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AC/DC Front Man Brian Johnson Releases Book“Hells Bells”

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AC/DC Front Man Brian Johnson Releases Memoir “Hells Bells”

Brian Johnson was a roof fitter in northeast England before tearing the roofs off arenas as the lead singer of the hard rock phenomenon AC/DC. The “Hells Bells” singer recalls his journey to becoming one of the world’s most acclaimed rock stars in his new memoir.

It’s the classic Cinderella story. Only Johnson, now 75, has been a Cinderella at least three times, never abandoning his goal of singing in a rock ‘n’ roll band.

“I don’t know what it is, but I just never, ever sort of gave in,” he said recently over the phone from his Florida home. “I was always willing to take a chance on something when more pessimistic folks wouldn’t.” “I’ve always seen the glass as half-full.”

“The Lives of Brian Johnson,” published by Dey Street Books, chronicles his ups and downs growing up near Newcastle, culminating with his joining AC/DC and releasing the famous “Back in Black” album.

“The book wasn’t so much to validate my life,” he remarked. “It was to validate the lives of all the beautiful people I met who helped form my life – school friends, factory friends, music friends.”

AC/DC Front Man Brian Johnson Releases Memoir “Hells Bells”

Music was his North Star, and he recalls being 11 years old and freaking out when he first heard Little Richard sing “Awop bop/a-loo bop/awop bam boom.” “Many have described that song, ‘Tutti Frutti,’ as the sound of rock ‘n’ roll being born — which is appropriate because my goal of being a vocalist was also formed at that moment,” he writes.

Johnson was a young father and husband as well as an apprentice engineer. He joined a British Army airborne infantry regiment to acquire enough money for a PA system.

He saw Jimi Hendriks perform when he was 15, and Sting perform when he was 15 and became friends with musicians of Slade and Thin Lizzy. He’d meet Chuck Berry, but things didn’t go well. He writes, “Never meet your heroes.”

Johnson, who would later create the immortal words “Forget the hearse/’cause I’ll never die,” made his stage debut in the delectably named The Toasty Folk Trio, survived a tragic car accident, and eventually found fame with the band Geordie.

The band made it to “Top of the Pops,” which was a huge accomplishment for any new band. He gave up a nice career at his engineering firm, but Geordie only had one Top 10 hit and quickly faded away.

AC/DC Front Man Brian Johnson Releases Memoir “Hells Bells”

“I’d lost everything at the age of 28.” “Marriage, profession, and home,” he writes. He moved home with his parents and remembered seeing AC/DC on BBC. “I enjoyed every minute of it.” But it was also a reminder that I’d had my chance and wasted it.”

Johnson rebuilt his life, first as a windscreen fitter and then as a vehicle roof repairer, and formed Georgie II. He was overjoyed. He had a small business and a small band. “I believed it was my second Cinderella story,” he adds, “but there was more to come.”

The book explains where his signature headgear came from: He once rushed to a show without changing, sweating glue and glass shards into his eyes. His brother, Maurice, loaned him his cloth driving cap for protection, which the spectators appreciated.

Even still, a part of Johnson remained unfulfilled. A chance meeting with vocalist Roger Daltrey proved decisive. The Who’s leader welcomed Johnson, living with his band in a flat with only four beds on the floor, to his manor house for lunch.

On that day, Johnson recalls Daltrey approaching him bare-chested and barefoot, gripping onto the mane of his galloping white horse (“If this isn’t a rock star, I don’t know what is,” he writes.)

“‘I’m going to give you one bit of advice, Brian,’ he said. Never, ever quit. Do you get what I’m saying? Never, ever, ever lose up.’ “And I took that to heart,” Johnson said. “He probably forgot he said that, but I don’t.”

AC/DC Front Man Brian Johnson Releases Memoir “Hells Bells”

Bon Scott, AC/original DC’s lead singer, died in 1980, and Johnson was given an audition to replace him based on recommendations, including one from Scott himself, who had heard him perform one night. Johnson didn’t realize they’d met until years later.

Malcolm Young, co-founder and rhythm guitarist, offered Johnson a Newcastle Brown Ale during the audition, a charming tribute to Johnson’s ancestry. Johnson’s first song with the band at the audition was Tina Turner’s “Nutbush City Limits.” (“It was the most electrifying experience of my life,” he writes.) They then performed some AC/DC songs. Of course, he got the job.

Rowland White, the author of “Into the Black,” Johnson’s editor, said the shape of Johnson’s story is “exceptional because it doesn’t normally happen like that.”

“He was content that he’d given it a shot and made peace with it.” And it makes the shot at AC/DC feel more pleasant since it’s no longer something he’s strained for.”

AC/DC Front Man Brian Johnson Releases Memoir “Hells Bells”

The book concludes just as Johnson fulfills his lifelong dream. If fans want to know more about AC/beginnings, DC, he says, that’s not his narrative to tell – that’s for surviving members guitarist Angus Young, bassist Cliff Williams, and drummer Phil Rudd.

“That book belongs to the people who were there from the beginning,” he continued, “because that’s what I want to hear.”

Johnson is a natural storyteller, and his manager was the one who recommended a memoir. Johnson fought back. “Every week, some aging actor or musician publishes a book.” ‘No, not another one,’ I’ve always said.

Johnson, though, was urged to write a few chapters and sat down with a yellow legal pad. He wrote a book a few years later, which he dedicated to his great-great-great grandkids.

Why? On the way to his grandfather’s funeral, he asked his father about him. His father described him as “just a dude.” Then he inquired about his father’s grandfather, whose response was, “How the hell would I know?”

“I thought to myself, ‘What a shame, what a pity,'” Johnson added. “A few generations later, no one knows anyone.” As a result, I composed it for my grandchildren. I hope this book’s writings will help you get to know me a little better. And I hope you have a little piece of me in you and that you have a long and happy life.”

Source: AP, VOR News

Geoff Thomas is a seasoned staff writer at VORNews, a reputable online publication. With his sharp writing skills and deep understanding of SEO, he consistently delivers high-quality, engaging content that resonates with readers. Thomas' articles are well-researched, informative, and written in a clear, concise style that keeps audiences hooked. His ability to craft compelling narratives while seamlessly incorporating relevant keywords has made him a valuable asset to the VORNews team.

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Ethan Hawke And Maya Hawke Have A Running Joke About ‘Wildcat,’ Their Flannery O’Connor Movie

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Ethan Hawke and his daughter, Maya Hawke, have a running joke about their Flannery O’Connor film.

“Wildcat,” directed by Ethan and starring Maya as O’Connor, was created with genuine authenticity. It’s a deeply creative look at the Southern Catholic novelist and short story writer behind “A Good Man is Hard to Find,” weaving in and out of her imagination and actual life.

Lupus claimed O’Connor’s life in 1964, when she was 39. She won the National Book Award posthumously in 1972. Though she is well-known for her language and sharp social satire, she has recently faced criticism for racism in her private correspondence and her depiction of race in her work. It was a difficult but potentially rewarding region. However, the Hawkes can’t help but giggle as they imagine pitching to a major studio or streamer.

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Ethan Hawke And Maya Hawke Have A Running Joke About ‘Wildcat,’ Their Flannery O’Connor Movie

Here’s how things could go:

Maya: “We want to make a film about an unfortunate-looking woman with lupus.” She struggles with her beliefs and does not have any lovers.

Ethan: “She’s a really brilliant writer but she’s completely unsuccessful.”

Maya: “Also, her minor success has recently been utterly disregarded, and people are mostly concerned in deleting her from the canon these days. “What do you think?”

Jonathan: “Sounds like the makings of a commercial, hit movie!”

If it isn’t clear, “Wildcat” (in select theaters Friday) was produced independently. To flesh out the cast, both Hawkes relied largely on friends with whom they had previously collaborated. The large ensemble includes Laura Linney, Liam Neeson, Steve Zahn, and Vincent D’Onofrio, to mention a few.

Maya had the concept for a movie about the day she decided to devote her life to acting. Despite having two successful actresses as parents, including mother Uma Thurman, she had hesitated due to her passion of reading. She was concerned that if she attended Juilliard, she would be forced to choose a decision. So, in a little act of defiance, Maya decided to audition not with a monologue from the theatrical canon, but with one she had revised from O’Connor’s “Prayer Journal” with her father during his breaks while filming “The Magnificent Seven.”

“If I showed them that I was really interested in literature, and if then they still wanted me, then it would probably be a place that would still allow me to explore language and writing and poetry the way that I wanted,” Maya said. “What a rebel.”

Ethan had also read O’Connor early on, at the suggestion of his mother, who encouraged him to read female authors in addition to Faulkner and Hemingway. They were both drawn to this prickly woman who wrote about faith without preaching, as well as about race and white Christian hypocrisy, in a way that few others had. She was also talented, self-deprecating, and suffering with the sickness that killed her father. At 24, she received her diagnosis and returned to Milledgeville, Georgia, to live with her mother (portrayed by Linney).

Ethan has little interest in biopics, particularly “in the age of Wikipedia.” However, upon deciding to direct and co-write the film, he was inspired by films such as Martin Scorsese’s “Raging Bull” and Jane Campion’s “An Angel At My Table.” They were about real people, Jake LaMotta and Janet Frame, but they did not require any prior knowledge of boxing or literature. They were only films about individuals.

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Ethan Hawke And Maya Hawke Have A Running Joke About ‘Wildcat,’ Their Flannery O’Connor Movie

“(‘Wildcat’) is a kind of treatise on imagination, reality and faith and how those three things intersect with each other,” he remarked. “I’m not attempting to teach a college course on Flannery. We used her life experience as a starting point for a conversation.

Before delving too deeply into the process, they addressed themselves difficult questions about filming a film about someone who has made racist remarks.

“It begged the question: Do we want to make a film about someone who said some hurtful words at some point? What would it say about us if we did? And how do you become a decent anti-racist? Ethan said. “One of the things I realized was that you can’t create a story about America, past or present, without mentioning America’s wounds, crimes, and sins. One academic put it beautifully: Flannery O’Connor is a racist in rehabilitation, much like our society.

Maya pondered if depiction was always a celebration or if it could be an observation. She hopes it’s the latter, which she describes as a politeness that is frequently provided to films about complicated guys but may be less so when it comes to female characters.

Something remarked by novelist James McBride when Ethan was writing on “The Good Lord Bird” remained with him as well.

“He used to say how important it was that you don’t paint racists with horns on their head because people don’t have horns and racism is real,” Ethan added.

After much research and deliberation, they decided not to back down from the topic or defend her.

“I’m interested in this woman, and I’m interested in all the truths of her life,” he added.

“Wildcat” also served as inspiration for Maya’s upcoming album, “Chaos Angel” (due out May 31). The title and title track are based on a scene she shared with Philip Ettinger in which O’Connor discusses wrestling with her guardian angel.

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Ethan Hawke And Maya Hawke Have A Running Joke About ‘Wildcat,’ Their Flannery O’Connor Movie

“That idea really hit me in my gut,” Maya remarked. “We resist our better selves… As soon as we finished shooting the film, I went to make this album.”

Maya is now 25, the same age her father was when he finished “Before Sunrise” and was performing on stage in Chicago in Sam Shepard’s “Buried Child.” They are close and like-minded, frequently finishing one other’s words. However, Hawke admits that he is little envious of Maya’s musical abilities.

“There’s a part of me that has joked my whole life that all I really am is a failed musician,” he remarked. “All art strives to be music. It’s the simplest emotional connection we may form with one another. So, to see her thrive in this art form? I’m a little jealous of her for that.”

SOURCE – (AP)

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Wordle Answer Today: Check Today’s Wordle #1052 Hints For May 6

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Wordle Answer Today Check Today’s Wordle #1052 Hints For May 6

Are you still able to guess the wordle answer today? We have the Wordle solution for today, 6th May, whether you are starting your day or unwinding after a busy one.

You have six attempts to figure out the five-letter word of the day. The fewer guesses you make, the better your performance. You will lose your winning streak if you cannot guess the word.

Finding Wordle Answer Today is important to maintain your Snapchat streak. Instead of taking a risky last guess, why not take advantage of a few hints or get the definitive answer if all else fails?

You can find the daily Wordle Answer Today on CTN News if you have not yet guessed.

How did Wordle get started?

As a gift from engineer Josh Wardle to his partner, Wordle quickly became a global phenomenon, played daily by thousands of people worldwide.

In addition, fans created alternate versions of Wordle, including battle royale Squabble, the music identification game Heardle, and variations such as Dordle and Quordle, which require guessing multiple words simultaneously.

Eventually, Wordle became so popular that the New York Times purchased it, and TikTok creators live-streamed themselves playing the game.

Is Wordle becoming more difficult?

While Wordle seems to be getting harder, it isn’t more challenging than when it first began.

Here is a hint for today’s Wordle:

Hair removal on the body.

Does Wordle Answer Today have a double letter?

There are no duplicate letters.

Today’s Wordle is a 5-letter word that starts with…

The wordle for today begins with the letter S.

The Wordle answer today is…

We will reveal the Wordle Answer today shortly, so place your final guess now.

VOR News

Check Today’s Wordle #1052 Hints For May 6

Here is the solution to Wordle #1052…

The Wordle answer today is SHAVE”

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Madonna’s Biggest-Ever Concert Transforms Rio’s Copacabana Beach Into A Massive Dance Floor

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Rio de Janeiro – Madonna performed a free concert on Copacabana beach Saturday night, transforming Rio de Janeiro’s long stretch of sand into a gigantic dance floor packed with her followers.

It was the final performance of The Celebration Tour, her first retrospective, which began in October in London.

The “Queen of Pop” opened the event with her 1998 song, “Nothing Matters.” Huge cheers erupted from the humming, dense crowd against the barriers. Others had house parties in brightly lit flats and hotels overlooking the ocean. Helicopters and drones hovered overhead as motorboats and sailboats anchored off the beach crowded the bay.

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Madonna’s Biggest-Ever Concert Transforms Rio’s Copacabana Beach Into A Massive Dance Floor

“Here we are in the most beautiful place in the world,” Madonna, 65, addressed the audience. She pointed out the ocean view, the mountains, and the Christ the Redeemer statue overlooking the city, “This place is magic.”

Madonna performed her iconic classics, such as “Like A Virgin” and “Hung Up.” For the opening to “Like A Prayer,” her head was entirely covered in a black cape, and she held a rosary in her hands.

The diva paid an emotional homage to “all the bright lights” lost to AIDS while singing “Live to Tell,” with black and white photographs of those who perished from the illness flashing behind her.

Later, she was joined on stage by Brazilian musicians Anitta and Pabllo Vittar.

Rio spent the last few days preparing for the performance.

According to G1, an estimated 1.6 million people attended the show, which Rio City Hall’s tourism department organized. This is more than ten times Madonna’s record attendance of 130,000 at Paris’ Parc des Sceaux in 1987. Madonna’s official website promoted the event as the largest of her four-decade career.

In recent days, the excitement was evident. Fans gathered outside the grand, beachside Copacabana Palace hotel, where Madonna is staying, hoping to glimpse the music icon. During the sound check on the stage set up in front of the hotel, they danced on the beach.

By lunchtime Saturday, people had gathered in front of the hotel. A white-bearded man carried a banner that read, “Welcome Madonna, you are the best. I love you.”

Flags with “Madonna” printed over a background of Copacabana’s famous black and white waved sidewalk pattern were strung from balconies. The area was packed with street vendors and concertgoers dressed in themed T-shirts, sweating beneath the hot heat.

“Since Madonna arrived here, I’ve been coming every day with this outfit to welcome my idol, my diva, my pop queen,” said Rosemary de Oliveira Bohrer, 69, wearing a gold-colored cone bra and a black cap.

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Madonna’s Biggest-Ever Concert Transforms Rio’s Copacabana Beach Into A Massive Dance Floor

“It’s going to be an unforgettable show here in Copacabana,” said Oliveira Bohrer, a retired civil servant who lives nearby.

Eighteen sound towers were positioned around the beach to ensure all attendees could hear the music. Her two-hour presentation began at 10:37 p.m. local time, about 50 minutes behind schedule.

City Hall issued a report in April indicating that the event would contribute 293 million reals ($57 million) to the local economy. The Hotel Association of Rio predicted that hotel capacity in Copacabana will reach 98%. According to the platform, fans across Brazil, Argentina, and France booked Airbnb for the weekend. According to a City Hall statement, Rio’s international airport expected 170 flights from 27 locations between May 1 and May 6.

“It’s a unique opportunity to see Madonna, who knows if she’ll ever come back,” said Alessandro Augusto, 53, who flew in from Brazil’s Ceara state, almost 2,500 kilometers (1,555 miles) from Rio.

“Welcome Queen!” ran Heineken advertisements all across the city, the words above an image of an upturned bottle cap simulating a crown.

Heineken was one of many firms hoping to profit from the frenzy. Bars and restaurants made “Like a Virgin” cocktails. A downtown boutique famous for selling Carnival garb has entirely remade itself, loading its shelves with Madonna-themed costumes, fans, fanny packs, and lingerie.

According to local authorities, the mega-event was organized similarly to New Year’s Eve, when millions of people congregate on Copacabana for a fireworks display. That yearly festival is notorious for numerous thefts and muggings, and there were concerns that Madonna’s appearance would be no exception.

Rio’s security strategy comprised 3,200 military men and 1,500 civilian police officers on standby. In the run-up to the event, Brazil’s navy inspected yachts that wanted to position themselves offshore to see the performance.

madonna

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Madonna’s Biggest-Ever Concert Transforms Rio’s Copacabana Beach Into A Massive Dance Floor

Several massive concerts have previously taken place on Copacabana beach, including Rod Stewart’s 1994 New Year’s Eve show, which drew more than 4 million people and was the largest free rock concert in history, according to Guinness World Records. Many of those spectators also came to witness Rio’s fireworks spectacular, so a more fitting comparison could be to the Rolling Stones in 2006, when 1.2 million people flocked to the sand, according to Rio’s military police, the daily Folha de Sao Paulo said at the time.

Ana Beatriz Soares, a fan who attended Copacabana on Saturday, said Madonna had left an indelible mark over the years.

“Madonna had to sprint so that modern pop musicians could walk. That’s why she’s significant, since she acts as an influence to today’s pop divas,” Soares explained.

“And that was forty years ago, not in 40 days, but in 40 months. “It’s been 40 years,” she said.

SOURCE – (AP)

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