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Scooter Braun Says He’s No Longer A Music Manager, Will Focus On Hybe Duties And His Children

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NEW YORK – One of the most well-known figures in the music industry, Scooter Braun, will no longer be a music manager. He has represented musicians, including Justin Bieber and Ariana Grande.

The executive and businessman revealed the news on his Instagram account on Monday. He will instead give his present responsibilities his whole attention: serving as CEO of Hybe America, the entertainment company based in South Korea, and a board member of Hybe Inc.

About a year ago, there was a lot of conjecture surrounding Braun’s direct supervision of his superstar team.

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Scooter Braun | AP News Image

Scooter Braun Says He’s No Longer A Music Manager, Will Focus On Hybe Duties And His Children

This chapter as a music manager has ended, he said in a long statement. “When I started, I was only 19 years old. I assumed the position of an artist manager, available around the clock, seven days a week, during my entire adult life. I enjoyed it for twenty years as well. I knew nothing other than that. However, my personal life suffered as my kids grew older.

“Every client I have had the honor to work with has changed my life, and I know many of them are just beginning to see the success they deserve,” he said. “I will support each and every one of them.”

Among the many of his past clients that Braun listed in his statement were Grande, Bieber, Andrew Watt, Lil Dicky, Tori Kelly, J Balvin, Demi Lovato, Zac Brown Band, Martin Garrix, David Guetta, Steve Angello, Carly Rae Jepsen, PSY, and Quavo.

According to Hybe reps last week, Grande was still working with Braun even though he was no longer managing her. An announcement said, “Ariana Grande and Hybe, led by CEO Scooter Braun, look forward to continuing their long-standing business partnership and pursuing creative opportunities in Weverse and REM Beauty.”

Online allegations surfaced in August that Justin Bieber was splitting from Braun, his longtime manager and the guy credited with finding him. In the days that followed, media sources started to report that Braun was losing some of his other high-profile clients, including Grande and Lovato.

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Scooter Braun | PixaBay Image

Scooter Braun Says He’s No Longer A Music Manager, Will Focus On Hybe Duties And His Children

At the time, someone familiar with SB Projects’ business operations—who requested anonymity—told The Associated Press that Braun talks with the day-to-day managers of the musicians on the roster. The guy pointed out that nobody could handle his repertoire of some of the biggest stars in music by themselves.

Asher Roth, BabyJake, and Carly Rae Jepsen representatives confirmed to AP last summer that those musicians no longer collaborate with Braun and haven’t for some time. And a close Idina Menzel source informed AP that although Braun is no longer managing the singer, she is not allowed to talk in public.

Braun was focusing more on HYBE America than on managing musicians, which led to rumors that his artists were departing SB Projects management, but there was no formal word until Monday.

Braun said in his statement that his quiet was an effort to follow “the high road.”

Citing team members currently in charge of artist management, Braun added, “But for the last three years I have begun to feel that taking the high road has created confusion and ambiguity as to who we are.”

When AP asked for more remarks, Braun posted them to his Instagram post, which included several of his commercial interests.

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Scooter Braun | PixaBay Image

Scooter Braun Says He’s No Longer A Music Manager, Will Focus On Hybe Duties And His Children

“Hybe will keep growing,” Braun said, outlining some of his plans. “We will keep adding incredible executives and artists to the roster with… our existing business at Big Machine.”

2019 saw Braun acquire Big Machine Records, the company that signed Taylor Swift and put out her first six albums. CEO Scott Borchetta remained in charge. Braun got the master recordings of Swift with the deal, which he later sold to an investment fund. Swift then declared that she would rerecord her albums in order to own her new masters under a project dubbed “Taylor’s Version.”

SOURCE – (AP)

Kiara Grace is a staff writer at VORNews, a reputable online publication. Her writing focuses on technology trends, particularly in the realm of consumer electronics and software. With a keen eye for detail and a knack for breaking down complex topics, Kiara delivers insightful analyses that resonate with tech enthusiasts and casual readers alike. Her articles strike a balance between in-depth coverage and accessibility, making them a go-to resource for anyone seeking to stay informed about the latest innovations shaping our digital world.

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Shannen Doherty, ‘Beverly Hills, 90210’ Star, Dies At 53

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Shannen Doherty | AP News Image

Los Angeles — Shannen Doherty, the “Beverly Hills, 90210” star whose life and career were roiled by sickness and tabloid rumors, died at 53.

Leslie Sloane, Doherty’s spokesperson, confirmed that she died Saturday. She had breast cancer for several years.

“The beloved daughter, sister, aunt, and friend was surrounded by her loved ones, including her dog, Bowie. “The family requests privacy at this time so they can grieve in peace,” Sloane said. The news was initially published by People magazine.

Her sickness was made public in a lawsuit filed in 2015 against her former business managers, in which she claimed they mismanaged her money and let her health insurance lapse. She later disclosed detailed information about her treatment after a single mastectomy. In December 2016, she shared a snapshot of her first day of radiation, describing the therapy as “frightening” for her.

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Shannen Doherty | AP news Image

Shannen Doherty, ‘Beverly Hills, 90210’ Star, Dies At 53

Doherty disclosed in February 2020 that her cancer had returned, and she was in stage four. She stated that she came out so that her medical conditions may be revealed in court. In 2018, the star filed a lawsuit against insurance company State Farm after her California home was damaged in a fire.

Doherty was born in Memphis, Tennessee, and relocated to Los Angeles with her family when she was seven. Within a few years, she became an actor.

“It was completely my decision,” she told The Associated Press in a 1994 interview. “My parents never forced me into anything. They support me. It wouldn’t matter if I were a professional soccer player; they’d be just as supportive and loving.”

She worked continuously as a child star on TV shows such as “Little House on the Prairie,” where she played Jenny Wilder. As a teenager, she detoured to the big screen with “Girls Just Want to Have Fun” (1985) and “Heathers.”

In 1990, the doe-eyed, dark-haired actress scored her breakout role as Brenda Walsh in producer Aaron Spelling’s blockbuster teenage melodrama set in wealthy Beverly Hills. She and Brenda’s twin brother, Jason Priestley’s Brandon, were out of their element in the Midwest.

However, Doherty’s celebrity came with media scrutiny and allegations of outbursts, drunkenness, and impulsiveness, the last most notably following a brief marriage to George Hamilton’s son.

She quit “90210” at the end of its fourth season in 1994 (the show ran until 2000), allegedly due to problems with her costars and frequent tardiness.

However, in a 1994 Associated Press interview, Doherty portrayed her life as calm.

“It must be, if you pick up the Enquirer and find the only thing they can write about me is that I installed a pay phone next to my house and was seen at Stroud’s (a discount bed-and-bath chain) buying $1,400 worth of bed linens and wouldn’t go to an expensive store,” according to her. “It must be calm if they’re pulling that stuff out of their heads.”

Three years later, in 1997, a Beverly Hills Municipal Court judge sentenced Doherty to anger-management training after she allegedly smashed a beer bottle against a man’s window during a fight. In another legal fight, she pled no contest to a 2001 drunken driving charge and was sentenced to five days in a work-release program.

Doherty reconnected with Spelling in 1998 when he cast her as Prue Halliwell in “Charmed.” In an AP interview that year, the actress professed regret for her past.

“I did bring a lot of it on myself,” Doherty admitted. “I don’t believe I can point fingers and say, ‘Oh, you’re to blame.'” I don’t do this with myself, either. “Because I was still growing up.”

Doherty also stated that the media had “grotesquely misconstrued” her personality.

Spelling stated that their relationship was never as bad as others made it appear.

“We had a few bumps along the road, but golly, who doesn’t?” recalled Spelling, who died in 2006. “Everything Shannen did was blown out of proportion by the rag sheets.”

From 1998 until 2001, Doherty starred in “Charmed” alongside Holly Marie Combs and Alyssa Milano, after which Rose McGowan replaced her character. Seven years later, she starred in the “90210” sequel series alongside original series star Jennie Garth and competed in “Dancing with the Stars” in 2010. She also worked on the third “Beverly Hills, 90210” revival, “BH90210,” a meta take on the program that ran for one season in 2019.

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Shannen Doherty | AP News Image

Shannen Doherty, ‘Beverly Hills, 90210’ Star, Dies At 53

Doherty struggled to regain her “Beverly Hills, 90210” star status, although she did work in big-screen pictures like “Mallrats” and “Jay and Silent Bob Strike Back,” as well as TV movies like “A Burning Passion: The Margaret Mitchell Story,” in which she played the author of “Gone with the Wind.” The nadir was “Blindfold: Acts of Obsession,” an erotic thriller starring Judd Nelson.

Doherty’s case against her former business managers was settled in 2016. She was honest about the toll cancer was taking on her. In an August 2016 interview with “Entertainment Tonight,” she discussed her anxieties and provided photographs of her baldness after treatment.

“The unknown is always the scariest part,” she told me. “Will the chemo work? “Is the radiation going to work?” she asked. “Pain is manageable, you know, living without a breast is manageable; it’s the worry of your future and how your future is going to affect the people that you love.”

Doherty married Rick Salomon in 2002 after the latter was involved in a sex tape issue with Paris Hilton. The marriage was annulled within a year. In 2011, Doherty married photographer Kurt Iswarienko. She filed for divorce in April 2023.

SOURCE | AP

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Griff Has Opened For Some Of Pop’s Biggest Stars. Now She Has A Debut Album Of Her Own To Tour

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Griff, a British singer-songwriter, has had an undeniably successful career. Less than two years after releasing her first track and clearing her A-level examinations, she received the Brit Award for Rising Star. Then she opened for Dua Lipa. Then, Ed Sheeran. Then Coldplay. Then, Taylor Swift.

Between gigs, solo shows, and music releases, she worked on the tracks for her debut album, “Vertigo,” which is out today.

“The usual steps that you take as a new artist have been a bit, like, upside-down,” the 23-year-old, who goes by Sarah Faith Griffiths, told The Associated Press in an interview. “An album is such a step hitting the ground, and it’s such a milestone I’ve always wanted to get to.”

Griff Has Opened For Some Of Pop’s Biggest Stars. Now She Has A Debut Album Of Her Own To Tour

According to her, this moment feels like the start of her career. The immersive pop album explores the emotions accompanying such a whirlwind and those arising from other destabilizing occurrences, such as growing up and experiencing heartache.

Griff said the inspiration for the project came, “funnily enough,” while navigating a spiral staircase in one of the residences she wrote the record in — in this case, a cottage owned by singer and songwriter Imogen Heap. She claimed the physical truth of the encounter immediately translated into an emotional counterpart, which has stayed with her ever since.

“That was just a very real, tangible feeling that I have had, and still have, at this stage in my life,” she told me.

“Tears For Fun” and “Miss Me Too” explore that dizzying sensation through multilayer productions inspired by the large-scale locations she has previously played in. “Astronaut” incorporates piano by Coldplay’s Chris Martin, who inspired Griff to alter an early form of the song into a ballad. “You said you needed space, go on then, astronaut,” she admits in her characteristic belt, her grounded demeanor lending weight to her charges.

“It’s almost like I’m a little greedy with emotions when it comes to songs,” she added, explaining her desire to combine heartbreaking words with catchy, optimistic arrangements. “For me, music is all about moving people and triggering emotion.”

According to her, the catharsis is shared by both the artist and the listeners, which Martin has encouraged.

“He really believes that as creatives and writers, we’re just kind of vessels, and creativity will flow through us and ideas will find their way to the right people,” according to her. “And I think that kind of philosophy is really reassuring.”

Griff succeeds in her aim not only through her sound but also through the graphics she and her crew create. Ever since the album’s first track was released, she has worn a spiral in her hair. Song visualizers envision her dancing in billowing textiles on the same spiral created in sand. Like her pop forefathers, she understands that an album “era” is a multimedia undertaking.

However, the more casual glances of Griff, the creative, may disclose far more about her inner life. In preparation for her gig opening for a night of Swift’s Eras Tour in London, she chronicled the process of making a garment out of blue and white cloth inspired by a line from Swift’s song “But Daddy I Love Him.”

“I was always draping bedsheets around myself,” she recalled from her upbringing. “I was the only female – I have two elder brothers and a lot of foster siblings — so I entertained myself by dressing up. “I think I just enjoy making things.”

Griff Has Opened For Some Of Pop’s Biggest Stars. Now She Has A Debut Album Of Her Own To Tour

Swift stated on stage: “This girl, she is so creative on every single level.”

Griff, true to her enthusiasm, says she is eager to continue producing.

“To be totally honest, I feel excited to get back in the studio,” she told me. “I feel like I’ve got a lot more to give.”

SOURCE | AP

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Eminem Tops Spotify Charts with “The Death of Slim Shady” Album

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Eminem Tops Spotify Charts with The Death of Slim Shady Album

Eminem’s latest album, “The Death of Slim Shady (Coup De Grâce),” has achieved a monumental career milestone, pushing him to the top of Spotify’s Daily Top Artists chart. Due to his lyrical prowess and impactful storytelling, the rapper surged from No. 10 to No. 1 in just one day.

Eminem has experienced unprecedented listenership with the album launch, driving the streaming platform to peak popularity. According to insights from Eminem Pro, the track “Houdini” off the album garnered substantial acclaim, ranking third on Spotify’s Top Songs Global chart in its first day.

The song amassed an impressive 7.85 million streams within 24 hours of its release, emphasizing Eminem’s enduring influence in the music industry.

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In conjunction with the album’s success, Eminem has achieved a remarkable milestone in monthly listeners, surpassing 78.7 million and gaining more than 850,000 new listeners daily.

In addition to reinforcing his position as one of Spotify’s top artists, this surge highlights his ability to consistently grow his fan base and engage with it.

This latest triumph underscores Eminem’s ability to connect with audiences worldwide, reaffirming his status as a trailblazer in hip-hop and a perennial force in contemporary music. His influence on the cultural landscape remains as strong as ever, as his latest album continues to captivate audiences worldwide.

While Eminem has mentioned his children in prior songs like “Mockingbird,” “When I’m Gone,” and “Hailie’s Song,” these new ones provide a more intimate and sensitive look at his relationship with them. This emotional openness was also obvious in the new “Houdini” music video, which included all three youngsters in a playful setting.

“The Death of Slim Shady” represents a dramatic transition in Eminem’s career, with a departure from his alter ego and a stronger emphasis on personal events. The album’s introspective nature, particularly regarding his children, connects with listeners on an emotional level and provides a glimpse into the rapper’s softer side.

Source: eminem.news

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