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New Film “The Princess of Siam” to Be Co-Produced by Russian and Thai Filmmakers

Kiara Grace

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The Princess of Siam

BANGKOK – The joint production of The Princess of Siam, a historical drama about the love of a Russian noblewoman and the Chakrobong, the Crown Prince of Thailand, was discussed by Russian Pan-Atlantic Studio with Thailand during the recent Shanghai International Film & TV Market at the end of June. Preliminary agreements on its co-production status have already been reached.

Also, negotiations with leading producers of the Shanghai Film Group are planned for this project to detail issues concerning cooperation and possible co-production.

Filming is planned for locations in Russia, Thailand, the People’s Republic of China and Turkey.

The Princess of Siam was presented among other 150 films, series, full-length cartoons and animated series from Russia at the joint stand called Russian Content Worldwide, organised by ROSKINO, a promoter of Russian films abroad.

ROSKINO CEO Elsa Antonova comments: “The Shanghai Film&TV Market was useful in terms of generating new contacts: a number of companies have good prospects for deals. We see interest from Asian distributors in a wide variety of types and genres of Russian content. It is also encouraging that in addition to distribution, our foreign partners are interested in other formats of work such as creating joint projects and remakes.”

Russian film companies have reported great interest in Russian movies and cartoons from the Asian distributors. Among the most popular genres, content buyers from China and other Asian countries named action, war dramas, thrillers, science fiction, documentaries, and animation.

There is also a demand for co-production with Russian filmmakers and remakes, and interest in arthouse films is growing. Content for primary school children is in demand. Russian animation companies also noted the ‘Labubu Effect’ – the demand for bright, unusual characters in animation.

What other Russian films were Asian companies interested in?

Here are some examples:

A joint Russian-Chinese adventure detective film, Red Silk (Art Pictures Distribution): This film is to be released in Chinese cinemas in September of this year. The events portrayed unfold in the year 1927 on the Trans-Siberian Express.

There are secret documents aboard this train that will determine the future of the USSR and China, and they are being transported across Russia.

Dressed as ordinary passengers, foreign intelligence officers and real thugs operate, ready to do anything for the sake of obtaining or protecting these documents. A young Red Army soldier and a former Tsarist agent have to team up to uncover a common enemy.

The thriller DOWN (Central Partnership): A young couple is stuck in the elevator of a Moscow skyscraper with a mysterious stranger who knows everything about them. The situation is no ordinary accident. Trapped in a confined space with a predatory madman, anything can happen. Especially when the space itself is a death trap waiting to fall… DOWN.

The large-scale fantasy action film The Ultimate Planet from the CTB Film Company: The main role is played by Yura Borisov, the first Russian actor in history to be nominated for an Oscar. According to the plot, after surviving a clinical death, Dan Cruncher “Crunch” is flooded with memories of events he never participated in – fierce battles, loyal friends, and a beloved girlfriend.

Determined to untangle reality from illusion, Crunch finds himself locked in a struggle against formidable foes – both on Earth and a distant Ultimate Planet. The prize is a panacea capable of saving those he holds dear and transforming the fate of humanity itself.

Every moment on the Ultimate Planet pulses with danger and suspense, ratcheting up the tension. But at its heart, this is also a tale of profound sacrifice and a love that transcends all boundaries, shining brightly even in the darkest corners of the universe.

The Russian company Bubble Studios, which presented the action flick Major Grom: The Game, noted the great interest from companies from China, Thailand and Indonesia in such content creation based on comics.

Russian TV series have also not gone unnoticed by international distributors. Thus, the historical detective serial Dark Sacrifice (NTV Broadcasting Company) has enjoyed success.

This is a chilling mystery thriller, full of suspense and tension. Beautifully filmed, this historical drama is rich in authentic detail of the late ‘60s USSR. Thrilling with unexpected twists and a fantastic ending, this original series will grip even the most discerning mystery fans.

The Shanghai Film&TV market was also productive for Russian animation companies.

A full-length animated film, Moonzy Homecoming (CTB Film Company). This cartoon became the highest-grossing film in Russian cinemas in 2024, and its theatrical release in Vietnam is planned for the near future.

Moonzy Homecoming is a heartwarming preschool animation movie that follows the adventures of fluffy and cute Moonchild Moonzy, who calls Earth’s forest meadow home. Moonzy discovers a way to return to the Moon, his original home. As Moonzy embarks on his extraordinary journey back to the Moon, he must overcome a lot of obstacles and decide where his true home is.

Preliminary agreements were reached with companies from China, Malaysia, Indonesia, and Vietnam on the distribution of the animated series Zigg’s Space Rangers and Rockoons (SMF Animation Studio): Seven curious, playful raccoons live in a music box, which serves as their playground.

In each episode, they perform funny songs with unexpected fantasy twists to introduce kids to a variety of new words and concepts. One of the series’ main objectives is to develop and enrich kids’ vocabulary using various language techniques.

Dragonia and Tickabo, two animated serials with colourful characters from YARKO Animation, also attracted great interest from Chinese representatives. This is due to the current demand in China for colourful and unusual characters, echoing the global popularity of such characters as the Labubu and Crybaby toys.

Tickabo is a musical and educational series for children up to 4 years old. Russian animation is also distinguished by its educational nature, and Tickabo is one example of such content.

Distributors from China and Vietnam highly appreciated the new full-length animated film Champies about space pirates (Digital Television Media Holding).

There is also potential in the Chinese film market for the new cartoon Dr.Paws (Voronezh Animation Studio), as well as the animated series The Steel Family. Brotherhood vs Gold with high-quality special effects.

The Princess of Siam Reference

ROSKINO is a state organisation presenting the Russian film industry at international festivals and film markets. 100% of the company’s shares belong to the Federal Agency for State Property Management. In 2024, the company celebrated its centenary jubilee (ROSKINO is the legal successor of the Sovexportfilm organisation, whose history started in 1924). www.roskino.org

Russian Content Worldwide (RCW) is the national umbrella brand of the Russian content industry. RCW brings together Russian industry professionals promoting their products in international markets, and is designed to raise awareness among global professional audiences about the capabilities of the Russian creative industries in the creation of films, TV series, and animation, and about Russia’s potential for broad international cooperation.

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Veteran ‘Ghajini’ and ‘Lagaan’ Actor Pradeep Rawat Passes Away at 74 After Cancer Battle

Salman

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Pradeep Rawat Passes Away at 74

NEW DELHI – The Indian film industry has lost a legendary talent. Pradeep Rawat, the beloved actor known for his powerful roles in Ghajini and Lagaan, died on Tuesday evening, August 4, 2026. He was 74 years old.

The veteran star had been bravely fighting a tough battle with blood cancer. Fans and colleagues are mourning the loss of a man who brought some of cinema’s most memorable characters to life.

Key Takeaways

  • Pradeep Rawat died at the age of 74 in Mumbai after a long battle with blood cancer.
  • He was famous for playing iconic villains and strong characters in hit movies like Ghajini, Lagaan, and Sarfarosh.
  • Top stars and directors from across India have shared heartfelt tributes to honor his amazing acting legacy.

A Sad Loss for Indian Cinema

Pradeep Rawat was a force to be reckoned with on the big screen. For decades, he entertained millions with his incredible acting skills and commanding voice. His sudden passing leaves a huge void in both Bollywood and regional cinema.

According to reports from Udayavani, the actor passed away surrounded by his loved ones. He leaves behind his wife, Kalyani Rawat, and their two children. The news has left movie lovers deeply heartbroken.

Many people remember him as a true professional who always gave his best performance. Even in his 70s, he remained active and passionate about the entertainment world.

The Battle with Blood Cancer

In recent months, Rawat faced severe health challenges. His manager confirmed that he was admitted to Mumbai’s Kokilaben Dhirubhai Ambani Hospital a month ago. Doctors tried their absolute best to treat his illness.

Recently, he was moved to a specialized cancer hospital in Bhiwandi. Sadly, his condition grew worse, and he passed away on Tuesday evening. As ANI News reported, the film fraternity quickly expressed their deep shock and sorrow.

Cancer is a terrible disease, and Rawat fought it with immense courage. His family has asked for privacy during this incredibly difficult time. Fans worldwide are sending their thoughts and prayers to his grieving loved ones.

Iconic Roles in Hindi Cinema

Pradeep Rawat started his acting journey in the 1980s. He first gained national fame by playing Ashwatthama in B.R. Chopra’s legendary television show, Mahabharat. This breakout role made him a household name across India.

However, it was the big screen where he truly shined. He played the fierce Deva Singh Sodhi in Aamir Khan’s Oscar-nominated film, Lagaan. Audiences loved his strong and heroic screen presence in that historic movie.

Later, he teamed up with Aamir Khan again for the massive blockbuster Ghajini. Playing the lead villain, Ghajini Dharmatma, he delivered a chilling performance that fans still talk about today. Furthermore, his memorable roles in Sarfarosh and The Hero: Love Story of a Spy cemented his status as a top-tier actor.

Making a Mark in South Indian Films

Rawat did not limit his immense talent to just Hindi movies. He also built a massive and highly successful career in South Indian cinema. He debuted in Telugu films in 2004 with the massive hit Sye.

His incredible performance in Sye earned him the prestigious Filmfare Award for Best Villain. He quickly became one of the most in-demand antagonists in Telugu and Tamil movies. Directors loved his intense look and powerful dialogue delivery.

Over the years, he starred in huge hits like Bhadra, Chhatrapati, and Veeram. He easily switched between languages, working in Kannada, Malayalam, and Bengali films. His ability to connect with completely different audiences was truly unmatched.

Tributes Pour In for Pradeep Rawat

As the news of his death spread, tributes began pouring in on social media. Many of his former co-stars shared emotional messages and fond memories. The Indian film community remains united in its grief today.

Yashpal Sharma, his close friend and Lagaan co-star, wrote a touching tribute. “Pradeep Rawat, our Ghajini Deva of Lagaan. RIP,” he shared online. Meanwhile, Gajendra Chauhan, who worked with him in Mahabharat, called him a wonderful friend and colleague.

Actor Sonu Sood also remembered his “Pradeep bhai” with a heartfelt and emotional post. Even international stars, like Nepali actress Vipana Thapa, expressed their deep sorrow. The sheer volume of these tributes shows exactly how much he was loved.

Pradeep Rawat may have left this world, but his art will remain forever. His movies will continue to entertain and inspire future generations of actors. He leaves behind a rich, exciting, and diverse body of work.

Interestingly, his final Hindi movie appearance was in the recent Vicky Kaushal film, Chhaava. In this movie, he played the historical character Yesaji Kank. This final role perfectly captures his deep love for grand, impactful storytelling.

Ultimately, Indian cinema has lost a truly shining star. We will always remember his scary villains, his heroic friends, and his booming voice. May his soul rest in peace.

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Stephen Colbert Has Meltdown On-Air in Final Broadcast on CBS

Jeffrey Thomas

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steven Colbert meltdown

NEW YORK – After 11 seasons and million lost, The Late Show host didn’t just say goodbye—he scorched the earth. Stephen Colbert took aim at CBS executives, corporate mergers, and political pressure in a finale that will go down in television history.

The curtains have officially closed on The Late Show with Stephen Colbert, but the veteran host did not go quietly into the night. On Thursday, May 21, 2026, Colbert delivered his final broadcast from the historic Ed Sullivan Theater in New York City. Millions of fans tuned in expecting a tearful, nostalgic goodbye. Instead, they got something much more fiery.

During his highly anticipated finale, Colbert threw what critics and media insiders are calling a historic on-air “meltdown.” He unleashed a blistering, unvarnished attack on his network bosses, corporate greed, and the immense political pressures that he believes led to his show’s untimely cancellation.

This wasn’t just a comedian telling jokes; this was a broadcaster with nothing left to lose. The fallout from his explosive exit is already sending shockwaves through the entertainment industry, shining a bright light on the massive financial losses and backstage drama that CBS claims drove their decision.

The Final Curtain: A Night of Unfiltered Outrage

For weeks leading up to the final episode, Colbert had been dropping heavy hints about his frustrations with the network. But on Thursday night, he finally took the gloves off. Surrounded by a star-studded guest list that included rock legend Bruce Springsteen, Jon Stewart, and fellow late-night hosts Jimmy Fallon, Seth Meyers, and John Oliver, Colbert used his final monologue to settle scores.

Rather than sticking to the standard industry script of thanking the corporate brass and quietly bowing out, Colbert took direct aim at CBS and its parent company, Paramount. He loudly questioned the network’s courage, its commitment to free speech, and its sudden desire to appease politicians. Springsteen even chimed in, telling Colbert on air, “You’re the first guy in America who’s lost his show because we’ve got a president who can’t take a joke.”

The atmosphere in the theater was electric. The audience blended loud cheers with stunned gasps as the host systematically dismantled the corporate narratives surrounding his departure. Colbert’s anger was palpable. The cancellation of The Late Show franchise—an institution that spans 33 years, dating back to David Letterman—marks a massive shift in television history. By tearing up the script on his last night, Colbert made it clear that he views his forced exit not as a simple business move, but as a calculated silencing of a vocal critic.

The $40 Million Question: Why CBS Really Pulled the Plug

Network executives have spent the last ten months heavily pushing back against the idea that politics played a role in the cancellation. They insist that the decision to end the show in May 2026 was purely financial. According to in-depth reporting from Snopes and various financial insiders, The Late Show was bleeding money at an unsustainable rate.

Unnamed CBS sources claimed the program was losing anywhere between $40 million and $50 million a year. How does a top-rated late-night show lose that much cash? The math comes down to massive overhead costs crashing into a rapidly changing media landscape.

Here is why the show became too expensive to keep on the air:

  • Astronomical Salaries: Colbert himself was reportedly pulling in a salary of $20 million annually.
  • Massive Production Staff: The show employed a sprawling, unionized staff of over 200 people, driving up weekly operating costs.
  • Sinking Ad Revenue: Despite averaging around 2.47 million viewers a night and leading the 11:35 p.m. time slot in total audience, traditional advertising revenue for late-night television has plummeted. Advertisers are simply not willing to pay premium rates for late-night linear television anymore.

As The Washington Examiner noted, CBS is a publicly traded company that must answer to its shareholders. Sustaining a $40 million to $50 million annual loss on a single hour of television became impossible to justify to the board, especially when cheaper programming alternatives were waiting in the wings.

Corporate Drama, Political Bribes, and the Skydance Merger

However, Colbert and his fierce defenders tell a very different story. The financial losses might be very real, but the specific timing of the cancellation raises serious red flags.

In July 2025, just days before CBS suddenly announced the end of The Late Show, Paramount Global agreed to pay a staggering $16 million to settle a lawsuit with U.S. President Donald Trump. The lawsuit centered around the editing of a 2024 60 Minutes interview featuring Democratic presidential candidate Kamala Harris.

During his final broadcasts, Colbert did not hold back his deep disgust over this settlement. He boldly referred to the $16 million payout as a “big fat bribe.” He pointed out the glaring hypocrisy of CBS claiming they desperately needed to save money while simultaneously handing millions over to a politician to make a lawsuit quietly disappear.

Furthermore, all of this corporate maneuvering unfolded while Paramount was desperately seeking federal government approval for an $8.4 billion merger with Skydance Media. Many media critics, including Colbert’s former Comedy Central colleague Jon Stewart, suggested that firing a vocal critic of the current administration was a highly convenient way to curry favor with the government and push the massive merger through smoothly. Stewart himself blasted CBS on his own show, telling executives that if they were just trying to protect their bottom line out of fear, they could “go f***” themselves.

The Ripple Effect Across Late-Night Television

Colbert’s fiery departure is much more than just the end of a single program. It signals a dramatic, permanent shift in how broadcast networks are approaching late-night entertainment. The golden era of high-paid hosts delivering sharp political satire to massive, unified audiences may officially be over.

The industry impact of CBS’s decision is already being felt in several major ways:

  • Unprecedented Competitor Solidarity: In a rare display of industry unity, rival hosts like Jimmy Kimmel and Jimmy Fallon opted to air reruns on Thursday night. They purposefully went dark so that Colbert’s final show would face absolutely zero broadcast competition.
  • The Rise of Cheaper Content: CBS is completely abandoning the traditional, expensive late-night talk show format. Starting immediately, the 11:35 p.m. slot will be taken over by Comics Unleashed with Byron Allen. This strategic move is expected to save the network over $150 million a year in production and marketing costs.
  • A Shift to Safe, Apolitical Comedy: Byron Allen recently stated that his primary goal is simply to make people laugh, explicitly telling reporters, “We don’t need the politics.” This reflects a growing desperation among networks to avoid alienating viewers and advertisers with divisive political commentary.
  • The Digital Takeover: Younger audiences are overwhelmingly turning to platforms like YouTube, TikTok, and Instagram for short-form comedy. This makes the hour-long, monologue-and-interview format feel both outdated and overly expensive to produce.

The End of an Era and a Combative Legacy

Stephen Colbert first built his national profile by playing a satirical, right-wing blowhard on The Colbert Report. When he took over the reins from David Letterman in 2015, he finally dropped the character but managed to keep his incredibly sharp political edge. Over the last 11 years, he successfully transformed The Late Show into a nightly gathering place for audiences looking for a humorous, critical take on the day’s heavy news cycle.

His final, blistering performance is a perfectly fitting end to a career built on mocking and challenging authority figures. By turning his last hour on CBS into a massive megaphone to blast his own network bosses, Colbert ensured that his television exit would be analyzed and remembered for years to come. He flatly refused to play the role of the grateful, compliant employee. Instead, he forced millions of viewers to look directly behind the curtain at the messy, often ugly intersection of corporate media, national politics, and bottom-line money.

Outside the theater on Thursday, hundreds of devoted fans gathered with signs reading “Thank You, Stephen,” a testament to the deep connection he forged with his audience. While Colbert has teased that his next project involves writing for an upcoming Lord of the Rings movie, his absence from the nightly airwaves will leave a massive void.

Whether CBS ultimately canceled the show to stop a massive financial bleeding or to quietly appease powerful political figures, one undeniable truth remains: late-night television will never be the same. The iconic Ed Sullivan Theater is now quiet, but the loud echoes of Stephen Colbert’s final, historic meltdown will continue to resonate throughout the media landscape for a very long time.

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Jimmy Kimmel and ABC in the Crosshairs of An FCC Investigation

Regulators launch deep dive into Disney-owned broadcaster’s practices and licensing standards.

Jeffrey Thomas

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Jimmy Kimmel and ABC in the Crosshairs of An FCC Investigation

NEW YORK — The Federal Communications Commission (FCC) has broken its silence, signaling a major investigation that could jeopardize the future of ABC and its late-night star, Jimmy Kimmel. For a network already grappling with a declining stock price and internal leadership shifts, the timing could not be worse.

Brendan Carr, a key commissioner at the FCC, recently confirmed that the agency is moving forward with a formal probe into the affiliate licenses of Disney-owned ABC. While the investigation officially focuses on Diversity, Equity, and Inclusion (DEI) practices and hiring rules, it comes at a moment when public patience with the network’s political tone is reaching a breaking point.

The Licensing Crisis: Is Network TV a Privilege or a Right?

Unlike cable news or streaming platforms, traditional network television operates under a specific legal framework established by the Communications Act of 1934. Broadcasters are granted licenses to use public airwaves on the condition that they serve the “public interest, convenience, and necessity.”

Commissioner Carr has indicated that this investigation is not just about a few jokes. Instead, it targets:

  • Station Licenses: A review of “Owned and Operated” (O&O) stations in major cities like New York, Los Angeles, and Chicago.
  • Illegal Discrimination: Allegations that Disney’s DEI mandates resulted in “invidious forms of discrimination” in hiring and casting.
  • Public Interest Standards: Whether the network’s increasingly partisan programming violates the spirit of its federal charter.

Jimmy Kimmel and the “Tasteless” Joke Controversy

While the FCC’s legal teeth are currently sunk into hiring practices, the public face of this crisis is Jimmy Kimmel. The late-night host has faced a firestorm of criticism following what many described as a “tasteless” joke regarding Donald Trump and Melania Trump.

Critics argue that Kimmel has “jumped the shark,” relying on increasingly aggressive political attacks rather than humor. Sources suggest that Disney’s new leadership, including CEO Josh D’Amaro, is attempting a “radio silence” strategy—hoping the controversy fades by ignoring it.

However, with the FCC involved and Donald Trump using his platform to highlight the network’s bias, the “ignore it” strategy may be failing.

The trouble isn’t just political; it’s financial. Disney stock has struggled significantly, trading at roughly half its 2021 value. Shareholders are growing restless, pointing to a string of box-office disappointments and the alienating nature of “forced” DEI narratives in content.

“If you invested in Disney stock, it’s been dead money,” notes industry analyst Trish Regan. “Investors are looking at the leadership and asking why the company continues to double down on practices that are clearly hurting the brand.”

The Road Ahead: Shareholder Lawsuits and License Reviews

The FCC’s probe is more than just a warning shot. Experts suggest it could lead to:

  1. Massive Shareholder Lawsuits: Following in the footsteps of companies like Target and Anheuser-Busch, Disney could face legal action for failing its fiduciary duty to investors.
  2. License Non-Renewal: If the FCC finds that ABC has failed to serve the public interest or engaged in illegal hiring, the very licenses that allow it to broadcast could be at risk.
  3. Creative Overhaul: With Bob Iger’s era winding down, the network may be forced to abandon its current political trajectory to survive the regulatory storm.

As the investigation unfolds, the question remains: Can ABC separate itself from the controversy of its late-night stars, or will the network’s legal and financial foundations continue to crumble? For now, the “bad news” for Jimmy Kimmel is only the tip of the iceberg for Disney.

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