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Disney Plus Releases the Long Awaited Season 3 of The Mandalorian

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Season 3 of The Mandalorian

In the first chapter of season 3 of The Mandalorian, the titular bounty hunter adopts the young Grogu and shields him from Moff Gideon’s evil plot (Giancarlo Esposito). To finish his training, Grogu was sent to Jedi Master Luke Skywalker (Mark Hamill) by Djarin after leading a group to victory over Gideon.

Jumping straight from the second season-ending to the third season start could leave an audience member perplexed by what they see. Djarin continues to explore the universe. After removing Grogu from the Jedi training school run by Luke Skywalker in between seasons, he still cares for the child.

The Book of Boba Fett’s penultimate episode, “From the Desert Comes a Stranger,” featured this occurrence, but it’s intriguing to consider what viewers who didn’t watch that other show thought of it.

Showrunner Jon Favreau has bragged that he has already finished writing The Mandalorian’s fourth season and thinks the series may go on indefinitely. Disney, the parent business, would undoubtedly be extremely pleased with this.

Disney+’s signature program, The Mandalorian, debuted with the streaming service in December 2019. Nielsen said it was also the most-watched streaming original outside of Netflix in 2020. As a result, it is simple to comprehend why Disney wants to see more of this.

So it seems like The Mandalorian has set off on a rough path toward its third season. The first and second seasons debuted one year apart, but the third season took more than two years to the air. There are several explanations as to why this might have happened.

The crew and equipment used to film Obi-Wan Kenobi were largely the same, and that show’s shooting was notably delayed as scripts were revised.

Pascal himself is a problem as well. While recurrent director Bryce Dallas Howard describes the role as “a real partnership” between Pascal’s voiceover and numerous in-suit performers, including Pascal himself, there is substantial controversy about how much Pascal is truly in The Mandalorian.

Pascal, an actor who stars in The Last of Us on HBO and has other commitments, has praised how the production team for The Mandalorian “improvised” around his schedule.

Season 3 of The Mandalorian is ambiguous, giving the impression that this program has interrupted time. This is represented in a discussion about how much time had elapsed in-universe since Djarin and Grogu first met, which surfaced just before the third season debut.

According to Favreau, the show’s first two seasons spanned “many years,” Grogu was with Skywalker for two years before Djarin picked him up.

Time is relative, of course, and in a science fiction universe with numerous planets with various gravity levels and faster-than-light travel, it is especially elastic.

Even then, the statistics don’t truly correspond to what viewers experienced when watching the events broadcast on television over two years. The exact reason why such statistics don’t “feel” correct is difficult to explain. There is a strange force at work in all of this.

The Mandalorian’s third season premiere, “The Apostate,” continues its uncouthness. It is trapped between three conflicting narrative goals as a television episode.

Assuring the audience that The Mandalorian is back and that it is essentially the same show is the easiest and most immediate. This episode reminds viewers what pleasure it was to watch these two characters engage in silly, pulpy Star Wars adventures.

In season 3, The Mandalorian makes a somewhat awkward return, almost like a reboot, with Din Djarin still in the same spot in his Star Wars adventure.

As a result, “The Apostate” has a thin plot but is packed with generic Star Wars material. By showing the forging of a Mandalorian helmet, the season’s opening sequence welcomes viewers into the mystique of the Mandalorians.

A seven-minute sequence follows, featuring a giant monster attack using lasers and jetpacks. In a later show scene, Djarin engages in combat with space pirates, and a dogfight occurs on an asteroid field. With Djarin and Grogu, it’s all wonderful Star Wars stuff.

The second major goal of the premiere is to update the returning Mandalorian audience on what they missed if they didn’t watch The Book of Boba Fett.

With both the Marvel Cinematic Universe and the Star Wars brand, it seems Disney is beginning to understand the boundaries of these intricately woven shared universes of intersecting shows and that excessive amounts of content are just as likely to alienate mainstream audiences as they are to radicalize them.

Because Marvel couldn’t assume viewers had seen Loki, the character of Kang the Conqueror (Jonathan Majors) had to be introduced twice. The first time, he delivered a lengthy motivational speech after Loki’s first season, and the second time, he did the same after Ant-Man and the Wasp: Quantumania. On the other hand, Josh Brolin’s character, Thanos, only truly had to defend himself once in Avengers: Infinity War.

Djarin’s expulsion from his fellow Mandalorians must be explained by “The Apostate”. There is a lot of duplication.

The Armorer (Emily Swallow) informs Djarin that he is “a Mandalorian no more” because he removed his helmet and that the only place for him to atone for his mistakes is in “the living waters beneath the Mines of Mandalore” in the “previously on” portion of The Book of Boba Fett. In the episode’s opening dialogue with Djarin, she reiterates these identical concerns.

In season 3, The Mandalorian makes a somewhat awkward return, almost like a reboot, with Din Djarin still in the same spot in his Star Wars adventure.

“You’ve taken off your helmet,” she says to Djarin. “You are not a Mandalorian anymore.” It is awkward and unattractive. The intricate and rich mythology of Star Wars has always relied on a lot of “… as you already know… ” exchanges between characters, but in “The Apostate,” characters repeat information that was covered in the episode’s “previously on” just ten minutes earlier. This is prevalent in “The Apostate,” highlighting the foolishness of handing over story pieces to The Book of Boba Fett.

The third competing goal for “The Apostate” is acting as a second pilot for the series, reminding viewers of what they enjoyed about The Mandalorian and catching them up on what they missed in The Book of Boba Fett.

This episode sets out Djarin’s new goals, introduces new rules and stakes, and lays out the general framework for the upcoming season or seasons.

Unfortunately, this entails ending a significant amount of the preceding two seasons’ legend, resulting in exposition regarding what comes before and what lies ahead. There is a quick round of wrapping up the first two seasons when Djarin sees his old friend Karga (Carl Weathers), such as writing out Cara Dune (Gina Carano). Why not mention Marshal Dune? Asks Karga Djarin. Then he asks, “What happened to Gideon?” There is a feeling of having to move swiftly.

The same thing transpires when Djarin visits his former ally Bo-Katan later in the episode (Katee Sackhoff). It resembles a job interview, more than two longtime friends catching up. He asks her about her intentions to recapture Mandalore. Where is the stolen fleet? Does he then ask?

The third season of The Mandalorian doesn’t feel like a direct continuation of the past two. Therefore, much information must be delivered quickly, with little room for poetry or nuance.

Given the conflicting masters that “The Apostate” must serve, it is to Favreau’s credit that it functions at all.

The episode has an almost melancholy undercurrent as Djarin journeys across the galaxy in his antique Naboo starfighter with the student he dragged out of a class, only to find that his old friends had moved on with their lives without him.

The “High Magistrate” Karga is the one who has made Navarro “the diamond of the Outer Rim.” While Katan is alone, at least he is seated on a throne.

Karga seems to be arguing that The Mandalorian’s narrative is finished. He acknowledges, “I’m confused. You finished your task, but you’re still frolicking around with the same critter.

Karga is relishing his retirement and respectability to the extent that Vane (Marti Matulis), an old pirate acquaintance, is taken aback when he learns that Karga turned their former tavern into a school. Karga has grown up since he was younger. He has created a life and a neighborhood.

Karga does extend a comparable invitation to Djarin, implying that the bounty hunter has earned his rest. “You and the little one, you can calm down. You can hang up your blaster,” he advises.

Live off the land’s fat. It’s not a horrible deal, especially considering that The Mandalorian did a lot to restore some credibility to the Star Wars name following the two dud films Solo: A Star Wars Story and Star Wars: The Rise of Skywalker. Is it feasible for Djarin to let go of his responsibilities and proceed?

Djarin appears to still be chasing the past, according to “The Apostate”. IG-11 (Taika Waititi), the assassin droid from the program’s first season, has a broken memory chip, but Djarin still tries to revive it. He tells the Anzellans, “I need this one.

“This is a friend of mine.” For the engineers, Karga translates, “He suggested you should buy a new one.” Djarin is maybe too tied to the past, piloting a Naboo starfighter, striving to maintain the Mandalorian customs, and trying to revive a melted droid.

But, The Mandalorian’s third season, which premieres more than two years after the second one ended, faces this difficulty. Can The Mandalorian be restarted without losing its appeal to fans?

Can it construct a new story and maintain the allure of those first seasons? Is the Way going in one direction, the other, or in circles?

Geoff Thomas is a seasoned staff writer at VORNews, a reputable online publication. With his sharp writing skills and deep understanding of SEO, he consistently delivers high-quality, engaging content that resonates with readers. Thomas' articles are well-researched, informative, and written in a clear, concise style that keeps audiences hooked. His ability to craft compelling narratives while seamlessly incorporating relevant keywords has made him a valuable asset to the VORNews team.

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Diddy Won’t Be Prosecuted Over Cassie Ventura Hotel Video

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Diddy Won’t Be Prosecuted Over Cassie Ventura Hotel Video
Sean “Diddy” Combs won’t be prosecuted over a 2016 video: Image Fox News

According to the Los Angeles County District Attorney’s Office, Sean “Diddy” Combs will not face charges in connection with a 2016 video that appears to show him abusing then-girlfriend Cassie Ventura in a hotel.

“We find the images extremely disturbing and difficult to watch,” the office of Los Angeles District Attorney George Gascón posted on Instagram Friday (May 17). “If the conduct depicted occurred in 2016, unfortunately we would be unable to charge as the conduct would have occurred beyond the timeline where a crime of assault can be prosecuted.”

Combs appears to push Ventura to the ground near an elevator bank, kick her multiple times while she is on the ground, and pull her down a hallway in the footage, which CNN received on March 5, 2016.

According to the statement, law enforcement has not presented the Los Angeles County District Attorney’s office with “a case related to the attack depicted in the video against Mr. Combs, but we encourage anyone who has been a victim or witness to a crime to report it to law enforcement or reach out to our office for support from our Bureau of Victims Services.”

The video’s contents resemble an assault complaint Ventura made in a now-settled lawsuit against Diddy in November, in which she also claimed one incidence of rape and another of Combs forcing her to have sex with male sex workers while he masturbated.

“The gut-wrenching video has only confirmed Mr. Combs’ disturbing and predatory behavior,” said Ventura’s attorney, Douglas Wigdor, in a statement to Billboard. “Words cannot express the courage and fortitude that Ms. Ventura has shown in coming forward to bring this to light.”

Ventura and Combs had an on-and-off romance for 11 years until splitting in 2018. In the lawsuit, she claimed she met Combs in 2005, when she was 19 and he was 37. After signing with his Bad Boy Records company, Ventura alleged that Combs “lured” her into a sexual relationship in which he “asserted complete control” over her life.

Combs has faced four further sexual misconduct complaints after Ventura filed hers late last year. The entrepreneur resigned as chairman of his digital media business Revolt in November, and he reportedly sold his interest in the company in March. Also in March, federal officials raided Combs’ houses in Los Angeles and Miami “in connection” with a federal sex trafficking probe, CNN reported.

Combs has flatly denied all allegations of sexual assault leveled against him. “Let me be absolutely clear: I did not do any of the awful things being alleged,” he declared in a statement shared on social media on December 6. “I will fight for my name, my family and for the truth.”

Diddy

Sean “Diddy” Combs

Sean “Diddy” Combs is a multi-talented mogul who has made his mark in music, fashion, and business. Born in Harlem, he began his career as a talent director at Uptown Records. Combs later created his own label, Bad Boy Records, which launched the careers of musicians such as The Notorious B.I.G. and Mary J. Blige.

His debut album, “No Way Out,” achieved multi-platinum success, cementing his reputation as a rapper and producer. Diddy expanded his business interests, launching the apparel line Sean John and investing in beverage businesses such as Ciroc and DeLeon. With an estimated net worth of $900 million, he is one of hip-hop’s wealthiest individuals.

Combs is a presence in Hollywood, appearing in films and television series while also influencing music and society. His commercial savvy, paired with his musical talents, have elevated him to the status of rap icon.

Source: Billboard

 

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Steve Buscemi’s Attacker Arrested in New York

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Steve Buscemi: Image Fox News

More than a week after actor Steve Buscemi was punched in an apparent random attack in New York City, police arrested a suspect on Friday in connection with the incident.

According to CBS New York, 50-year-old Clifton Williams, who police had been hunting for since at least Monday, strolled into the 10th Precinct in Manhattan’s Chelsea district on Friday afternoon to file a stolen property complaint.

Officers who took Williams’ ID recognized him and arrested him.

Williams faces two counts of assault. One is a misdemeanor, but the attack on Buscemi was escalated to a felony due to the actor’s age of 66, making him a senior citizen under the law.

Police say Williams randomly attacked a 22-year-old guy on Third Avenue near 16th Street around 11:30 a.m. on May 8. He allegedly punched Buscemi, who was strolling on Third Avenue at 27th Street, less than ten minutes later.

CBS New York received exclusive camera footage of the actor, famed for his appearances in “Boardwalk Empire” and “Fargo,” heading south on Third Avenue and glancing up to greet someone before crossing the street. Police said Williams punched Buscemi a few moments later.

Additional video showed Williams seemed to be chatting to himself while going north on Third Avenue, just before the unprovoked attack.

Steve Buscemi rushed to hospital

Buscemi, a Brooklyn native and veteran FDNY fireman, was rushed to Bellevue Hospital with bruises, swelling, and bleeding in his left eye. He was released, but denied an on-camera interview a few days later.

Steve Buscemi has made a name for himself as an eccentric actor. He has a distinct appearance: protruding eyes, bald head, and crooked teeth. However, his eccentricity serves him well. Steve Buscemi began in independent films and progressed to supporting roles in major films such as “Reservoir Dogs,” “Fargo,” and “The Big Lebowski.” He stole scenes with his dry wit and strange charisma.

Buscemi is not afraid of taking risks. He played a frightening con man in ‘Ghost World’ and a depressed gentleman in ‘Trees Lounge,’ both of which he wrote and directed. His versatility extends from comedies like ‘The Big Lebowski’ to dramas like ‘Boardwalk Empire.’ That show was where he truly shined, portraying a complicated gangster with depth.

What distinguishes Buscemi is his ability to disappear into roles. He’s not the ordinary Hollywood star. He embraces the unusual, the flawed, and the human. That authenticity resonates. Buscemi is an actor’s actor, appreciated for his craft rather than his appearance. He demonstrates that you don’t need movie star good looks to become a renowned talent.

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Rock Band Cage The Elephant Emerge From Loss And Hospitalization With New Album ‘Neon Pill’

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neon

NEW YORK — To say Cage the Elephant’s latest album had a rocky start would be an understatement. The band coped with loved ones’ deaths, the pandemic, and its lead singer’s arrest and illness.

“It’s no secret that I had a medical crisis,” Matt Shultz tells The Associated Press from Nashville on the eve of the Friday release of the 12-track album “Neon Pill.” “I am fully recovered. It does leave a scar, but it is one that can be ignored.”

The Kentucky-born singer-songwriter was charged with criminal possession of firearms in January 2023 after police discovered his guns inside his Bowery Hotel room in Lower Manhattan.

Shultz claims that in the aftermath, he discovered that for the past three years or more, he had been experiencing a negative reaction to a set of prescribed medications (Shultz did not specify which), resulting in episodes of psychosis.

neon

AP – VOR News Image

Rock Band Cage The Elephant Emerge From Loss And Hospitalization With New Album ‘Neon Pill’

“It’s shocking how night and day the difference is from being on whatever medication is causing psychosis and being off of it,” he continues. “Once I got off the drug, I returned to my normal self. And that was strange because it felt like someone else had taken over your life.”

That so-called other person had contributed to the five-year recording of “Neon Pill,” and it was up to Shultz — who was hospitalized for two months and underwent around six months of outpatient therapy — to unravel the music.

“I went back to the lyrics, obviously to finish the album, and it was like reading the words of a totally different person and trying to decode what they meant,” he recalls. “A lot of it was going back and trying to find the sentiment of what I was trying to communicate.”

Shultz escaped jail time after pleading guilty to three firearms offenses.

“I’m so blessed it wasn’t worse than it was,” adds the man. “And grateful that I received the medical attention I required. I’m extremely fortunate to be surrounded by my family and my wife. God got me through it. I’d be dead numerous times over.

“Neon Pill” reunites the band with producer John Hill, who worked on their previous 2019 Grammy-winning album, “Social Cues.” It presents a kaleidoscope of rock, from the strutting glam of “Ball and Chain” to the piano ballad of “Out Loud” and the breezy alt-rock of “Float Into the Sky.” One song, “Rainbow,” is infectiously poppy, as if Cage covered a Dead or Alive tune.

“It was like a culmination of all the Cage records combined,” claims Shultz. “John Hill had a greater impact on this album, without a doubt.” Not that he didn’t impact ‘Social Cues,’ but with this one, he pushed us harder to go within ourselves and compose the greatest material we could.

neon

AP – VOR News Image

Rock Band Cage The Elephant Emerge From Loss And Hospitalization With New Album ‘Neon Pill’

The album explores Shultz’s experiences, including the lyrics “Double-crossed by a neon pill/Like a loaded gun, my love,
I lost control of the wheel.” The song is the band’s 11th number-one hit on Billboard’s Alternative Airplay list.

“We definitely felt like that was the title track once everything came to be,” adds Shultz, who is joined by his guitarist brother Brad, bassist Daniel Tichenor, drummer Jared Champion, guitarist Nick Bockrath, and pianist Matthan Minster.

Two songs are about Matt and Brad’s father, Brad Shultz Sr., one of which is “Out Loud.” It is about the day the older Shultz and his father had a violent dispute, and their father fled to Florida, hitching the entire way. After a year, the younger man felt sorrow and created an apology song, which he hitchhiked back to Kentucky to play for his father.

Matt Shultz says the narrative inspired him, “so I wrote a song about the song he wrote.” The lyrics to that song are: “Man, I really messed up now/ Clipped those wings and I came back home/Tried my best just to carry on.”

The album’s final tune, “Over Your Shoulder,” laments his father’s death in 2020. The Shultz brothers inherited milk crates containing hundreds of their father’s tunes on ancient cassette recordings. A new original Cage song appeared, similar to their father’s style, with the lyrics: “Don’t look back over your shoulder/I’m not saying don’t ask/When it feels like it gets colder/Every season will pass.”

neon

AP – VOR News Image

Rock Band Cage The Elephant Emerge From Loss And Hospitalization With New Album ‘Neon Pill’

Matt Shultz thinks the entire record is a departure for a band that had previously worn its influences on their sleeves.

“We’d be in the studio, trying to replicate and emulate. But with this record, I believe we were simply relaxed into ourselves and striving to create something we loved.”

SOURCE – (AP)

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