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2023 Taylor Swift: Senators Grill Ticketmaster After Concert Fiasco

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SWIFT: Senators grilled Ticketmaster on Tuesday, questioning whether the company’s dominance in the ticketing industry contributed to the company’s spectacular failure last year during the sale of Taylor Swift concert tickets.

Republicans and Democrats on the Senate Judiciary Committee also discussed potential legislation, such as making tickets non-transferable to reduce scalping and requiring greater transparency in ticket fees. Some speculated that it is also necessary to split Ticketmaster and Live Nation, a concert promoter based in Beverly Hills, California, which merged in 2010.

“The fact of the matter is, Live Nation/Ticketmaster is the 800-pound gorilla here,” Connecticut Democrat Richard Blumenthal said. “The entire concert ticket system is a monopolistic mess.”

Ticketmaster is the world’s largest ticket seller, processing 500 million tickets in over 30 countries yearly. According to data from a federal consumer lawsuit last year, Ticketmaster sells roughly 70% of tickets for major concert venues in the United States.

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Swift Was The Breaking Point For Ticketmaster

Ticketmaster’s website crashed mid-November during a presale event for Swift’s upcoming stadium tour. According to the company, its site was overwhelmed by both fans and bot attacks posing as customers to scoop up tickets and sell them on secondary sites. Thousands of people lost their tickets after spending hours in an online line.

On Tuesday, Live Nation President and Chief Financial Officer Joe Berchtold apologized to fans and Swift, saying the company needs to do better. Berchtold claims that Ticketmaster has spent swift $1 billion in the last decade to improve security and combat bots.

“We need to and will do better,” he stated.

However, lawmakers were skeptical. Republican Sen. Marsha Blackburn of swift, Tennessee said that many other organizations, including banks and power companies, are frequently targeted by bots but do not experience service disruptions.

“How come they figured it out, but you haven’t? “This is incredible,” she exclaimed. “Many people are very unhappy with how this has been handled.”

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Senators Criticized Ticketmaster Fees

Senators also criticized Ticketmaster’s fees. Amy Klobuchar, a Democrat from Minnesota, recalled piling into a friend’s car in high school to attend concerts by Led Zeppelin, The Cars, and Aerosmith. She claims that ticket prices have risen, so many fans can no longer afford to attend concerts. Klobuchar stated that ticket fees now average 27% of the ticket price and can reach 75%.

Berchtold insisted that Ticketmaster does not set ticket prices or service fees nor determines how many tickets will be sold. Venues determine service fees, he says. According to him, Live Nation owns only about 5% of the venues in the United States.

However, competitors such as Seat Geek CEO Jack Groetzinger claim that even if Live Nation does not own a venue, it prevents competition by signing multi-year contracts to provide ticketing services to arenas and concert halls. Live Nation may withhold acts if those venues do not agree to use Ticketmaster. As a result, competitors will need help to disrupt the market.

“Breaking up Ticketmaster and Live Nation is the only way to restore competition,” Groetzinger said.

Clyde Lawrence, a singer-songwriter with the New York-based pop group Lawrence, believes that when Live Nation owns or has contracts with venues, it limits bands’ ability to negotiate a deal or choose a different ticket seller.

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Fees On Top Of Fees For Ticketmaster Customers

Lawrence gave an example: Ticketmaster charges $30 for a ticket but then adds fees that raise the price to $42. After deducting the fees they must pay to Live Nation, the band receives only $12 per ticket, including $250 for a stack of 10 towels in the dressing room in at least one case.

Lawrence wants fee caps, more transparency in how venue fees are used, and more equitable distribution of profits. Live Nation, for example, takes a cut of the band’s merchandise sales at a concert but does not share a cut of food and beverage sales.

Berchtold said the ticketing industry wants lawmakers to focus on the problem of ticket scalping, which he claims has grown into a $5 billion industry, and prohibit fraudulent practices like resellers selling tickets that have yet to officially go on sale. He also agreed that the industry’s fees should be more transparent.

Sen. John Kennedy, a Republican from Louisiana, proposed legislation that would make tickets non-transferable, preventing resale. He also proposed that major artists like Taylor Swift and Bruce Springsteen demand fee caps.

“Not every kid can afford to see Taylor Swift for $500,” Kennedy explained.

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No One Can Afford Those Prices

According to Berchtold, despite its involvement in the ticket resale market, Ticketmaster would support making tickets non-transferable. Others, including North Carolina Republican Sen. Thom Tillis, said making tickets non-transferable would infringe on people’s right to resell them.

The Justice Department approved the merger of Live Nation and Ticketmaster in 2010 on the condition that Live Nation agree not to retaliate against concert venues for using other ticket companies for ten years.

In 2019, the department investigated and discovered that Live Nation had “repeatedly” violated the agreement. It extended the ban on retaliation against concert venues until 2025.

Sen. Mike Lee, a Republican from Utah, announced Tuesday that the Justice Department is re-investigating Live Nation following the Swift ticket debacle. At this point, he believes Congress should question whether the department was correct to allow the merger to proceed in the first place.

“We must keep fair, free, open, and even fierce competition,” Lee swift said. “It improves quality while decreasing cost. We want those things to occur.”

SOURCE – (AP)

 

 

 

Kiara Grace is a staff writer at VORNews, a reputable online publication. Her writing focuses on technology trends, particularly in the realm of consumer electronics and software. With a keen eye for detail and a knack for breaking down complex topics, Kiara delivers insightful analyses that resonate with tech enthusiasts and casual readers alike. Her articles strike a balance between in-depth coverage and accessibility, making them a go-to resource for anyone seeking to stay informed about the latest innovations shaping our digital world.

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Paul McCartney Song Starts Paralympics On 100-Day Countdown To Opening Ceremony In Paris

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AP News - VOR News Image

GENEVA – On Monday, the Paralympic Games begin their 100-day journey to the opening ceremony in Paris in August, with Paul McCartney assisting.

The former Beatles’ “We All Stand Together” — the theme song from an award-winning animated short he created and produced 40 years ago — will be featured in a promotional film for the International Paralympic Committee

“Sir Paul really understands what we stand for as a movement, and he was extremely generous to us,” IPC president Andrew Parsons told The Associated Press. “He was not difficult to convince, it was something that came very naturally.”

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AP – VOR News Image

Paul McCartney Song Starts Paralympics On 100-Day Countdown To Opening Ceremony In Paris

On August 28, 100 days from Monday, the Summer Paralympics opening ceremony will occur along a stretch of the Champs-Élysées and Place de la Concorde. Over the next 11 days, the 4,400 athletes will compete in places such as the Eiffel Tower and Versailles Palace in front of up to 2.7 million spectators.

“We probably have the most famous avenue in the world,” Parsons stated in a recent interview. “That is very exciting. The city is really supporting Paralympic athletes and athletes with impairments.”

“With our games, we talk a lot about inclusion, and this is a fantastic representation of that. That extremely inviting attitude is a great way to start our games.

A watershed moment for the Paralympic movement occurred in London in 2012 when the host country rose to the occasion with record ticket sales and a completely new approach to broadcasting by Britain’s Channel 4.

“Still the benchmark games of our movement,” added Parsons, whose native country of Brazil staged the 2016 edition in Rio de Janeiro.

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AP – VOR new Image

Paul McCartney Song Starts Paralympics On 100-Day Countdown To Opening Ceremony In Paris

Channel 4 produced the “We’re the Superhumans” musical film to promote the Rio Paralympics. The film was a landmark in terms of its high production values and inspirational imagery.

“Many broadcasters come to us in their preparations in different parts of the world and they normally ask, ‘What is Channel 4 doing?'” Parsons stated. In that vein, the IPC trailer, inspired by McCartney’s “Rupert and the Frog Song” film, follows suit.

The Paris Paralympics will record 164 broadcasters worldwide, with 549 events across 22 sports.

Beyond the field of play, the Paralympics strive to change society, particularly in the host nation—and have previously achieved this.

In France and Paris, Parsons admitted that “there is still a lot of work to be done when it comes to people’s mindsets and perceptions of people with disabilities.”

“It has progressed since they received the games in 2017, but there is still a long way to go. “And it does not end with the closing ceremony.”

Two weeks after the Paralympics end on September 8, the United Nations conducts a global gathering that Parsons hopes will spark change.

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AP – VOR News Image

Paul McCartney Song Starts Paralympics On 100-Day Countdown To Opening Ceremony In Paris

The UN will assess progress toward its 17 sustainable development objectives during the Summit of the Future, which will occur on September 22 and 23.

“We do believe our movement has, in terms of persons of disability, been a little bit left behind, if you compare to other human rights movements such as gender, sexual orientation, ethnicity,” Parsons stated. “They have become increasingly prominent in the major debates at the highest level.

“We believe that these (Paris) games will be able to really remind global leaders that there is 1.2 billion persons with disabilities out there that need to be included in those conversations.”

SOURCE – (AP)

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Diddy Won’t Be Prosecuted Over Cassie Ventura Hotel Video

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Diddy Won’t Be Prosecuted Over Cassie Ventura Hotel Video
Sean “Diddy” Combs won’t be prosecuted over a 2016 video: Image Fox News

According to the Los Angeles County District Attorney’s Office, Sean “Diddy” Combs will not face charges in connection with a 2016 video that appears to show him abusing then-girlfriend Cassie Ventura in a hotel.

“We find the images extremely disturbing and difficult to watch,” the office of Los Angeles District Attorney George Gascón posted on Instagram Friday (May 17). “If the conduct depicted occurred in 2016, unfortunately we would be unable to charge as the conduct would have occurred beyond the timeline where a crime of assault can be prosecuted.”

Combs appears to push Ventura to the ground near an elevator bank, kick her multiple times while she is on the ground, and pull her down a hallway in the footage, which CNN received on March 5, 2016.

According to the statement, law enforcement has not presented the Los Angeles County District Attorney’s office with “a case related to the attack depicted in the video against Mr. Combs, but we encourage anyone who has been a victim or witness to a crime to report it to law enforcement or reach out to our office for support from our Bureau of Victims Services.”

The video’s contents resemble an assault complaint Ventura made in a now-settled lawsuit against Diddy in November, in which she also claimed one incidence of rape and another of Combs forcing her to have sex with male sex workers while he masturbated.

“The gut-wrenching video has only confirmed Mr. Combs’ disturbing and predatory behavior,” said Ventura’s attorney, Douglas Wigdor, in a statement to Billboard. “Words cannot express the courage and fortitude that Ms. Ventura has shown in coming forward to bring this to light.”

Ventura and Combs had an on-and-off romance for 11 years until splitting in 2018. In the lawsuit, she claimed she met Combs in 2005, when she was 19 and he was 37. After signing with his Bad Boy Records company, Ventura alleged that Combs “lured” her into a sexual relationship in which he “asserted complete control” over her life.

Combs has faced four further sexual misconduct complaints after Ventura filed hers late last year. The entrepreneur resigned as chairman of his digital media business Revolt in November, and he reportedly sold his interest in the company in March. Also in March, federal officials raided Combs’ houses in Los Angeles and Miami “in connection” with a federal sex trafficking probe, CNN reported.

Combs has flatly denied all allegations of sexual assault leveled against him. “Let me be absolutely clear: I did not do any of the awful things being alleged,” he declared in a statement shared on social media on December 6. “I will fight for my name, my family and for the truth.”

Diddy

Sean “Diddy” Combs

Sean “Diddy” Combs is a multi-talented mogul who has made his mark in music, fashion, and business. Born in Harlem, he began his career as a talent director at Uptown Records. Combs later created his own label, Bad Boy Records, which launched the careers of musicians such as The Notorious B.I.G. and Mary J. Blige.

His debut album, “No Way Out,” achieved multi-platinum success, cementing his reputation as a rapper and producer. Diddy expanded his business interests, launching the apparel line Sean John and investing in beverage businesses such as Ciroc and DeLeon. With an estimated net worth of $900 million, he is one of hip-hop’s wealthiest individuals.

Combs is a presence in Hollywood, appearing in films and television series while also influencing music and society. His commercial savvy, paired with his musical talents, have elevated him to the status of rap icon.

Source: Billboard

 

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Steve Buscemi’s Attacker Arrested in New York

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Steve Buscemi: Image Fox News

More than a week after actor Steve Buscemi was punched in an apparent random attack in New York City, police arrested a suspect on Friday in connection with the incident.

According to CBS New York, 50-year-old Clifton Williams, who police had been hunting for since at least Monday, strolled into the 10th Precinct in Manhattan’s Chelsea district on Friday afternoon to file a stolen property complaint.

Officers who took Williams’ ID recognized him and arrested him.

Williams faces two counts of assault. One is a misdemeanor, but the attack on Buscemi was escalated to a felony due to the actor’s age of 66, making him a senior citizen under the law.

Police say Williams randomly attacked a 22-year-old guy on Third Avenue near 16th Street around 11:30 a.m. on May 8. He allegedly punched Buscemi, who was strolling on Third Avenue at 27th Street, less than ten minutes later.

CBS New York received exclusive camera footage of the actor, famed for his appearances in “Boardwalk Empire” and “Fargo,” heading south on Third Avenue and glancing up to greet someone before crossing the street. Police said Williams punched Buscemi a few moments later.

Additional video showed Williams seemed to be chatting to himself while going north on Third Avenue, just before the unprovoked attack.

Steve Buscemi rushed to hospital

Buscemi, a Brooklyn native and veteran FDNY fireman, was rushed to Bellevue Hospital with bruises, swelling, and bleeding in his left eye. He was released, but denied an on-camera interview a few days later.

Steve Buscemi has made a name for himself as an eccentric actor. He has a distinct appearance: protruding eyes, bald head, and crooked teeth. However, his eccentricity serves him well. Steve Buscemi began in independent films and progressed to supporting roles in major films such as “Reservoir Dogs,” “Fargo,” and “The Big Lebowski.” He stole scenes with his dry wit and strange charisma.

Buscemi is not afraid of taking risks. He played a frightening con man in ‘Ghost World’ and a depressed gentleman in ‘Trees Lounge,’ both of which he wrote and directed. His versatility extends from comedies like ‘The Big Lebowski’ to dramas like ‘Boardwalk Empire.’ That show was where he truly shined, portraying a complicated gangster with depth.

What distinguishes Buscemi is his ability to disappear into roles. He’s not the ordinary Hollywood star. He embraces the unusual, the flawed, and the human. That authenticity resonates. Buscemi is an actor’s actor, appreciated for his craft rather than his appearance. He demonstrates that you don’t need movie star good looks to become a renowned talent.

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