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Martin Scorsese Set To Stir Cannes Again, 47 Years After ‘Taxi Driver’

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When Martin Scorsese’s latest picture, “Killers of the Flower Moon,” premieres at the Cannes Picture Festival on May 20th, he will return to a festival with a long history.

“Taxi Driver,” Scorsese’s masterwork of urban alienation, premiered at Cannes in 1976. Its premiere was raucous in Cannes history, with boos and some walkouts due to the brutality in Scorsese’s drama about disillusioned New York cab driver Travis Bickle (Robert De Niro). Tennessee Williams, the jury president at the time, denounced the film.

“Films should not take a voluptuous pleasure in spilling blood and lingering on terrible cruelties as though one were at a Roman circus,” Williams stated.

Nonetheless, “Taxi Driver” received Cannes’ highest honor, the Palme d’Or. Scorsese and crew had already returned home after learning of Williams’ rejection, and their aspirations for a major award shattered.

“I got a call around five o’clock in the morning from (publicist) Marion Billings saying, ‘You’ve won the Palme d’Or,'” Scorsese later told The Hollywood Reporter. “We thought we might get best screenplay or best actor for De Niro, so it was very surprising.”

Scorsese’s appearance in Cannes for “Taxi Driver” was not his first. Two years prior, he premiered his breakthrough movie, “Mean Streets,” in Directors Fortnight, a selection of films from emerging directors that play outside Cannes’ main stage, the Palais des Festivals.

“Cannes was the international platform for ‘Mean Streets,’ a film I didn’t think would even get distributed,” Scorsese stated at a Cannes lecture celebrating the film’s debut in 2018.

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“Taxi Driver,” Scorsese’s masterwork of urban alienation.

“My visit was almost perfect in terms of anonymity.” And he’s working hard to alter that!” he stated. “On the Croisette, I could go from table to table and meet actors, directors, and many others.” It was still a period of discovery, not only for new filmmakers, but also for older, underappreciated directors.”

Between “Mean Streets” and “Taxi Driver,” Cannes was instrumental in establishing Scorsese as a prominent filmmaking artist. Scorsese has maintained a close relationship with the festival ever since, though launching a film there has grown increasingly rare.

“Killers of the Flower Moon,” his eagerly anticipated adaptation of David Grann’s best-selling novel, is his first new film to screen in the official selection at Cannes since “After Hours” in 1986. Scorsese won best director for that film, a darkly comedic midnight New York adventure.

His next film, which will be released in theatres on October 6th by Apple in collaboration with Paramount Pictures, will not compete in Cannes. In announcing this year’s roster, Festival Director Thierry Frémaux said he pushed Scorsese to enter it for the Palme d’Or but was turned down.

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Scorsese has frequently attended Cannes in other capacities in the interim.

“Killers of the Flower Moon,” which has a running time of 206 minutes, is about a series of Native American murders in 1920s Oklahoma and the FBI investigation that followed. Leonardo DiCaprio, Robert De Niro, Lily Gladstone, Jesse Plemons, Cara Jade Myers, JaNae Collins, Jillian Dion, and Tantoo Cardinal star in the film.

Scorsese has frequently attended Cannes in other capacities in the interim. He presided over the jury that awarded the Palme d’Or to Theo Angelopoulos’ “Eternity and a Day” in 1998. In 2002, he also presided over the Cinéfondation jury.

And Scorsese has frequently been associated with other films in Cannes, either as an executive producer (for Joanna Hogg’s two-part “The Souvenir”) or to unveil freshly restored classics by the Film Foundation, the organization he created. This year, the Film Foundation, in collaboration with the Walt Disney Company, will screen a previously unseen “Spellbound,” Alfred Hitchcock’s 1945 thriller.

Before a 2009 Cannes screening of Michael Powell and Emeric Pressburger’s 1948 masterwork “The Red Shoes,” Scorsese stated that restoration is only important if people see the work.

“The more audiences see these films, the more they want to see other films like them, and then what happens is the audience changes, which means the films that are being made change,” Scorsese explained. “There is an audience for special and good films, for a different way of looking at the world — not just blockbusters.”

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SOURCE – (AP)

Kiara Grace is a staff writer at VORNews, a reputable online publication. Her writing focuses on technology trends, particularly in the realm of consumer electronics and software. With a keen eye for detail and a knack for breaking down complex topics, Kiara delivers insightful analyses that resonate with tech enthusiasts and casual readers alike. Her articles strike a balance between in-depth coverage and accessibility, making them a go-to resource for anyone seeking to stay informed about the latest innovations shaping our digital world.

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Sean ‘Diddy’ Combs Files Motion To Dismiss Some Claims In A Sexual Assault Lawsuit

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AP - VOR News Image

Los Angeles  – In response to a complaint from a woman accusing Sean “Diddy” Combs of sexual assault, his attorneys have responded. They have submitted a petition to dismiss some claims that were not legally applicable at the time of the claimed incident.

The application submitted in a New York court asserts that Diddy is immune from being sued due to the absence of specific legislation when Joi Dickerson-Deal brought the accusations against him in 1991.

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Hollywood Reporter – VOR News Image

Sean ‘Diddy’ Combs Files Motion To Dismiss Some Claims In A Sexual Assault Lawsuit

The attorneys representing the music entrepreneur are seeking the dismissal of specific allegations made by Dickerson-Deal, including revenge porn and human trafficking, with prejudice.

In a previous legal submission, she alleged that Diddy deliberately administered drugs to her, subsequently took her to her residence, and engaged in sexual assault during a date in Harlem during her time as a 19-year-old university student.

The lawsuit claims that Combs surreptitiously recorded the attack and subsequently distributed it to multiple acquaintances inside the music industry, all without the victim’s awareness. He refuted the accusations, asserting that she was attempting to take advantage of the New York law that temporarily prolonged the period in which legal action could be taken.

Dickerson-Deal’s assertion was made almost thirty years after the supposed wrongdoing, and the New York State Revenge Porn Law was not officially established until 2019, according to Combs’ legal team.

In addition, his legal representatives highlighted several additional laws, such as the New York Services for Victims of Human Trafficking Law, enacted in 2007.

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Page Six – VOR News Image

Sean ‘Diddy’ Combs Files Motion To Dismiss Some Claims In A Sexual Assault Lawsuit

The standard practice of the Associated Press is to refrain from disclosing the identities of those who claim to have experienced sexual abuse unless they choose to make their allegations public, as Dickerson has done.

Recently, federal police conducted raids on Combs’ houses in Los Angeles and Miami as part of a sex trafficking investigation. The criminal probe represents a significant increase in the examination of Combs, who has faced multiple recent lawsuits regarding sexual assault.

Combs resolved a case the day after it was filed in November, in which his former protege and girlfriend, the R&B singer Cassie, accused him of sexual abuse, including rape, over several years. The lawsuit alleges that he coerced her into engaging in sexual acts with male escorts as he recorded the encounters.

In February, a music producer initiated legal proceedings claiming that Combs exerted undue influence on him to engage in the act of soliciting prostitutes and coerced him into engaging in sexual activities with them.

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The Mirror – VOR News Image

Sean ‘Diddy’ Combs Files Motion To Dismiss Some Claims In A Sexual Assault Lawsuit

One of the individuals who accused Combs was a lady who alleged that he sexually assaulted her twenty years ago when she was seventeen.

Combs and his legal representatives have refuted all the accusations made in the cases.

SOURCE – (AP)

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Rapper in Iran Sentenced to Death For Criticizing Regime

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Rapper in Iran Sentenced to Death For Criticizing Regime

A rapper in Iran who rose to prominence for his rhymes about Mahsa Amini’s death in 2022 and criticism of the Islamic Republic has been sentenced to death, his lawyer and rights campaigners said Thursday.

The death sentence handed down to 33-year-old metal shop worker Toomaj Salehi remains unclear, as even Iran’s state-run IRNA news agency and judiciary have yet to formally announce it.

However, the announcement attracted immediate worldwide criticism from US and UN experts, who saw it as a symptom of Tehran’s ongoing assault on all dissent following years of large rallies in the country.

“Art must be allowed to criticize, provoke, and push the boundaries in any society,” a panel of United Nations independent experts on Iran said in a statement Thursday.

The news broke on Wednesday, following a report by Iran’s reformist The Shargh newspaper reported that Salehi had been sentenced to death by a Revolutionary Court in Isfahan, a key Iranian city recently attacked by an apparent Israeli attack. Closed-door sessions, secret evidence, and scant rights for people on trial are common in Iran’s revolutionary courts.

Rapper to Appeal Sentence

Amir Raisian, Salehi’s lawyer, told The Associated Press on Thursday that he had received notice of the death sentence against his client. Raisian said he intended to seek an appeal.

Salehi’s case arises from Amini’s death in 2022, following her arrest by police for not wearing a hijab to their liking. According to United Nations investigators, Iran was responsible for Amini’s death and forcefully suppressed mostly peaceful rallies during a months-long security crackdown that killed more than 500 people and jailed over 22,000 others.

Salehi rapped about Amini in one YouTube video, saying, “Someone’s crime was dancing with her hair in the wind.”

In another lyric, he prophesies the end of Iran’s theocracy. “Your entire past is dark, the government that sucked the light out of your eyes. We begin at the base of the pyramid and work our way up. This is the year of failure after forty-four years in power.”

His other songs were obscene, criticizing the all-volunteer Basij component of Iran’s paramilitary Revolutionary Guard and mentioning Supreme Leader Ayatollah Ali Khamenei.

Salehi was first sentenced to six years in prison, but he was released after Iran’s Supreme Court returned the case to the lower court due to irregularities in his original sentence.

Released on Bond

Salehi was released on bond, but was arrested again in November after claiming in a video message that he had been tortured following his detention in October 2022. At the time, state media aired a video of him blindfolded and apologizing for his statements, which were most likely uttered under duress.

Iran’s judiciary refused to acknowledge the death sentence, despite IRNA referring to “reports” that he had received it.

A death sentence based on the reversal of a lesser sentence is exceedingly unprecedented in Iran, presumably indicating how seriously Iran’s theocracy took Salehi’s statements. It also comes after other journalists, activists, and singers have been targeted after the “Women, Life, and Freedom” protests against Amini.

An Iranian artist, who received a Grammy presented by US first lady Jill Biden, was condemned to more than three years in prison for his hymn supporting the 2022 protests Activists quickly denounced the rappers sentence.

“This grotesque manipulation of the judicial process aims to silence dissent,” Hadi Ghaemi of the New York-based Center for Human Rights in Iran stated. “Toomaj’s detention arises from his public opposition to state tyranny. It is critical that supporters of free speech and dissent come together to demand his immediate release.”

Washington criticized the sentencing as well.

“This is just another example of the Iranian regime’s horrific and pervasive human rights abuses,” said State Department spokesperson Vedant Patel on Wednesday. “We once again condemn the Iranian regime’s … use of the death sentence as a tool to suppress people’s human rights and fundamental freedoms.”

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Police Say There Was No Foul Play in Mandisa’s Death

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No Foul Play in Mandisa's Death

The Franklin police department in Tennessee has provided an update on the death of Christian singer and former “American Idol” contestant Mandisa, who died last week.

Mandisa, whose full name is Mandisa Hundley, was discovered dead in her Nashville home on April 18, according to a statement on the artist’s official Facebook page. She was 47.

According to a post on X, the program formerly known as Twitter, the Franklin police department stated that there is currently no evidence that Mandisa’s death was the result of suspicious or criminal conduct.

“The Franklin Police Department sends its condolences to Hundley’s family, friends, and fans,” the department said on X.

Mandisa rose to notoriety

K-Love, a Christian music station, was the first to announce the artist’s death. Mandisa rose to notoriety after standing firm in the face of criticism from “American Idol” judge Simon Cowell during season five, according to K-Love.

After finishing in the Top 10 on “American Idol,” she released her debut album, “True Beauty,” in 2007.

She began her singing career with the Fisk Jubilee Singers, an African American vocal group, while attending Fisk University in Nashville, Tennessee, according to K-Love. After her stint on “American Idol,” she collaborated with various musicians, including TobyMac, Matthew West, Michael W. Smith, and Kirk Franklin.

According to her website, She had published five full-length albums throughout the course of her two-decade career, including one Christmas album. Her hit album “Overcomer” won her a Grammy in 2014 for Best Contemporary Christian Music Album.

K-Love said that she has great relationships with her fellow singers, including TobyMac.

“Since the first day I met Mandisa, she has been nothing but original and courageous,” Toby told K-Love in a statement. “My touring family benefits from her presence. She sincerely encourages each performer on stage and every crew member behind the scenes. In a single word, I would describe her as one of the most authentic persons I have ever met. Her passion desires to help others.”

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