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Dior Channels Rebellious Women At Paris Fashion Week 2023

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ARIS, Greece — Following Milan DIOR, the spotlight in global fashion shifted to the final stretch of ready-to-wear shows in Paris on Tuesday, as the industry looks to the future with all of the final fall trends.

This week, however, displays in the French capital will pay tribute to deceased designers Vivienne Westwood and Paco Rabanne.

Here are some highlights from the fall-winter 2023-2024 collections unveiled on Tuesday, including Dior:

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DIOR’S QUEENS

Dior’s guests were treated to a surreal world in the Tuileries gardens in Paris.

The round runway was filled with a giant, multicolored octopus installation. Its fabric tentacles were lit up with thousands of tiny lights. A Portuguese artist named Joana Vasconcelos was interested in how organic form interacted with the “feminine realm of artisanal savoir-faire.” It was a beautiful background, especially when paparazzi flashes caught guests like Charlize Theron and Maisie Williams, model Elle Macpherson, and K-pop star Jisoo.

If the decor appeared futuristic, the clothing took inspiration from the past, resulting in less vitality but plenty of flairs.

Three women — the house founder’s sister Catherine Dior, a French resistance hero, and French singers Edith Piaf and Juliette Greco, each described as “rebellious, at once strong and fragile” — were muses in this collection. Christian Dior’s heyday inspired it in the 1950s.

A faded black leather menswear coat, crumpled houndstooth skirt, and wrinkled woolen socks gave off a vintage vibe. Sweaters and skirts featured extra volume in the shoulders or hips, a nod to the thicker fabrics of the post-war era. A black textured skirt hung heavily with thousands of embellished flowers cut a fine androgynous figure beneath a white shirt and tie. While the mottled fabric had a gleaming metallic thread sewn into it, revealing Dior’s atelier’s skills.

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PAST AND FUTURE OF MAME KUROGOUCHI

Mame Kurogouchi’s Japanese ready-to-wear label delves edgily between past and present, fusing traditional dressmaking with cutting-edge technology.

At the fall’s minimalist take on the 1980s, this was on full display as minimalist as a decade that exuberant can be.

A grey pantsuit with crisp, clean lines and a diagonal dynamic had a futuristic feel. A black scarf that gripped the neck like a hand tugged down the shoulder was paired with a black space-age fanny pack that resembled a cummerbund.

A sanitized color palette worked well with the 80s references — broad, flat apron silhouettes, hoods, and thickly textured top-heavy ensembles.

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VAQUERA GETS IN THE KINK

“Obscene dress,” reads one T-shirt in Vaquera’s rather risque collection, despite being one of the least kinky looks in a show that featured inches of flesh, studded chokers, bare torsos, a shredded take on bondage gear, and multiple takes on 90s grunge and denim jeans.

Patric DiCaprio and Bryn Taubensee, who rose to prominence six years ago in New York with their iconic U.S. flag gown, debuted their sophomore collection in Paris. Following a more commercial season last year, the talented duo returned to their daring antics.

The black-heavy 12-look presentation began with a masked headpiece and a patch over one breast on a naked female torso. The model’s gloved hand covered the other breast. It’d be a difficult look to pull off on the street, but it got guests’ cameras clicking. Then, a black cotton top with numerous volume and edge shreds. A skirt with flaps was deconstructed to resemble a bondage outfit, and it was worn with a thermal hat in a woolen take on a bondage mask.

SOURCE – (AP)

 

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Heidi Klum Transforms Into a Multi-Person Peacock for Halloween 2023: See Her Show-Stopping Look

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The Halloween queen has returned.

Heidi Klum, 50, arrived at her annual Halloween event on Tuesday with a full team for her costume. She dressed up like a peacock for this year’s festival, relying on the support of others for the peacock’s tail feathers.

While arriving at Marquee New York, she (and her colorful entourage) stacked on each other, much like a Cirque du Soleil show, to change into a giant, gorgeous bird.

Heidi Klum, dressed in a cobalt blue bodysuit, was in the center. The America’s Got Talent judge donned an ornate headdress with a finely detailed beak.

On the red carpet, Klum chatted exclusively to PEOPLE about her inspiration for this year’s costume.

“I wanted to do a costume with a large number of people.” I wanted a large group of people who would merge into one entity. “And in my mind, that one thing was the peacock,” she explains.

The entrepreneur went on to say that she flew to Montreal to figure out how to stack everyone.

“My feet are a different pattern, so my feet melt into his legs,” she explains to PEOPLE, revealing how the placement of her feet was vital for the colors of her costume.

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Heidi Klum’s husband, Tom Kaulitz, walked the red carpet as an egg.

Rachel Zegler, Ice-T and Coco, Taylor Lautner Tay Dome, and others were among the celebrities in attendance.

According to the model and Project Runway host, this outfit has been in the works for a year. Every year, she throws a star-studded Halloween event and is already planning her next costume the next morning.

Heidi Klum is notorious for going to extraordinary measures for the holiday, such as learning to walk on stilts and putting on hours of prosthetics. Klum used to do her hair and cosmetics, but now she has a staff to assist her.

Heidi Klum has dressed up as a corpse, an old lady, and Princess Fiona from Shrek in the past, among many other famous outfits.

“I always try to find things that people wouldn’t naturally do,” Klum told PEOPLE earlier this year.

Heidi Klum

Heidi Klum Transforms Into a Multi-Person Peacock for Halloween

Klum’s Halloween costume history includes her Jessica Rabbit look from 2015, which included considerable prosthetics. Klum shared an Instagram video of the procedure, demonstrating how they reproduced the character’s looks.

Klum’s triumphant comeback last year (she had paused the parties due to the COVID outbreak) produced one of her most renowned costumes yet – a worm costume. Klum was rendered unrecognizable by the intense stare, which revealed only her eyes and mouth.

Klum has also made Halloween an interactive event. In 2019, she showcased her getting-ready procedure by transforming herself into a window in New York City. Klum demonstrated her love for Halloween by producing a horror flick to commemorate the eerie season in 2020.

SOURCE – (People)

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Piper Laurie, 3-Time Oscar Nominee With Film Credits Such As ‘The Hustler’ And ‘Carrie,’ Dies At 91

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Early Saturday morning at her residence in Los Angeles, Piper Laurie, the determined Oscar-nominated actor who once renounced acting entirely in pursuit of a “more meaningful” existence, passed away. Laurie had appeared in several critically acclaimed roles. At the time, she was 91.

Marion Rosenberg, Laurie’s manager, emailed The Associated Press that she passed away of old age. Rosenberg described Laurie as “a marvelous human being and a phenomenal artist.”

Laurie, who was initially identified as Rosetta Jacobs upon her 1949 arrival in Hollywood, was immediately offered a contract with Universal-International, a studio she hated, which earned her a series of starring roles alongside, among others, Ronald Reagan, Rock Hudson and Tony Curtis.

Subsequently, in 1986, she was nominated for an Academy Award for the romantic drama “Children of a Lesser God,” the film adaptation of Stephen King’s horror classic “Carrie,” and the 1961 poolroom drama “The Hustler.” She also appeared in several critically acclaimed roles on television and the stage, including the antagonistic Catherine Martell in David Lynch’s “Twin Peaks” in the 1990s.

At seventeen, Laurie debuted in the film “Louisa” as Reagan’s daughter before appearing in “Francis Goes to the Races” opposite Francis the talking mule. She previously dated Curtis, with whom she collaborated on several films, including “Johnny Dark,” “The Prince Who Was a Thief,” “No Room for the Groom,” and “Son of Ali Baba.”

In 1955, she quit her $ 2,000-per-week job and vowed not to work again unless offered a respectable role.

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She relocated to New York, where she secured the theatrical and live television drama roles she desired.

Emmy nominations for her performances in “Days of Wine and Roses,” “The Deaf Heart,” and “The Road That Led After” facilitated her return to the film industry, where she starred in “The Hustler,” an acclaimed production, as Paul Newman’s troubled fiancée.

After that, Laurie turned her back on acting for many years. She wed film critic Joseph Morgenstern, had a daughter named Ann Grace, and relocated to a Woodstock, New York estate. She later explained that the Civil Rights Movement and the Vietnam War influenced her adjustment.

“I was disillusioned and searching for a more meaningful existence,” she recalled, adding that she has never regretted the decision.

She declared, “My life was full,” in 1990. “I have always enjoyed working with my hands, and I have always been an artist.”

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Laurie gained recognition for her baking abilities when The New York Times published her recipes.

She participated in a tour of college campuses with a dozen musicians and actors in 1972 to support Sen. George McGovern’s presidential campaign. This was her only performance during that period.

Laurie was finally prepared to resume her acting career when director Brian De Palma contacted her regarding the role of Sissy Spacek’s deranged mother in “Carrie.”

Initially perceiving the script as unsatisfactory, she ultimately resolved to perform the role for amusement purposes. De Palma’s reprimand for imbuing a scene with humor made her realize he intended the film to be a suspense thriller.

“Carrie” was an Academy Award winner that sparked a trend toward films about adolescents in peril, and both Spacek and Laurie received Academy Award nominations.

Reinvigorated by her ambition to perform, Laurie resumed an extensive career spanning decades. She appeared in television series including “Murder, She Wrote,” “Matlock,” and “Frasier,” and on “ER” as the mother of George Clooney.

SOURCE – (AP)

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Marc Bohan, Former Dior Creative Director And Friend To The Stars, Dies At Age 97

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Marc Bohan, Dior’s longest-serving creative director, has died at the age of 97. Hollywood aristocrats such as Grace Kelly and Elizabeth Taylor wore their thin silhouette designs.

After his predecessor, Yves Saint Laurent, was inducted into the French military in 1960, Bohan was selected to oversee the French label. From 1961 through 1989, he served as artistic director for the brand, delivering exquisite and subtle tailored outfits for the modern woman.

In 1961, he launched the “slim” look, a thin version of Dior’s iconic design with feminine shoulders and sensuously refined skirts, in his first couture collection for the house.

Bohan’s death was confirmed by Dior on Friday, who described him as an “immense visionary and passionate creator” who left his stamp on the fashion company.

“Marc Bohan was a unique creator dear to the heart of our House, infusing Dior elegance with his free spirit,” said Dior CEO Delphine Arnault. “A man of enormous talent who profoundly influenced both our history and fashion history.”

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Marc Bohan, Dior’s longest-serving creative director, has died at the age of 97.

The couturier became great friends with Princess Grace of Monaco while working at Dior; thus, her wardrobe paid respect to his work as the two shared the same idea of elegance and flair. Even outside his friendship network, Hollywood influenced Marc’s work: in 1966, he created a collection with fur trim and long coats inspired by “Doctor Zhivago.”

Although Marc tried to remain out of the spotlight — he was often described as modest and discreet – his ideas kept him there. Bohan was commissioned to design the magnificent coronation gown for Iran’s then-empress, Farah Diba Pahlavi, in 1967.

During his time at Dior, Marc expanded the brand’s offerings, from starting Dior’s baby shop to creating Miss Dior and Dior Monsieur lines for young ladies and men. He was also lauded for arranging Dior’s first Indian shows.

In 1989, Gianfranco Ferré took over the fashion house from Bohan. Marc left Dior and relocated to London, where he joined the illustrious house of Norman Hartnell, a couturier for the British royal family. His daughter is the only survivor.

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SOURCE – (AP)

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