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Caleb Carr, Military Historian And Author Of Bestselling Novel ‘The Alienist,’ Dies At 68



Caleb Carr
Caleb Carr | CNBC

NEW YORK — Caleb Carr, the damaged and bright son of Beat founder Lucien Carr, who overcame a traumatic childhood to become a successful novelist, excellent military historian, and late-life memoirist of his faithful cat, Masha, died at the age of 68.

Carr died of cancer on Thursday, according to a notice from his publisher, Little, Brown and Company.

“Caleb lived his writing life valiantly, with works of politics, history, and sociology, but most astonishingly for this historian, with wildly entertaining fiction,” Carr’s editor, Joshua Kendall, said.

Caleb Carr, a native of Manhattan, was born into literary and cultural history. Lucien Carr and Columbia University classmates Jack Kerouac and Allen Ginsberg helped start the Beat movement, a pioneering and influential force in the post-World War II era for improvisation and nonconformity – both on and off the page. Kerouac, Ginsberg, and other Beats like William Burroughs and Herbert Huncke were regular guests to the Carr apartment, where Caleb Carr remembers gatherings that were stimulating, perplexing, and, at times, terrifying.

“Kerouac was a really pleasant guy. In 1997, Carr told Salon that Allen Ginsberg may be a very charming guy. “But they weren’t children people.”

Lucien Carr would prove his son’s worst fear. The elder Carr was imprisoned in the 1940s for manslaughter in connection with the murder of his former friend David Kammerer, who clashed with him and was later discovered in the Hudson River. Caleb Carr, born more than a decade later to Lucien Carr and Francesca von Hartz, thought he might become the next victim. With a “gleeful” mood, his father would hit Caleb on the back of the head and routinely knock him down flights of stairs, blaming him for the falls.

Caleb Carr regarded his parents as “the mostly drunken architects” of his household, and they split when he was young. After rejecting Kerouac’s proposal, his mother married writer John Speicher, father of three daughters. Carr and his two brothers called their new, blended family “The Dark Brady Bunch.”


Caleb Carr | AP news Image

Caleb Carr, Military Historian And Author Of Bestselling Novel ‘The Alienist,’ Dies At 68

Caleb Carr’s suffering taught him to hate violence, fear insanity, and investigate the causes of cruelty. In his best-known book, “The Alienist,” John Schuyler Moore is a New York Times police reporter in 1890s Manhattan who assists in the investigation of a series of brutal killings of adolescent boys. Carr referred to the story as a “whydunit” as well as a “whodunit,” and incorporated references to the rising 19th-century study of psychology as Moore and his friend Dr. Laszlo Kreizler investigate not only the killer’s identity but also what motivated him to do his murders.

“The Alienist,” released in 1994, is the type of meticulously researched, old-fashioned page-turner the Beats had resisted. It mixes fictitious characters like Moore with real people ranging from financial magnate J.P. Morgan to restaurant Charlie Delmonico. Carr also features the city’s police commissioner at the time, Theodore Roosevelt, with whom the author shared an unexpected bond.

“Personally and psychologically, I had always found TR one of the most compelling figures in U.S. history,” Carr told Strand Magazine.

“Later, I recognized that some of this was due to the fact that, as a young man plagued by physical problems and the concerns they induce, his father, a truly sympathetic and caring guy, helped him through his darkest days. This is frequently the secret to outstanding guys with noble hearts: an openly caring father. Having had the opposite — a father who was the primary source of my early worries and maladies — I was lured to what was, for me, an exotic environment.”

“The Alienist” sold millions of copies, inspired the bestseller sequel “Angel of Darkness,” and was made into a TNT miniseries starring Daniel Brühl, Luke Evans, and Dakota Fanning. Carr’s success as a novelist overshadowed, if not trivialized, his experience as a military historian. He taught military history at Bard College, was a contributing editor for the Quarterly Journal of Military History, and had a close relationship with the academic James Chace, with whom he co-authored “America Invulnerable: The Quest for Absolute Security from 1812 to Star Wars.”


Caleb Carr | Bloomberg Image

Caleb Carr, Military Historian And Author Of Bestselling Novel ‘The Alienist,’ Dies At 68

Carr had been writing on prospective terrorism against the United States for years before publishing a book-length analysis a few months after the attacks on September 11, 2001. In “The Lessons of Terror,” he argued that military attacks against civilian populations invariably fail, drawing on lessons from ancient Rome. “The Lessons of Terror” did well, but some commentators believed he was not up to the task.

New York Times writer Michiko Kakutani commented that Carr “has little credibility as a military historian or political analyst,” and urged he stick to thrillers, while Salon’s Laura Miller described some of his claims as “slippery and elusive as a handful of live minnows.” Enraged, Carr responded with an all-caps letter to Salon’s editor, suggesting that Miller and Kakutani abandon military history instead of “chattering about bad women’s fiction.”

“Several reviews have made claims concerning my credibility that are, quite simply, libelous, and will be dealt with soon,” he later stated on, where he awarded his book a 5-star rating.

Carr’s other works were the Sherlock Holmes story “The Italian Secretary,” the historical study “The Devil Soldier,” and a 2024 memoir that served as his artistic goodbye, “My Beloved Monster: Masha, the Half-Wild Rescue Cat Who Saved Me.”

As a child, Carr was so appalled by human behavior that he began to empathize with cats – and became persuaded he was once one. Carr spent much of his adult life alone, or with no other people, living in a big stone house in upstate New York, made possible by profits from “The Alienist” and other writings, on a 1,400-acre property in the foothills of Misery Mountain.

In “My Beloved Monster,” he described his experience as “abuse, mistrust, and then the search for just one creature on Earth” upon whom he could rely. In 2005, his search led him to the Rutland County Humane Society in Vermont, where he observed a gold and white kitten with large, deep amber eyes, a Siberian who mewed “conversationally” as Carr approached her cage


Caleb Carr | NY Times Image

Caleb Carr, Military Historian And Author Of Bestselling Novel ‘The Alienist,’ Dies At 68

“I answered her with, with both sounds and words, and more importantly held my hand up so that we could get my scent, pleased when she inspected the hand with her nose and found it satisfactory,” he wrote in his letter. “Then I slowly closed and reopened my eyes many times, mimicking the’slow blink’ that cats interpret as a gesture of friendship. She seems interested, taking the time to affirm with a similar blink. Finally, she mirrored my hand movement by raising her gigantic paws to mine, as if we had known each other for a long time: an intimate gesture.”

Carr and Masha would live together for the next 17 years, attuned to each other’s moods and musical tastes until Masha died. “My Beloved Monster” was a type of dual elegy. As Masha’s health deteriorated, Carr developed neuropathy and pancreatitis, which he attributed to his childhood trauma. Watching Masha die while lying in a makeshift coffin was like bidding goodbye to his “other self.”

“Some people believe that mourning is a healing process; I have never found this to be true. It leaves scars, and scars do not heal. I’ve never had someone who has been a part of my everyday reality for as long as Masha; how can it heal?” Carr wrote.

“It appears that since my arrival on this planet, I have been as tough for my fellow humans as they have been for me, going beyond the easy areas of social convention and amusement. But Masha asks no such queries. I was enough; not just enough, but enough to justify defending.”


Kiara Grace is a staff writer at VORNews, a reputable online publication. Her writing focuses on technology trends, particularly in the realm of consumer electronics and software. With a keen eye for detail and a knack for breaking down complex topics, Kiara delivers insightful analyses that resonate with tech enthusiasts and casual readers alike. Her articles strike a balance between in-depth coverage and accessibility, making them a go-to resource for anyone seeking to stay informed about the latest innovations shaping our digital world.

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Shannen Doherty, ‘Beverly Hills, 90210’ Star, Dies At 53



Shannen Doherty | AP News Image

Los Angeles — Shannen Doherty, the “Beverly Hills, 90210” star whose life and career were roiled by sickness and tabloid rumors, died at 53.

Leslie Sloane, Doherty’s spokesperson, confirmed that she died Saturday. She had breast cancer for several years.

“The beloved daughter, sister, aunt, and friend was surrounded by her loved ones, including her dog, Bowie. “The family requests privacy at this time so they can grieve in peace,” Sloane said. The news was initially published by People magazine.

Her sickness was made public in a lawsuit filed in 2015 against her former business managers, in which she claimed they mismanaged her money and let her health insurance lapse. She later disclosed detailed information about her treatment after a single mastectomy. In December 2016, she shared a snapshot of her first day of radiation, describing the therapy as “frightening” for her.


Shannen Doherty | AP news Image

Shannen Doherty, ‘Beverly Hills, 90210’ Star, Dies At 53

Doherty disclosed in February 2020 that her cancer had returned, and she was in stage four. She stated that she came out so that her medical conditions may be revealed in court. In 2018, the star filed a lawsuit against insurance company State Farm after her California home was damaged in a fire.

Doherty was born in Memphis, Tennessee, and relocated to Los Angeles with her family when she was seven. Within a few years, she became an actor.

“It was completely my decision,” she told The Associated Press in a 1994 interview. “My parents never forced me into anything. They support me. It wouldn’t matter if I were a professional soccer player; they’d be just as supportive and loving.”

She worked continuously as a child star on TV shows such as “Little House on the Prairie,” where she played Jenny Wilder. As a teenager, she detoured to the big screen with “Girls Just Want to Have Fun” (1985) and “Heathers.”

In 1990, the doe-eyed, dark-haired actress scored her breakout role as Brenda Walsh in producer Aaron Spelling’s blockbuster teenage melodrama set in wealthy Beverly Hills. She and Brenda’s twin brother, Jason Priestley’s Brandon, were out of their element in the Midwest.

However, Doherty’s celebrity came with media scrutiny and allegations of outbursts, drunkenness, and impulsiveness, the last most notably following a brief marriage to George Hamilton’s son.

She quit “90210” at the end of its fourth season in 1994 (the show ran until 2000), allegedly due to problems with her costars and frequent tardiness.

However, in a 1994 Associated Press interview, Doherty portrayed her life as calm.

“It must be, if you pick up the Enquirer and find the only thing they can write about me is that I installed a pay phone next to my house and was seen at Stroud’s (a discount bed-and-bath chain) buying $1,400 worth of bed linens and wouldn’t go to an expensive store,” according to her. “It must be calm if they’re pulling that stuff out of their heads.”

Three years later, in 1997, a Beverly Hills Municipal Court judge sentenced Doherty to anger-management training after she allegedly smashed a beer bottle against a man’s window during a fight. In another legal fight, she pled no contest to a 2001 drunken driving charge and was sentenced to five days in a work-release program.

Doherty reconnected with Spelling in 1998 when he cast her as Prue Halliwell in “Charmed.” In an AP interview that year, the actress professed regret for her past.

“I did bring a lot of it on myself,” Doherty admitted. “I don’t believe I can point fingers and say, ‘Oh, you’re to blame.'” I don’t do this with myself, either. “Because I was still growing up.”

Doherty also stated that the media had “grotesquely misconstrued” her personality.

Spelling stated that their relationship was never as bad as others made it appear.

“We had a few bumps along the road, but golly, who doesn’t?” recalled Spelling, who died in 2006. “Everything Shannen did was blown out of proportion by the rag sheets.”

From 1998 until 2001, Doherty starred in “Charmed” alongside Holly Marie Combs and Alyssa Milano, after which Rose McGowan replaced her character. Seven years later, she starred in the “90210” sequel series alongside original series star Jennie Garth and competed in “Dancing with the Stars” in 2010. She also worked on the third “Beverly Hills, 90210” revival, “BH90210,” a meta take on the program that ran for one season in 2019.


Shannen Doherty | AP News Image

Shannen Doherty, ‘Beverly Hills, 90210’ Star, Dies At 53

Doherty struggled to regain her “Beverly Hills, 90210” star status, although she did work in big-screen pictures like “Mallrats” and “Jay and Silent Bob Strike Back,” as well as TV movies like “A Burning Passion: The Margaret Mitchell Story,” in which she played the author of “Gone with the Wind.” The nadir was “Blindfold: Acts of Obsession,” an erotic thriller starring Judd Nelson.

Doherty’s case against her former business managers was settled in 2016. She was honest about the toll cancer was taking on her. In an August 2016 interview with “Entertainment Tonight,” she discussed her anxieties and provided photographs of her baldness after treatment.

“The unknown is always the scariest part,” she told me. “Will the chemo work? “Is the radiation going to work?” she asked. “Pain is manageable, you know, living without a breast is manageable; it’s the worry of your future and how your future is going to affect the people that you love.”

Doherty married Rick Salomon in 2002 after the latter was involved in a sex tape issue with Paris Hilton. The marriage was annulled within a year. In 2011, Doherty married photographer Kurt Iswarienko. She filed for divorce in April 2023.


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Griff Has Opened For Some Of Pop’s Biggest Stars. Now She Has A Debut Album Of Her Own To Tour




Griff, a British singer-songwriter, has had an undeniably successful career. Less than two years after releasing her first track and clearing her A-level examinations, she received the Brit Award for Rising Star. Then she opened for Dua Lipa. Then, Ed Sheeran. Then Coldplay. Then, Taylor Swift.

Between gigs, solo shows, and music releases, she worked on the tracks for her debut album, “Vertigo,” which is out today.

“The usual steps that you take as a new artist have been a bit, like, upside-down,” the 23-year-old, who goes by Sarah Faith Griffiths, told The Associated Press in an interview. “An album is such a step hitting the ground, and it’s such a milestone I’ve always wanted to get to.”

Griff Has Opened For Some Of Pop’s Biggest Stars. Now She Has A Debut Album Of Her Own To Tour

According to her, this moment feels like the start of her career. The immersive pop album explores the emotions accompanying such a whirlwind and those arising from other destabilizing occurrences, such as growing up and experiencing heartache.

Griff said the inspiration for the project came, “funnily enough,” while navigating a spiral staircase in one of the residences she wrote the record in — in this case, a cottage owned by singer and songwriter Imogen Heap. She claimed the physical truth of the encounter immediately translated into an emotional counterpart, which has stayed with her ever since.

“That was just a very real, tangible feeling that I have had, and still have, at this stage in my life,” she told me.

“Tears For Fun” and “Miss Me Too” explore that dizzying sensation through multilayer productions inspired by the large-scale locations she has previously played in. “Astronaut” incorporates piano by Coldplay’s Chris Martin, who inspired Griff to alter an early form of the song into a ballad. “You said you needed space, go on then, astronaut,” she admits in her characteristic belt, her grounded demeanor lending weight to her charges.

“It’s almost like I’m a little greedy with emotions when it comes to songs,” she added, explaining her desire to combine heartbreaking words with catchy, optimistic arrangements. “For me, music is all about moving people and triggering emotion.”

According to her, the catharsis is shared by both the artist and the listeners, which Martin has encouraged.

“He really believes that as creatives and writers, we’re just kind of vessels, and creativity will flow through us and ideas will find their way to the right people,” according to her. “And I think that kind of philosophy is really reassuring.”

Griff succeeds in her aim not only through her sound but also through the graphics she and her crew create. Ever since the album’s first track was released, she has worn a spiral in her hair. Song visualizers envision her dancing in billowing textiles on the same spiral created in sand. Like her pop forefathers, she understands that an album “era” is a multimedia undertaking.

However, the more casual glances of Griff, the creative, may disclose far more about her inner life. In preparation for her gig opening for a night of Swift’s Eras Tour in London, she chronicled the process of making a garment out of blue and white cloth inspired by a line from Swift’s song “But Daddy I Love Him.”

“I was always draping bedsheets around myself,” she recalled from her upbringing. “I was the only female – I have two elder brothers and a lot of foster siblings — so I entertained myself by dressing up. “I think I just enjoy making things.”

Griff Has Opened For Some Of Pop’s Biggest Stars. Now She Has A Debut Album Of Her Own To Tour

Swift stated on stage: “This girl, she is so creative on every single level.”

Griff, true to her enthusiasm, says she is eager to continue producing.

“To be totally honest, I feel excited to get back in the studio,” she told me. “I feel like I’ve got a lot more to give.”


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Eminem Tops Spotify Charts with “The Death of Slim Shady” Album



Eminem Tops Spotify Charts with The Death of Slim Shady Album

Eminem’s latest album, “The Death of Slim Shady (Coup De Grâce),” has achieved a monumental career milestone, pushing him to the top of Spotify’s Daily Top Artists chart. Due to his lyrical prowess and impactful storytelling, the rapper surged from No. 10 to No. 1 in just one day.

Eminem has experienced unprecedented listenership with the album launch, driving the streaming platform to peak popularity. According to insights from Eminem Pro, the track “Houdini” off the album garnered substantial acclaim, ranking third on Spotify’s Top Songs Global chart in its first day.

The song amassed an impressive 7.85 million streams within 24 hours of its release, emphasizing Eminem’s enduring influence in the music industry.

VOR News

In conjunction with the album’s success, Eminem has achieved a remarkable milestone in monthly listeners, surpassing 78.7 million and gaining more than 850,000 new listeners daily.

In addition to reinforcing his position as one of Spotify’s top artists, this surge highlights his ability to consistently grow his fan base and engage with it.

This latest triumph underscores Eminem’s ability to connect with audiences worldwide, reaffirming his status as a trailblazer in hip-hop and a perennial force in contemporary music. His influence on the cultural landscape remains as strong as ever, as his latest album continues to captivate audiences worldwide.

While Eminem has mentioned his children in prior songs like “Mockingbird,” “When I’m Gone,” and “Hailie’s Song,” these new ones provide a more intimate and sensitive look at his relationship with them. This emotional openness was also obvious in the new “Houdini” music video, which included all three youngsters in a playful setting.

“The Death of Slim Shady” represents a dramatic transition in Eminem’s career, with a departure from his alter ego and a stronger emphasis on personal events. The album’s introspective nature, particularly regarding his children, connects with listeners on an emotional level and provides a glimpse into the rapper’s softer side.


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