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The Simpsons Producer Says Death Of Longtime Character Larry ‘The Barfly’ Dalrymple Meant To Be Impactful

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Moe’s Tavern in The Simpsons has lost one customer following the departure of one of its longstanding characters.

Larry “the Barfly” Dalrymple, who originally appeared in the 1989 pilot, met his demise in the April 21 episode titled “Cremains of the Day,” which shocked audiences across the United States. 

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The Simpsons Producer Says Death Of Longtime Character Larry ‘The Barfly’ Dalrymple Meant To Be Impactful

In the latest episode, Larry, who had previously played a minor role in the series, took center stage. The main character, Homer Simpson, and his friends from Moe’s Tavern – Lenny Leonard, Carl Carlson, and Moe Szyslak – traveled to Serenity Falls to scatter Larry’s ashes. They expressed regret over not knowing much about him. 

After the episode aired, Tim Long, the co-executive producer of the show, shared his thoughts on X (previously Twitter), praising @mattselman for the decision to go into Homer and his friends’ visions of the afterlife. Evocative and profoundly peculiar! “@TheSimpsons.”

In an interview released on April 25, Long informed TMZ that the intention behind Larry’s death in The Simpsons was to create a significant impression despite his infrequent appearances over the years. This is noteworthy because it is uncommon for characters in The Simpsons to die on the program. 

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The Simpsons Producer Says Death Of Longtime Character Larry ‘The Barfly’ Dalrymple Meant To Be Impactful

In addition, he expressed his apologies to viewers who were distressed by Larry’s demise on the program. However, he acknowledged that this incident serves as evidence of the enduring popularity of the show and the deep attachment fans have towards all the characters in Springfield, including those who do not appear as often. 

After the recent episode, people expressed their sorrow on social media.

One individual posted on X, stating, “I have recently discovered that the character Larry from The Simpsons will be meeting his demise tomorrow.” I require 60 seconds. Another individual posted on the site, stating, “I have recently been informed of the passing of Larry the Barfly.” I will require a certain amount of time.

Another individual remarked, “One notable aspect of the most recent episode of The Simpsons is that, disregarding any comedic elements, the life of Larry The Barfly is truly sorrowful and full of despair.”

Nevertheless, several individuals online couldn’t resist mentioning his restricted involvement in the series. One individual expressed on X, “Rest in peace Larry the Barfly – we barely had the opportunity to become acquainted with you.”

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The Simpsons Producer Says Death Of Longtime Character Larry ‘The Barfly’ Dalrymple Meant To Be Impactful

According to E! News, Harry Shearer, who provides the voice for Larry “the Barfly,” also voices several other characters in the show, including Ned Flanders, Mr. Burns, Reverend Lovejoy, and Principal Skinner. Despite the absence of the Moe’s Tavern character, Shearer remains occupied with numerous tasks in the voice booth. 

The Simpsons is broadcast on Fox every Sunday at 8 p.m. ET.

SOURCE – (People)

Kiara Grace is a staff writer at VORNews, a reputable online publication. Her writing focuses on technology trends, particularly in the realm of consumer electronics and software. With a keen eye for detail and a knack for breaking down complex topics, Kiara delivers insightful analyses that resonate with tech enthusiasts and casual readers alike. Her articles strike a balance between in-depth coverage and accessibility, making them a go-to resource for anyone seeking to stay informed about the latest innovations shaping our digital world.

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Paul McCartney Song Starts Paralympics On 100-Day Countdown To Opening Ceremony In Paris

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GENEVA – On Monday, the Paralympic Games begin their 100-day journey to the opening ceremony in Paris in August, with Paul McCartney assisting.

The former Beatles’ “We All Stand Together” — the theme song from an award-winning animated short he created and produced 40 years ago — will be featured in a promotional film for the International Paralympic Committee

“Sir Paul really understands what we stand for as a movement, and he was extremely generous to us,” IPC president Andrew Parsons told The Associated Press. “He was not difficult to convince, it was something that came very naturally.”

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Paul McCartney Song Starts Paralympics On 100-Day Countdown To Opening Ceremony In Paris

On August 28, 100 days from Monday, the Summer Paralympics opening ceremony will occur along a stretch of the Champs-Élysées and Place de la Concorde. Over the next 11 days, the 4,400 athletes will compete in places such as the Eiffel Tower and Versailles Palace in front of up to 2.7 million spectators.

“We probably have the most famous avenue in the world,” Parsons stated in a recent interview. “That is very exciting. The city is really supporting Paralympic athletes and athletes with impairments.”

“With our games, we talk a lot about inclusion, and this is a fantastic representation of that. That extremely inviting attitude is a great way to start our games.

A watershed moment for the Paralympic movement occurred in London in 2012 when the host country rose to the occasion with record ticket sales and a completely new approach to broadcasting by Britain’s Channel 4.

“Still the benchmark games of our movement,” added Parsons, whose native country of Brazil staged the 2016 edition in Rio de Janeiro.

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Paul McCartney Song Starts Paralympics On 100-Day Countdown To Opening Ceremony In Paris

Channel 4 produced the “We’re the Superhumans” musical film to promote the Rio Paralympics. The film was a landmark in terms of its high production values and inspirational imagery.

“Many broadcasters come to us in their preparations in different parts of the world and they normally ask, ‘What is Channel 4 doing?'” Parsons stated. In that vein, the IPC trailer, inspired by McCartney’s “Rupert and the Frog Song” film, follows suit.

The Paris Paralympics will record 164 broadcasters worldwide, with 549 events across 22 sports.

Beyond the field of play, the Paralympics strive to change society, particularly in the host nation—and have previously achieved this.

In France and Paris, Parsons admitted that “there is still a lot of work to be done when it comes to people’s mindsets and perceptions of people with disabilities.”

“It has progressed since they received the games in 2017, but there is still a long way to go. “And it does not end with the closing ceremony.”

Two weeks after the Paralympics end on September 8, the United Nations conducts a global gathering that Parsons hopes will spark change.

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Paul McCartney Song Starts Paralympics On 100-Day Countdown To Opening Ceremony In Paris

The UN will assess progress toward its 17 sustainable development objectives during the Summit of the Future, which will occur on September 22 and 23.

“We do believe our movement has, in terms of persons of disability, been a little bit left behind, if you compare to other human rights movements such as gender, sexual orientation, ethnicity,” Parsons stated. “They have become increasingly prominent in the major debates at the highest level.

“We believe that these (Paris) games will be able to really remind global leaders that there is 1.2 billion persons with disabilities out there that need to be included in those conversations.”

SOURCE – (AP)

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Rock Band Cage The Elephant Emerge From Loss And Hospitalization With New Album ‘Neon Pill’

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NEW YORK — To say Cage the Elephant’s latest album had a rocky start would be an understatement. The band coped with loved ones’ deaths, the pandemic, and its lead singer’s arrest and illness.

“It’s no secret that I had a medical crisis,” Matt Shultz tells The Associated Press from Nashville on the eve of the Friday release of the 12-track album “Neon Pill.” “I am fully recovered. It does leave a scar, but it is one that can be ignored.”

The Kentucky-born singer-songwriter was charged with criminal possession of firearms in January 2023 after police discovered his guns inside his Bowery Hotel room in Lower Manhattan.

Shultz claims that in the aftermath, he discovered that for the past three years or more, he had been experiencing a negative reaction to a set of prescribed medications (Shultz did not specify which), resulting in episodes of psychosis.

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Rock Band Cage The Elephant Emerge From Loss And Hospitalization With New Album ‘Neon Pill’

“It’s shocking how night and day the difference is from being on whatever medication is causing psychosis and being off of it,” he continues. “Once I got off the drug, I returned to my normal self. And that was strange because it felt like someone else had taken over your life.”

That so-called other person had contributed to the five-year recording of “Neon Pill,” and it was up to Shultz — who was hospitalized for two months and underwent around six months of outpatient therapy — to unravel the music.

“I went back to the lyrics, obviously to finish the album, and it was like reading the words of a totally different person and trying to decode what they meant,” he recalls. “A lot of it was going back and trying to find the sentiment of what I was trying to communicate.”

Shultz escaped jail time after pleading guilty to three firearms offenses.

“I’m so blessed it wasn’t worse than it was,” adds the man. “And grateful that I received the medical attention I required. I’m extremely fortunate to be surrounded by my family and my wife. God got me through it. I’d be dead numerous times over.

“Neon Pill” reunites the band with producer John Hill, who worked on their previous 2019 Grammy-winning album, “Social Cues.” It presents a kaleidoscope of rock, from the strutting glam of “Ball and Chain” to the piano ballad of “Out Loud” and the breezy alt-rock of “Float Into the Sky.” One song, “Rainbow,” is infectiously poppy, as if Cage covered a Dead or Alive tune.

“It was like a culmination of all the Cage records combined,” claims Shultz. “John Hill had a greater impact on this album, without a doubt.” Not that he didn’t impact ‘Social Cues,’ but with this one, he pushed us harder to go within ourselves and compose the greatest material we could.

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Rock Band Cage The Elephant Emerge From Loss And Hospitalization With New Album ‘Neon Pill’

The album explores Shultz’s experiences, including the lyrics “Double-crossed by a neon pill/Like a loaded gun, my love,
I lost control of the wheel.” The song is the band’s 11th number-one hit on Billboard’s Alternative Airplay list.

“We definitely felt like that was the title track once everything came to be,” adds Shultz, who is joined by his guitarist brother Brad, bassist Daniel Tichenor, drummer Jared Champion, guitarist Nick Bockrath, and pianist Matthan Minster.

Two songs are about Matt and Brad’s father, Brad Shultz Sr., one of which is “Out Loud.” It is about the day the older Shultz and his father had a violent dispute, and their father fled to Florida, hitching the entire way. After a year, the younger man felt sorrow and created an apology song, which he hitchhiked back to Kentucky to play for his father.

Matt Shultz says the narrative inspired him, “so I wrote a song about the song he wrote.” The lyrics to that song are: “Man, I really messed up now/ Clipped those wings and I came back home/Tried my best just to carry on.”

The album’s final tune, “Over Your Shoulder,” laments his father’s death in 2020. The Shultz brothers inherited milk crates containing hundreds of their father’s tunes on ancient cassette recordings. A new original Cage song appeared, similar to their father’s style, with the lyrics: “Don’t look back over your shoulder/I’m not saying don’t ask/When it feels like it gets colder/Every season will pass.”

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Rock Band Cage The Elephant Emerge From Loss And Hospitalization With New Album ‘Neon Pill’

Matt Shultz thinks the entire record is a departure for a band that had previously worn its influences on their sleeves.

“We’d be in the studio, trying to replicate and emulate. But with this record, I believe we were simply relaxed into ourselves and striving to create something we loved.”

SOURCE – (AP)

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Lainey Wilson Wins Big At The 2024 Academy Of Country Music Awards, Including The Top Honor

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It was Lainey Wilson’s night in a variety of ways. At the 2024 Academy of Country Music Awards, she won Female Artist of the Year as well as Entertainer of the Year.

Wilson began her address with, “I’ve been in Nashville for 13 years doing this.” “Everybody in this category has loved on me and believed on me,” she said. “And I love y’all for that.”

Miranda Lambert, awarded Entertainer of the Year in 2022, is one of only a few women to have won the top prize. Carrie Underwood and Thomas Rhett tied for the title in 2020, marking the first tie in history and the first time a woman had won the category since Taylor Swift in 2012.

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Lainey Wilson Wins Big At The 2024 Academy Of Country Music Awards, Including The Top Honor

Wilson also opened the 59th annual ACM Awards with a cover of Little Texas’ “God Blessed Texas,” seamlessly transitioning into her new hit, “Hang Tight Honey.” Clay Walker and Randy Travis then presented Jordan Davis the song of the year for his popular country radio smash “Next Thing You Know.”

In his victory speech, he remarked, “First and foremost, I want to thank the fans for their love of this song.” “I love songwriting because of songs that won song of the year, so to be holding this right now is crazy.”

Wilson won the year’s music event, as did Jelly Roll for his hit “Save Me.”

“No pun intended, but seriously, this song saved me,” Jelly Roll stated during his address. “I thought I would die and go to jail,” he added, getting upset — but instead, he celebrated winning an ACM award

Reba McEntire hosted the American Country Music Awards, which were held at the Ford Center at The Star in Frisco, Texas, just north of Dallas.

In one of the show’s most anticipated performances, Jason Aldean lit up the stage with a touching homage to the late Toby Keith.

He offered the audience a moving, acoustic version of Keith’s famous “Should’ve Been a Cowboy.” They sang along, and Keith’s family watched from the audience.

Keith has won 14 ACM Awards in his career, including the title of Entertainer of the Year twice. He died in February at the age of 62 after being diagnosed with stomach cancer.

Chris Stapleton won both Album and Male Artist of the Year. “There’s so many great guys in that category, and I’m just happy to be included in this company,” he stated in his acceptance speech.

And Dua Lipa joined him as a special guest when it was time to perform his brand-new single, “Think I’m in Love with You.”

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Lainey Wilson Wins Big At The 2024 Academy Of Country Music Awards, Including The Top Honor

It wasn’t the only surprise: Post Malone dropped a brand-new song, “Never Love You Again,” which bled into his massive new single with Morgan Wallen, “I Had Some Help.” Wallen didn’t perform.

Instead, McEntire later joined Post Malone to perform a brief duet of the Allman Brothers Band’s “Ramblin’ Man” in honor of Dickey Betts, who died last month. He was eighty.

Earlier in the evening, Luke Combs, the night’s most nominated artist with eight, won single of the year for his cover of Tracy Chapman’s “Fast Car.” Last year, Chapman’s 1988 ballad won Song of the Year at the Country Music Awards for Combs’ cover, becoming her the first Black songwriter to do so.

Dan Shay and Old Dominion won awards for duo and group of the year, respectively.

Performances came fast and furious: Jelly Roll Morton started with a thumping rendition of his new song “Liar,” followed closely by Kelsea Ballerini and Noah Kahan, who turned her song “Mountain with a View” into his viral hit “Stick Season.”

Tigirlily Gold sang “I Tried A Ring On,” Texas-born Cody Johnson performed “Dirt Cheap,” and Miranda Lambert introduced her new track “Wranglers.”

Kane Brown sang a beautiful cover of “Georgia on My Mind.” Thomas Rhett sang “Beautiful As You,” and Blake Shelton and Gwen Stefani performed “Purple Irises” on the ACM stage.

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Lainey Wilson Wins Big At The 2024 Academy Of Country Music Awards, Including The Top Honor

Park McCollum played his smash “Burn It Down,” new male artist of the year Nate Smith and pop-punk superstar Avril Lavigne performed their new song “Bulletproof,” and presenter McEntire finished out the program with her new track “I Can’t.”

The ACM Awards were broadcast live on Prime Video and the Amazon Music channel on Twitch Live.

SOURCE – (AP)

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