Grammy in 2014 for Best Contemporary Christian Music Album.

K-Love said that she has great relationships with her fellow singers, including TobyMac.

“Since the first day I met Mandisa, she has been nothing but original and courageous,” Toby told K-Love in a statement. “My touring family benefits from her presence. She sincerely encourages each performer on stage and every crew member behind the scenes. In a single word, I would describe her as one of the most authentic persons I have ever met. Her passion desires to help others.”

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