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U2 Concert Uses Stunning Visuals To Open Massive Sphere Venue In Las Vegas

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LAS VEGAS – It appeared to be a typical U2 outdoor concert: two helicopters flew through a starry sky before producing spotlights over the Las Vegas desert and Bono, who kneeled on the ground while singing the band’s 2004 hit “Vertigo.”

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This scene may appear normal, but the visuals were created using floor-to-ceiling graphics within the immersive Sphere. It was one of several impressive instances during U2’s “UV Achtung Baby” residency launch show at the globe-shaped, high-tech venue, which debuted Friday night.

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It appeared to be a typical U2 outdoor concert: two helicopters flew through a starry sky before producing spotlights over the Las Vegas desert

The legendary rock band, which has won 22 Grammys, performed for two hours inside the enormous, state-of-the-art, spherical venue with crystal-clear audio. Throughout the evening, various captivating visuals, including kaleidoscopic images, a burning flag, and the Las Vegas skyline, transported more than 18,000 concertgoers on U2’s epic musical voyage.

Bono, joined onstage by guitarists The Edge and Adam Clayton and percussionist Bram van den Berg, exclaimed, “What a swanky flat!” Then, he gazed at the high-resolution LED display that projected a larger image of himself, along with a few praying hands and bells.

SOURCE – ap

Kiara Grace is a staff writer at VORNews, a reputable online publication. Her writing focuses on technology trends, particularly in the realm of consumer electronics and software. With a keen eye for detail and a knack for breaking down complex topics, Kiara delivers insightful analyses that resonate with tech enthusiasts and casual readers alike. Her articles strike a balance between in-depth coverage and accessibility, making them a go-to resource for anyone seeking to stay informed about the latest innovations shaping our digital world.

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Paul McCartney Song Starts Paralympics On 100-Day Countdown To Opening Ceremony In Paris

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GENEVA – On Monday, the Paralympic Games begin their 100-day journey to the opening ceremony in Paris in August, with Paul McCartney assisting.

The former Beatles’ “We All Stand Together” — the theme song from an award-winning animated short he created and produced 40 years ago — will be featured in a promotional film for the International Paralympic Committee

“Sir Paul really understands what we stand for as a movement, and he was extremely generous to us,” IPC president Andrew Parsons told The Associated Press. “He was not difficult to convince, it was something that came very naturally.”

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Paul McCartney Song Starts Paralympics On 100-Day Countdown To Opening Ceremony In Paris

On August 28, 100 days from Monday, the Summer Paralympics opening ceremony will occur along a stretch of the Champs-Élysées and Place de la Concorde. Over the next 11 days, the 4,400 athletes will compete in places such as the Eiffel Tower and Versailles Palace in front of up to 2.7 million spectators.

“We probably have the most famous avenue in the world,” Parsons stated in a recent interview. “That is very exciting. The city is really supporting Paralympic athletes and athletes with impairments.”

“With our games, we talk a lot about inclusion, and this is a fantastic representation of that. That extremely inviting attitude is a great way to start our games.

A watershed moment for the Paralympic movement occurred in London in 2012 when the host country rose to the occasion with record ticket sales and a completely new approach to broadcasting by Britain’s Channel 4.

“Still the benchmark games of our movement,” added Parsons, whose native country of Brazil staged the 2016 edition in Rio de Janeiro.

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Paul McCartney Song Starts Paralympics On 100-Day Countdown To Opening Ceremony In Paris

Channel 4 produced the “We’re the Superhumans” musical film to promote the Rio Paralympics. The film was a landmark in terms of its high production values and inspirational imagery.

“Many broadcasters come to us in their preparations in different parts of the world and they normally ask, ‘What is Channel 4 doing?'” Parsons stated. In that vein, the IPC trailer, inspired by McCartney’s “Rupert and the Frog Song” film, follows suit.

The Paris Paralympics will record 164 broadcasters worldwide, with 549 events across 22 sports.

Beyond the field of play, the Paralympics strive to change society, particularly in the host nation—and have previously achieved this.

In France and Paris, Parsons admitted that “there is still a lot of work to be done when it comes to people’s mindsets and perceptions of people with disabilities.”

“It has progressed since they received the games in 2017, but there is still a long way to go. “And it does not end with the closing ceremony.”

Two weeks after the Paralympics end on September 8, the United Nations conducts a global gathering that Parsons hopes will spark change.

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AP – VOR News Image

Paul McCartney Song Starts Paralympics On 100-Day Countdown To Opening Ceremony In Paris

The UN will assess progress toward its 17 sustainable development objectives during the Summit of the Future, which will occur on September 22 and 23.

“We do believe our movement has, in terms of persons of disability, been a little bit left behind, if you compare to other human rights movements such as gender, sexual orientation, ethnicity,” Parsons stated. “They have become increasingly prominent in the major debates at the highest level.

“We believe that these (Paris) games will be able to really remind global leaders that there is 1.2 billion persons with disabilities out there that need to be included in those conversations.”

SOURCE – (AP)

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Diddy Won’t Be Prosecuted Over Cassie Ventura Hotel Video

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Diddy Won’t Be Prosecuted Over Cassie Ventura Hotel Video
Sean “Diddy” Combs won’t be prosecuted over a 2016 video: Image Fox News

According to the Los Angeles County District Attorney’s Office, Sean “Diddy” Combs will not face charges in connection with a 2016 video that appears to show him abusing then-girlfriend Cassie Ventura in a hotel.

“We find the images extremely disturbing and difficult to watch,” the office of Los Angeles District Attorney George Gascón posted on Instagram Friday (May 17). “If the conduct depicted occurred in 2016, unfortunately we would be unable to charge as the conduct would have occurred beyond the timeline where a crime of assault can be prosecuted.”

Combs appears to push Ventura to the ground near an elevator bank, kick her multiple times while she is on the ground, and pull her down a hallway in the footage, which CNN received on March 5, 2016.

According to the statement, law enforcement has not presented the Los Angeles County District Attorney’s office with “a case related to the attack depicted in the video against Mr. Combs, but we encourage anyone who has been a victim or witness to a crime to report it to law enforcement or reach out to our office for support from our Bureau of Victims Services.”

The video’s contents resemble an assault complaint Ventura made in a now-settled lawsuit against Diddy in November, in which she also claimed one incidence of rape and another of Combs forcing her to have sex with male sex workers while he masturbated.

“The gut-wrenching video has only confirmed Mr. Combs’ disturbing and predatory behavior,” said Ventura’s attorney, Douglas Wigdor, in a statement to Billboard. “Words cannot express the courage and fortitude that Ms. Ventura has shown in coming forward to bring this to light.”

Ventura and Combs had an on-and-off romance for 11 years until splitting in 2018. In the lawsuit, she claimed she met Combs in 2005, when she was 19 and he was 37. After signing with his Bad Boy Records company, Ventura alleged that Combs “lured” her into a sexual relationship in which he “asserted complete control” over her life.

Combs has faced four further sexual misconduct complaints after Ventura filed hers late last year. The entrepreneur resigned as chairman of his digital media business Revolt in November, and he reportedly sold his interest in the company in March. Also in March, federal officials raided Combs’ houses in Los Angeles and Miami “in connection” with a federal sex trafficking probe, CNN reported.

Combs has flatly denied all allegations of sexual assault leveled against him. “Let me be absolutely clear: I did not do any of the awful things being alleged,” he declared in a statement shared on social media on December 6. “I will fight for my name, my family and for the truth.”

Diddy

Sean “Diddy” Combs

Sean “Diddy” Combs is a multi-talented mogul who has made his mark in music, fashion, and business. Born in Harlem, he began his career as a talent director at Uptown Records. Combs later created his own label, Bad Boy Records, which launched the careers of musicians such as The Notorious B.I.G. and Mary J. Blige.

His debut album, “No Way Out,” achieved multi-platinum success, cementing his reputation as a rapper and producer. Diddy expanded his business interests, launching the apparel line Sean John and investing in beverage businesses such as Ciroc and DeLeon. With an estimated net worth of $900 million, he is one of hip-hop’s wealthiest individuals.

Combs is a presence in Hollywood, appearing in films and television series while also influencing music and society. His commercial savvy, paired with his musical talents, have elevated him to the status of rap icon.

Source: Billboard

 

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Rock Band Cage The Elephant Emerge From Loss And Hospitalization With New Album ‘Neon Pill’

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NEW YORK — To say Cage the Elephant’s latest album had a rocky start would be an understatement. The band coped with loved ones’ deaths, the pandemic, and its lead singer’s arrest and illness.

“It’s no secret that I had a medical crisis,” Matt Shultz tells The Associated Press from Nashville on the eve of the Friday release of the 12-track album “Neon Pill.” “I am fully recovered. It does leave a scar, but it is one that can be ignored.”

The Kentucky-born singer-songwriter was charged with criminal possession of firearms in January 2023 after police discovered his guns inside his Bowery Hotel room in Lower Manhattan.

Shultz claims that in the aftermath, he discovered that for the past three years or more, he had been experiencing a negative reaction to a set of prescribed medications (Shultz did not specify which), resulting in episodes of psychosis.

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Rock Band Cage The Elephant Emerge From Loss And Hospitalization With New Album ‘Neon Pill’

“It’s shocking how night and day the difference is from being on whatever medication is causing psychosis and being off of it,” he continues. “Once I got off the drug, I returned to my normal self. And that was strange because it felt like someone else had taken over your life.”

That so-called other person had contributed to the five-year recording of “Neon Pill,” and it was up to Shultz — who was hospitalized for two months and underwent around six months of outpatient therapy — to unravel the music.

“I went back to the lyrics, obviously to finish the album, and it was like reading the words of a totally different person and trying to decode what they meant,” he recalls. “A lot of it was going back and trying to find the sentiment of what I was trying to communicate.”

Shultz escaped jail time after pleading guilty to three firearms offenses.

“I’m so blessed it wasn’t worse than it was,” adds the man. “And grateful that I received the medical attention I required. I’m extremely fortunate to be surrounded by my family and my wife. God got me through it. I’d be dead numerous times over.

“Neon Pill” reunites the band with producer John Hill, who worked on their previous 2019 Grammy-winning album, “Social Cues.” It presents a kaleidoscope of rock, from the strutting glam of “Ball and Chain” to the piano ballad of “Out Loud” and the breezy alt-rock of “Float Into the Sky.” One song, “Rainbow,” is infectiously poppy, as if Cage covered a Dead or Alive tune.

“It was like a culmination of all the Cage records combined,” claims Shultz. “John Hill had a greater impact on this album, without a doubt.” Not that he didn’t impact ‘Social Cues,’ but with this one, he pushed us harder to go within ourselves and compose the greatest material we could.

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AP – VOR News Image

Rock Band Cage The Elephant Emerge From Loss And Hospitalization With New Album ‘Neon Pill’

The album explores Shultz’s experiences, including the lyrics “Double-crossed by a neon pill/Like a loaded gun, my love,
I lost control of the wheel.” The song is the band’s 11th number-one hit on Billboard’s Alternative Airplay list.

“We definitely felt like that was the title track once everything came to be,” adds Shultz, who is joined by his guitarist brother Brad, bassist Daniel Tichenor, drummer Jared Champion, guitarist Nick Bockrath, and pianist Matthan Minster.

Two songs are about Matt and Brad’s father, Brad Shultz Sr., one of which is “Out Loud.” It is about the day the older Shultz and his father had a violent dispute, and their father fled to Florida, hitching the entire way. After a year, the younger man felt sorrow and created an apology song, which he hitchhiked back to Kentucky to play for his father.

Matt Shultz says the narrative inspired him, “so I wrote a song about the song he wrote.” The lyrics to that song are: “Man, I really messed up now/ Clipped those wings and I came back home/Tried my best just to carry on.”

The album’s final tune, “Over Your Shoulder,” laments his father’s death in 2020. The Shultz brothers inherited milk crates containing hundreds of their father’s tunes on ancient cassette recordings. A new original Cage song appeared, similar to their father’s style, with the lyrics: “Don’t look back over your shoulder/I’m not saying don’t ask/When it feels like it gets colder/Every season will pass.”

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AP – VOR News Image

Rock Band Cage The Elephant Emerge From Loss And Hospitalization With New Album ‘Neon Pill’

Matt Shultz thinks the entire record is a departure for a band that had previously worn its influences on their sleeves.

“We’d be in the studio, trying to replicate and emulate. But with this record, I believe we were simply relaxed into ourselves and striving to create something we loved.”

SOURCE – (AP)

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